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Creator | Title | Description | Subject | Date |
26 |
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Snapp, Brian | Curing, sitting view | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
27 |
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Snapp, Brian | Curing, view from the entrance | Form: installation; Medium: mixed media; Dimensions:variable | Painting | 2006 |
28 |
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Snapp, Brian | Curing, view from the entrance | Form: installation; Medium: mixed media; Dimensions:variable | Painting | 2006 |
29 |
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Snapp, Brian | Curing, view from the southeast corner | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
30 |
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Snapp, Brian | Curing, view from the southeast corner | Form: installation; Medium: mixed media; Dimensions: variable | Painting | 2006 |
31 |
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Webster, Maryann Sorensen | Cybermuse | Form: object/sculpture; Medium: porcelain, china paint, circuit boards; Dimensions: 18 x 15 x 5"" | | 2002 |
32 |
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Chuaqui, Miguel Basim | Danza del Ocaso | Danza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati... | Dusk Dance; Latin American; Three instruments | 1998 |
33 |
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Chuaqui, Miguel Basim | Danza del Ocaso | Danza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati... | Dusk Dance; Latin American; Three instruments | 1998 |
34 |
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Chuaqui, Miguel Basim | De metal y madera: for flute, cello, percussion, and electronics | | | 1999 |
35 |
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Chuaqui, Miguel Basim | Desde el Límite | In Desde el Límite (From the Edge) I was inspired by the experience of my granduncle, Benedicto Chuaqui as presented in his book "Memorias de un Emigrante" (Memoirs of an Immigrant), who immigrated to Chile from Syria in the early 1900s. In the work there are disguised references to American musica... | From the Edge; Benedicto Chuaqui; Chilean music | 2006 |
36 |
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Krensky, Beth | Desire | Form: sculpture; Medium: bronze, pigment; Dimensions: 8 x 3 x 3-1/2" | | 2005 |
37 |
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Webster, Maryann Sorensen | Dioxin Sea | | | 2009 |
38 |
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Webster, Maryann Sorensen | Dream Reliquary (side A) | | | 2009 |
39 |
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Webster, Maryann Sorensen | Dream Reliquary (side B) | | | 2009 |
40 |
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Chuaqui, Miguel Basim | Dream Swim | Score for work for 2 violins, viola, and 2 cellos. | music, score, strings, quintet | 2011 |
41 |
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Webster, Maryann Sorensen | Dying Reef | | | 2005 |
42 |
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Webster, Maryann Sorensen | Dying Reef II | | | 2009 |
43 |
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Webster, Maryann Sorensen | Endangered Earth Reliquary | | | 2006 |
44 |
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Erickson, John Owen | Entrance | Form: painting; Medium: oil and latex; Dimensions: 18 x 24" | Painting; Door; Lighted entryway | 2008 |
45 |
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Jones, Pamela Palmer; Chaufty, Lisa Marie; Richards, Leslie Jean; Grundvig, Kimberly Ann; Hart, Cheryl | Evening of baroque music | U School of Music Faculty Concert. Sundays @ 7 Spotlight Concert. "An Evening of Baroque Music." Pamela Palmer Jones, harpsichord. Cheryl Hart, soprano. Lisa Chaufty and Kim Grundvig, recorders. Leslie J. Richards, viola da gamba. Sunday, October 9, 2009. Libby Gardner Concert Hall. 7:00 p.m. | | 2009-10-04 |
46 |
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Webster, Maryann Sorensen | False Healer | Form: object/sculpture; Medium: porcelain, china paint, wood frame; Dimensions: 18 x 20 x 5"" | | 2002 |
47 |
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Krensky, Beth | Finials | Form: sculpture; Medium: bronze, gold leaf; Dimensions: (14) each approx. 2 x 2 x 1-1/2" | | 2007 |
48 |
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Erickson, John Owen | Flight | Form: painting; Medium: oil and latex; Dimensions: 18 x 24" | Painting; Woman running away | 2008 |
49 |
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Snapp, Brian | Flying Chair | Chairs -- Art | | 2005; 2006 |
50 |
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Krensky, Beth | Four Worlds | Form: sculpture; Medium: alabaster, gold leaf; Dimensions: (4) each 13 x 7 x 8-1/2" | | 2005 |