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Type
Text
254
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150
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7
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"College of Fine Arts"
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Title
Date
Type
Setname
76
Creolite and cultural cannibalism: reconstructing Cuban identity in the work of Marta Maria Perez Bravo and Maria Magdalena Campos-Pons
2012-12
Text
ir_etd
77
Cuarteto Claroscuro
1997
Text
ir_uspace
78
Curing, detail view
2006
Image
ir_uspace
79
Curing, detail view
2006
Image
ir_uspace
80
Curing, sitting view
2006
Image
ir_uspace
81
Curing, sitting view
2006
Image
ir_uspace
82
Curing, view from the entrance
2006
Image
ir_uspace
83
Curing, view from the entrance
2006
Image
ir_uspace
84
Curing, view from the southeast corner
2006
Image
ir_uspace
85
Curing, view from the southeast corner
2006
Image
ir_uspace
86
Cybermuse
2002
Image
ir_uspace
87
Dance and isolation: themes of technology, independence, loneliness, control, vulnerability, and connection
2018
Text
ir_etd
88
Dance as a place-making device: examining environmental psychology and place-identity through choreography and performance
2009-05
Text
ir_etd
89
Dance as Activism: Exploring Gun Violence Through Movement and Text
2019
Text
ir_htoa
90
Dance hacking: digital technology and the performing body
2014-08
Text
ir_etd
91
Dance movement therapy: transforming psychological trauma into growth
2019
Text
ir_etd
92
Dance theatre of Alwin Nikolais
1905-05-20
Text
ir_etd
93
Dance training as mechanism for overcoming the technologization of the body
2013-08
Text
ir_etd
94
Dances Inspired by the Navaho
1971
Text
ir_etd
95
Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance
2015-05
Text
ir_etd
96
Dancing from within: the role of intuition
2008-08
Text
ir_etd
97
Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda
2012-05
Text
ir_etd
98
Dancing toward humanity: accessing embodiment in artifice within the choreographic and performative processes
2013-08
Text
ir_etd
99
Danza del Ocaso
1998
Text
ir_uspace
100
Danza del Ocaso
1998
Text
ir_uspace
76
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