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Title | Date | Type | Setname |
1 |
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"Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service | 2017 | Text | ir_etd |
2 |
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(UN)Known Origin | 2017 | Text | ir_htoa |
3 |
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Abigail Bowe: Art Portfolio 2020 Life Drawings and Character Design | 2020 | Text | ir_htoa |
4 |
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Abject/body: A performative perspective on race, gender, and violence in dance | 2017 | Text | ir_etd |
5 |
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The acceptance of error: allowing imperfections to transform the collective | 2018 | Text | ir_etd |
6 |
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The adaptable body: cultivating a hybrid form from community, harmony, and joy | 2018 | Text | ir_etd |
7 |
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After the rhapsody: George Gershwin in the Spring of 1924 | 2014-01-01 | Text | ir_uspace |
8 |
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Anthropology, Ethnography, and Documentary Film: Reflecting on a Documentary Journey | 2018 | Text | ir_htoa |
9 |
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Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship | 2017 | Text | ir_etd |
10 |
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Army of self: dance democracy | 2017 | Text | ir_etd |
11 |
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Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre | 2018 | Text | ir_etd |
12 |
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Automatic Processing Pitfalls | 2016 | Text | ir_mfafp |
13 |
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Back to Bagatelles: Realizing the Remainder of Ligett's Musica Ricercata | 2019 | Text | ir_htoa |
14 |
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Be somewhere | 2017-05 | Text | ir_mfafp |
15 |
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Becoming incredible: healing trauma through performance | 2015-08 | Text | ir_etd |
16 |
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Beyond classical: mixing in the belt. An exploration of musical theatre singing | 2015-08 | Text | ir_htoa |
17 |
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Bifurcate: Intersections and Photography | 2015-04 | Text; Image | ir_etd |
18 |
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The big unknown | 2016-08 | Text; Image | ir_mfafp |
19 |
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Bodily transfer and sacrificial gestures: rethinking the Hungry Tigress Jataka in Mogao Cave 254 | 2014-08 | Text | ir_etd |
20 |
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The body expresses: a study on the relationship between motion and emotion | 2019 | Text | ir_etd |
21 |
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Challenges in Playing the Flute and Their Specfiic Application to Solo Flute Literature | 2016 | Text | ir_htoa |
22 |
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Chester, NJ for full orchestra and electronics and the chromatic scale and other iterative loops in beat furrer's Konzert fur Klavier und Orchester | 2016 | Text | ir_etd |
23 |
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Chester, NJ" for full orchestra and electronics, and, The chromatic scale and other iterative loops in Beat Furrer's Konzert fuer Klavier and Orchester | 2016 | Text | ir_etd |
24 |
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The commune in commodities: Bruno braquehais's photography of the Paris commune of 1871 | 2021 | Text | ir_htoa |
25 |
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The communicative power of laughter in modern dance | 2015-12 | Text | ir_etd |
26 |
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Controlling the fear of death through the classical body: ideas on choreography, mortality, and the potential for integrative transformation | 2019 | Text | ir_etd |
27 |
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Dance and isolation: themes of technology, independence, loneliness, control, vulnerability, and connection | 2018 | Text | ir_etd |
28 |
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Dance as Activism: Exploring Gun Violence Through Movement and Text | 2019 | Text | ir_htoa |
29 |
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Dance hacking: digital technology and the performing body | 2014-08 | Text | ir_etd |
30 |
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Dance movement therapy: transforming psychological trauma into growth | 2019 | Text | ir_etd |
31 |
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Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance | 2015-05 | Text | ir_etd |
32 |
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Defining Ballet: How the Culture Shapes the Expression of Art | 2017 | Text | ir_htoa |
33 |
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Designing for Interactivity: the Camera in 3D Video Games | 2019 | Text | ir_htoa |
34 |
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The development of allegro: exploring how music, throught predagogical practices in ballet class, can have lasting effects on a dancer | 2019 | Text | ir_etd |
35 |
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Education, art and Activism: Collecting the Stories of World-Changers | 2020 | Text | ir_htoa |
36 |
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The effects of smartmusic® on sixth-grade beginning string instrumentalists' practice time, practice motivation, attitudes toward smartmusic®, and performance scores | 2019 | Text | ir_etd |
37 |
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Embodying eclecticism from potential to actualization | 2014-08 | Text | ir_etd |
38 |
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Exploring personal truth: staging a theatre of the body | 2017 | Text | ir_etd |
