Title | Date | Type | Setname | ||
---|---|---|---|---|---|
1 | Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre | 2018 | Text | ir_etd | |
2 | You Do You: A Theoretical Exploration of Audience Agency in Theatre | 2017 | Text | ir_htoa | |
3 | Three creative projects in directing: an original play, a scripted film, a documentary film | 1974-12 | Text | ir_etd | |
4 | History of the modern dance program at the University of Utah 1968-1989 | 2010-07 | Text | ir_etd | |
5 | A personal philosophy: its basis and implications | 1970 | Text | ir_etd | |
6 | Embodying tourism and performance: a new look at landscape | 2008-08 | Text | ir_etd | |
7 | Performativity and identity in the illuminated photographs of the Countess de Castiglione | 2013 | Text | ir_etd | |
8 | Tania Candiani's Bordadora (2012): the intersecting histories of religion and women's labor in Mexico | 2016 | Text | ir_etd | |
9 | Ripe with meaning: the pregnant body in contemporary dance | 2010 | Text | ir_etd | |
10 | Terminal structures: Ant Farm's Cadillac Ranch, 1974 | 2014-08 | Text | ir_etd |