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TitleDateTypeSetname
1 The language of fibers: how movement emerges from space harmony theory and architecture2016Textir_etd
2 A Slingshot out of the valley contemporary relevance of the local in the local art scene2009Textir_etd
3 Oh the Humanities! Using the Clemente Program to Educate Underserved Students in Art History2016-08Textir_htoa
4 Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats2015-05Textir_etd
5 Power, panopticism, and pilgrimage: the image program at conques2018Textir_etd
6 Travel in dance education: what's the pointe?2014-05Textir_htoa
7 Zen from religiosity to corporeality to spirituality in dance2019Textir_etd
8 (UN)Known Origin2017Textir_htoa
9 Three creative projects in directing: an original play, a scripted film, a documentary film1974-12Textir_etd
10 Tabula Rasa: let's begin again modern dance and social activism2009-05-14Textir_etd
11 Situating Helen Frankenthaler's Wizard2014-05Textir_etd
12 Terminal structures: Ant Farm's Cadillac Ranch, 19742014-08Textir_etd
13 The marrow of the bone: An actor's process and privilege1991-06Textir_htca
14 Embodied spectacle: an exploration of three-dimensional performance2012-05Textir_etd
15 A Measurement of certain skills of musicianship among high school brass, woodwind, and percussion players1976Textir_etd
16 Embodying tourism and performance: a new look at landscape2008-08Textir_etd
17 Metamorphosis: radically imagining the body through collage and the grotesque2016Textir_etd
18 The Unassuming Subversion of Jacksonian-ERA Democracy: An Analysis of Mary Edmonia Lewis's Minnehaha and Hiawatha of 18682019Textir_htoa
19 Music integration as part of an arts integration initiative: a closer look at implications for the music educator2016Textir_etd
20 How Much of What We Did Was Good?2019Textir_htoa
21 Education, art and Activism: Collecting the Stories of World-Changers2020Textir_htoa
22 Wild, wild love: Developing new work for the stage2015-04Text; Image/MovingImageir_htca
23 Dance theatre of Alwin Nikolais1905-05-20Textir_etd
24 The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture2011-08Textir_etd
25 Gold powder and gunpowder: the appropriation of western firearms into japan through high culture2015-08Textir_etd
1 - 25 of 32