39 |
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Faustus, Marlowe, and Bosch: Intersections of medieval fantasy imagery | 2015-04 | Text | ir_htoa |
40 |
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Federal Education Reform and Music Education: a Review of the Literature and Implications for the Future | 2018 | Text | ir_htoa |
41 |
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Finding a character | 2014-05 | Text | ir_htoa |
42 |
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Following fish and fractals: self-affine patterns of hierarchical formal structures embedded in the contours of Rolf Wallin's ning | 2018 | Text | ir_etd |
43 |
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Four stage & 3 months in-between | 2017-07 | Text | ir_mfafp |
44 |
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From tremor to movement: a choreographic process with fitzmaurice voicework | 2016 | Text | ir_etd |
45 |
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Gather-piece-stitch: The art of place | 2016 | Text | ir_mfafp |
46 |
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Generative Spaces | 2023 | Text | ir_etd |
47 |
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Gold powder and gunpowder: the appropriation of western firearms into japan through high culture | 2015-08 | Text | ir_etd |
48 |
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Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats | 2015-05 | Text | ir_etd |
49 |
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Growing a new body: physicalizing paradoxical systems of grief and desire | 2019 | Text | ir_etd |
50 |
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Heartstrung: a choreographic expedition into the Queer female experience | 2022 | Text | ir_htoa |
51 |
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Herbarium obscura: shadow of nature | 2016 | Text; Image | ir_mfafp |
52 |
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The history and legacy of the "Russian" violin bow hold | 2021 | Text | ir_htoa |
53 |
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Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier | 2015 | Text | ir_etd |
54 |
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The hopefuls: growing sideways in the choreographic process | 2017 | Text | ir_etd |
55 |
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The horror of sexual violence: The representations of rape in American horror story | 2014-05 | Text | ir_htoa |
56 |
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How Creative Movement Practices, Such as Storytelling and Personal Narrative, Act as a Medium for People with Disabilities to Understand and Express Identity | 2014 | Text | ir_htoa |
57 |
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How Much of What We Did Was Good? | 2019 | Text | ir_htoa |
58 |
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The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird | 2015-08 | Text | ir_etd |
59 |
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Intimacy for deconstruction: the role of female relationships in choreography | 2017 | Text | ir_etd |
60 |
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Keyframe: Six Images for Jazz Sextet and String Quartet | 2020 | Text | ir_htoa |
61 |
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The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | 2016 | Text | ir_etd |
62 |
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The language of fibers: how movement emerges from space harmony theory and architecture | 2016 | Text | ir_etd |
63 |
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Love, and 1,138 other reasons to marry | 2016-04 | Text | ir_htoa |
64 |
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Made in heaven? when art and pornography share a bed | 2019 | Text | ir_htoa |
65 |
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Making 360 and representing the aesthetics of nostalgia through documentary | 2021 | Text | ir_htoa |
66 |
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Making Diego's Dream | 2017 | Text | ir_htoa |
67 |
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Mathematical Foundations of Atonal Music Theory | 2018 | Text | ir_htoa |
68 |
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Metamorphosis: radically imagining the body through collage and the grotesque | 2016 | Text | ir_etd |
69 |
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MFA exhibition | 2017-09 | Text | ir_mfafp |
70 |
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Modern representation of female protagonists in media: An exploration of identity | 2014-12 | Text | ir_htoa |
71 |
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Movie Night: a creative analysis | 2021 | Text | ir_htoa |
72 |
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Mudafossil | 2016 | Text | ir_htca |
73 |
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Multicultural: Facts and findings from the two years I spent living under a microscope | 2017-12 | Text | ir_mfafp |
74 |
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Music integration as part of an arts integration initiative: a closer look at implications for the music educator | 2016 | Text | ir_etd |
75 |
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Notes and a narrative to accompany a piano recital | 2015-05 | Text | ir_htoa |
76 |
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Nothing but me: a study of identity through choreography, performance, and education | 2015-08 | Text | ir_etd |
77 |
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Oh the Humanities! Using the Clemente Program to Educate Underserved Students in Art History | 2016-08 | Text | ir_htoa |
78 |
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Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts | 2015-08 | Text | ir_etd |
