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Creator | Title | Description | Subject | Date |
1 |
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Chuaqui, Miguel Basim | Canto Repartido | El Canto Repartido (The Shared Out Song) takes its title from a poem in the collection Las Uvas y el Viento (The Grapes and the Wind) by the Chilean poet Pablo Neruda. Many of the poems in this collection have a communist political tone, and critics often describe the poems in this book as among the... | Shared Out Song | 2004 |
2 |
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Chuaqui, Miguel Basim | Casi Cueca | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu... | | 1997 |
3 |
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Snapp, Brian | Collapsible Chair (back) | Chairs -- Art | | 2005; 2006 |
4 |
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Snapp, Brian | Collapsible Chair (front) | Chairs -- Art | | 2005; 2006 |
5 |
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Chuaqui, Miguel Basim | Cuarteto Claroscuro | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art" I do have an abiding desire for my musi... | | 1997 |
6 |
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Snapp, Brian | Curing, detail view | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
7 |
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Snapp, Brian | Curing, detail view | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
8 |
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Snapp, Brian | Curing, sitting view | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
9 |
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Snapp, Brian | Curing, sitting view | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
10 |
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Snapp, Brian | Curing, view from the entrance | Form: installation; Medium: mixed media; Dimensions:variable | Painting | 2006 |
11 |
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Snapp, Brian | Curing, view from the entrance | Form: installation; Medium: mixed media; Dimensions:variable | Painting | 2006 |
12 |
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Snapp, Brian | Curing, view from the southeast corner | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
13 |
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Snapp, Brian | Curing, view from the southeast corner | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
14 |
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Webster, Maryann Sorensen | Cybermuse | Form: object/sculpture; Medium: porcelain, china paint, circuit boards; Dimensions: 18 x 15 x 5"" | | 2002 |
15 |
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Chuaqui, Miguel Basim | Danza del Ocaso | Danza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati... | Dusk Dance; Latin American; Three instruments | 1998 |
16 |
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Chuaqui, Miguel Basim | Danza del Ocaso | Danza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati... | Dusk Dance; Latin American; Three instruments | 1998 |
17 |
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Chuaqui, Miguel Basim | De metal y madera: for flute, cello, percussion, and electronics | | | 1999 |
18 |
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Chuaqui, Miguel Basim | Desde el Límite | In Desde el Límite (From the Edge) I was inspired by the experience of my granduncle, Benedicto Chuaqui as presented in his book "Memorias de un Emigrante" (Memoirs of an Immigrant), who immigrated to Chile from Syria in the early 1900s. In the work there are disguised references to American musica... | From the Edge; Benedicto Chuaqui; Chilean music | 2006 |
19 |
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Krensky, Beth | Desire | Form: sculpture; Medium: bronze, pigment; Dimensions: 8 x 3 x 3-1/2" | | 2005 |
20 |
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Webster, Maryann Sorensen | Dying Reef | | | 2005 |
21 |
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Webster, Maryann Sorensen | Endangered Earth Reliquary | | | 2006 |
22 |
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Webster, Maryann Sorensen | False Healer | Form: object/sculpture; Medium: porcelain, china paint, wood frame; Dimensions: 18 x 20 x 5"" | | 2002 |
23 |
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Snapp, Brian | Flying Chair | Chairs -- Art | | 2005; 2006 |
24 |
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Krensky, Beth | Four Worlds | Form: sculpture; Medium: alabaster, gold leaf; Dimensions: (4) each 13 x 7 x 8-1/2" | | 2005 |
25 |
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Webster, Maryann Sorensen | Good Twin, Evil Twin (back) | Form: object/sculpture; Medium: porcelain, glass eyes; Dimensions: 15 x 13 x 14"" | | 2006 |