Title | Date | Type | Setname | ||
---|---|---|---|---|---|
1 | Breaking the "armored ceiling": women in combat positions and the ontology of gender | 2016 | Text | ir_etd | |
2 | Plotting dissonance: paradoxes of trauma and imagination in the creative process | 2021 | Text | ir_etd | |
3 | Pins, felt, and cloth: performing Mormon feminism | 2014-05 | Text | ir_etd | |
4 | Reflections of self: male-male relationships as a source for choreography | 2009-05-06 | Text | ir_etd | |
5 | Racialized visions of "The other": histories of orientalism behind La Bayadere | 2019 | Text | ir_etd | |
6 | Intimacy for deconstruction: the role of female relationships in choreography | 2017 | Text | ir_etd | |
7 | The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | 2016 | Text | ir_etd | |
8 | Embodied spectacle: an exploration of three-dimensional performance | 2012-05 | Text | ir_etd | |
9 | From the Old testament to the Paris Opera: Saint-Saëns's Samson Et Dalila and nineteenth-century french orientalism | 2017 | Text | ir_som |