79 |
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The original: A process of producing a short film | 2014-12 | Text | ir_htoa |
80 |
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Pins, felt, and cloth: performing Mormon feminism | 2014-05 | Text | ir_etd |
81 |
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Plotting dissonance: paradoxes of trauma and imagination in the creative process | 2021 | Text | ir_etd |
82 |
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Popular music and public education: Culturally responsive to the past and present alike | 2016-04 | Text | ir_htoa |
83 |
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Power, panopticism, and pilgrimage: the image program at conques | 2018 | Text | ir_etd |
84 |
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Practicing presence: accessing the attention-intention continuum in Dance performance and the creative process | 2019 | Text | ir_etd |
85 |
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The Production Process of a Traditional Animated Short Film | 2020 | Text | ir_htoa |
86 |
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Race, sexuality, and power in Ivens Machado's video performance Escravizador-Escravo (1974) | 2016 | Text | ir_etd |
87 |
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Racialized visions of "The other": histories of orientalism behind La Bayadere | 2019 | Text | ir_etd |
88 |
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Re-envisioning the natural world in Eugene Delacroix's lion devouring a horse | 2016 | Text | ir_etd |
89 |
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Reimagining the West | 2017 | Text | ir_etd |
90 |
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Salad Days: work, covenant, and the child | 2017 | Text | ir_etd |
91 |
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The search for individuality in the choreographic process | 2014-08 | Text | ir_etd |
92 |
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SHOTS FIRED | 2017 | Text | ir_htoa |
93 |
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Situating Helen Frankenthaler's Wizard | 2014-05 | Text | ir_etd |
94 |
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Sociality of honey bees: creative studies for the dance studio | 2019 | Text | ir_etd |
95 |
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Stockham: the father of digital audio recording | 2015-04 | Text; Image/MovingImage | ir_etd |
96 |
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Tania Candiani's Bordadora (2012): the intersecting histories of religion and women's labor in Mexico | 2016 | Text | ir_etd |
97 |
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Terminal structures: Ant Farm's Cadillac Ranch, 1974 | 2014-08 | Text | ir_etd |
98 |
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Time and light souvenirs | 2014-12 | Text | ir_htoa |
99 |
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Towards a decided body and choreography | 2015-08 | Text | ir_etd |
100 |
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Travel in dance education: what's the pointe? | 2014-05 | Text | ir_htoa |
101 |
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Two of Saariaho's harmonic principles and their influences on formal design and a selection of General Zhang's limericks for baritone, men's choir and chamber orchestra | 2018 | Text | ir_etd |
102 |
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Two reflections on the capitol insurrection | 2023 | Text | ir_htoa |
103 |
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The Unassuming Subversion of Jacksonian-ERA Democracy: An Analysis of Mary Edmonia Lewis's Minnehaha and Hiawatha of 1868 | 2019 | Text | ir_htoa |
104 |
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Unpredictable logic: the ongoing process of forming an aesthetic language through randomness | 2019 | Text | ir_etd |
105 |
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Using Rudolf Laban's effort system as an inroad to choreography | 2015-05 | Text | ir_etd |
106 |
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Variations on a recitative for organ, OP. 40 by Arnold Schoenberg: a new performance edition for two organists | 2019 | Text | ir_etd |
107 |
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Vision/Revision | 2019 | Text | ir_etd |
108 |
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We gender: and so can you! | 2017 | Text | ir_etd |
109 |
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What are we teaching? The translation of exoticism as pedagogy in Schumann and Tchaikovsky | 2016-05 | Text | ir_htoa |
110 |
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What We tell Children: Queer Representation in Children's Animation | 2018 | Text | ir_htoa |
111 |
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Wild, wild love: Developing new work for the stage | 2015-04 | Text; Image/MovingImage | ir_htca |
112 |
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The Window Control and Catharsis | 2019 | Text | ir_htoa |
113 |
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Wynton Marsalis and Nicholas Payton: a compartative discourse | 2018 | Text | ir_htoa |
114 |
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Yin Yu Tang and the effects of re-contextualization on vernacular architecture | 2016-04 | Text | ir_htoa |
115 |
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You Do You: A Theoretical Exploration of Audience Agency in Theatre | 2017 | Text | ir_htoa |
116 |
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You do you: A theoretical exploration of audience agency in theatre | 2017 | Text | ir_uspace |
117 |
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Zen from religiosity to corporeality to spirituality in dance | 2019 | Text | ir_etd |
118 |
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The Zion curtain: A documentary play | 2014-04 | Text | ir_htoa |