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CreatorTitleDescriptionSubjectDate
1 Erickson, John Owen50% SolutionForm: painting; Medium: oil and latex; Dimensions: 18 x 24"Painting2008
2 Erickson, John OwenAcademiaForm: painting; Medium: oil and latex; Dimensions: 18 x 24"Painting2008
3 Erickson, John OwenAdamForm: painting; Medium: oil and latex; Dimensions: 18 x 24"Painting2008
4 Neimoyer, SusanAfter the rhapsody: George Gershwin in the Spring of 1924The year 1924 was a banner period in the early career of the young George Gershwin. The astonishingly successful premiere of the Rhapsody in Blue with Paul Whiteman's orchestra in 12 February 1924, in some ways made it the year of the Rhapsody. Thanks to the business acumen that prompted Whiteman to...2014-01-01
5 Chuaqui, Miguel BasimAncient wing for solo fluteArchaeopteryx (Ancient Wing) was a prehistoric animal, presumably the "missing link" between reptiles and birds. I portrayed the dual nature of the animal by writing music that represents it both as a lizard-like motionless reptile, suddenly scuttling through the forest, as well as an ungainly bird,...1998
6 Erickson, John OwenApple BoyForm: painting; Medium: oil and latex; Dimensions: 18 x 24"Painting2008
7 Chuaqui, Miguel BasimArioso for alto recorder and live electronics [performance materials]This is a zipped file which contains the following materials for the renedering of this piece for performance, as follows: 1) Chuaqui_Arioso_Max6_Patch_9-9-12 (folder of Max6 Patch files); 2) Chuaqui_Arioso_Patch_9-9-12; 3) Chuaqui_Arioso_Program_Notes_9-9-12.pdf; 4) Chuaqui_Arioso_Score_9-9-12.pdf.Instrumental music; Electronic music; Chamber music; dataset2012-09-09
8 Chuaqui, Miguel BasimArioso for alto recorder and live electronics [score]Program notes from Miguel Chuaqui, the composer: Program Notes: Arioso is a style of singing between the recitative and aria that arose in the 16th century. The form is usually free, and it tends to include frequent tempo changes. The piece is inspired by a print from a picture of a captive unicorn ...Instrumental music; Electronic music; Chamber music2012-09-09
9 Chuaqui, Miguel Basim; Chaufty, Lisa MarieArioso for alto recorder and live electronics [videorecording]Performed by Lisa Chaufty (recorder) and Miguel Chuaqui (composer) as part of the Sundays@7 concert series, School of Music, The University of Utah. Program Notes from Miguel Chuaqui, the composer: Arioso is a style of singing between the recitative and aria that arose in the 16th century. The form ...Instrumental music; Electronic music; Chamber music2012-09-09
10 Krensky, BethArts-based service-learning: a state of the fieldOver the past two decades, there has been significant academic and public discourse in the United States regarding matters of civic engagement, with particular interest in the behavioral trends demonstrated by young people. Research shows that in the US, young people demonstrated the lowest voti...2008
11 Snapp, BrianBig Drain, Little Flame, Lots of Pain2007
12 Chuaqui, Miguel BasimBlues ClaroBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
13 Chuaqui, Miguel BasimBlues en el CorazónBlues en el Corazón is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of al...3 Pieces for Piano; Music2009
14 Chuaqui, Miguel BasimBlues M?gicoBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
15 Chuaqui, Miguel BasimBlues RoncoBlues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all...3 Pieces for Piano; Music2009
16 Krensky, BethBridge IIForm: sculpture; Medium: bronze; Dimensions: 16 x 17-1/2 x 6"2007
17 Krensky, BethBridge IIIForm: sculpture; Medium: bronze; Dimensions: variable, (108) each approx. 1 x 12 x 1/4"2007
18 Krensky, BethBridge III (detail)Form: sculpture; Medium: bronze; Dimensions: variable, (108) each approx. 1 x 12 x 1/4"2007
19 Nardo, Rachel L.California preschool curriculum framework, Volume 2I am pleased to present the California Preschool Curriculum Framework, Volume 2, a publication I believe will be a major effort in working to close the school-readiness gap for young children in our state. Created as a companion to the California Preschool Learning Foundations, this framework presen...2011-01-01
20 Chuaqui, Miguel BasimCanto RepartidoEl Canto Repartido (The Shared Out Song) takes its title from a poem in the collection Las Uvas y el Viento (The Grapes and the Wind) by the Chilean poet Pablo Neruda. Many of the poems in this collection have a communist political tone, and critics often describe the poems in this book as among the...Shared Out Song2004
21 Chuaqui, Miguel BasimCasi CuecaI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu...1997
22 Snapp, BrianCollapsible Chair (back)Chairs -- Art2005; 2006
23 Snapp, BrianCollapsible Chair (front)Chairs -- Art2005; 2006
24 Chuaqui, Miguel BasimCuarteto ClaroscuroI grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art" I do have an abiding desire for my musi...1997
25 Snapp, BrianCuring, detail viewForm: installation; Medium: mixed media; Dimensions: variablePainting2006
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