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CreatorTitleDescriptionSubjectDate
1 Chuaqui, Miguel BasimCanto RepartidoEl Canto Repartido (The Shared Out Song) takes its title from a poem in the collection Las Uvas y el Viento (The Grapes and the Wind) by the Chilean poet Pablo Neruda. Many of the poems in this collection have a communist political tone, and critics often describe the poems in this book as among the...Shared Out Song2004
2 Krensky, BethArts-based service-learning: a state of the fieldOver the past two decades, there has been significant academic and public discourse in the United States regarding matters of civic engagement, with particular interest in the behavioral trends demonstrated by young people. Research shows that in the US, young people demonstrated the lowest voti...2008
3 Nardo, Rachel L.California preschool curriculum framework, Volume 2I am pleased to present the California Preschool Curriculum Framework, Volume 2, a publication I believe will be a major effort in working to close the school-readiness gap for young children in our state. Created as a companion to the California Preschool Learning Foundations, this framework presen...2011-01-01
4 Chuaqui, Miguel BasimBlues M?gicoBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
5 Chuaqui, Miguel BasimAncient wing for solo fluteArchaeopteryx (Ancient Wing) was a prehistoric animal, presumably the "missing link" between reptiles and birds. I portrayed the dual nature of the animal by writing music that represents it both as a lizard-like motionless reptile, suddenly scuttling through the forest, as well as an ungainly bird,...1998
6 Chuaqui, Miguel BasimMeditaci?nI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
7 Chuaqui, Miguel BasimPenumbraI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
8 Jones, Pamela Palmer; Chaufty, Lisa Marie; Richards, Leslie Jean; Grundvig, Kimberly Ann; Hart, CherylEvening of baroque music
9 Chuaqui, Miguel Basim; Chaufty, Lisa MarieArioso for alto recorder and live electronics [videorecording]Performed by Lisa Chaufty (recorder) and Miguel Chuaqui (composer) as part of the Sundays@7 concert series, School of Music, The University of Utah. Program Notes from Miguel Chuaqui, the composer: Arioso is a style of singing between the recitative and aria that arose in the 16th century. The form ...Instrumental music; Electronic music; Chamber music2012-09-09
10 Chuaqui, Miguel BasimArioso for alto recorder and live electronics [score]Program notes from Miguel Chuaqui, the composer: Program Notes: Arioso is a style of singing between the recitative and aria that arose in the 16th century. The form is usually free, and it tends to include frequent tempo changes. The piece is inspired by a print from a picture of a captive unicorn ...Instrumental music; Electronic music; Chamber music2012-09-09
11 Chuaqui, Miguel BasimCasi CuecaI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
12 Jones, Pamela Palmer; Chaufty, Lisa Marie; Richards, Leslie Jean; Grundvig, Kimberly Ann; Hart, CherylEvening of baroque music
13 Chuaqui, Miguel BasimDe metal y madera: for flute, cello, percussion, and electronics1999
14 Chuaqui, Miguel BasimBlues RoncoBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
15 Chuaqui, Miguel BasimHyperbole for flute, clarinet, violin, cello, and piano1996
16 Chuaqui, Miguel BasimBlues en el CorazónBlues en el Corazón is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of al...3 Pieces for Piano; Music2009
17 Chuaqui, Miguel BasimCuarteto ClaroscuroI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art" I do have an abiding desire for my musi...1997
18 Chuaqui, Miguel BasimMareasIn Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ...Tides; Carlton Vickers; Chilean music; Bell sounds2005
19 Chuaqui, Miguel BasimDream SwimScore for work for 2 violins, viola, and 2 cellos.music, score, strings, quintet2011
20 Chuaqui, Miguel BasimDanza del OcasoDanza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati...Dusk Dance; Latin American; Three instruments1998
21 Chuaqui, Miguel BasimSalmo 139Choral music work in Spanish based on Psalm 139.music, SSATB Choir2009
22 Webster, Maryann SorensenDying Reef2005
23 Webster, Maryann SorensenDioxin Sea2009
24 Webster, Maryann SorensenShallow Edge of the Gene Pool II2007
25 Webster, Maryann SorensenDying Reef II2009
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