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Title | Date | Type | Setname |
1 |
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"Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service | 2017 | Text | ir_etd |
2 |
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(UN)Known Origin | 2017 | Text | ir_htoa |
3 |
|
36 frames: a self portrait | 2012-05 | Text | ir_htoa |
4 |
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A collaboration: dance and theatre | 2011-05 | Text | ir_etd |
5 |
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A history, analysis, and registry of Mormon architectural art glass in Utah | 1981 | Text | ir_etd |
6 |
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A Measurement of certain skills of musicianship among high school brass, woodwind, and percussion players | 1976 | Text | ir_etd |
7 |
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A musical mono-drama The Mind's Eye | 2000-08 | Text | ir_htca |
8 |
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A name for a Bird | 1964 | Text | ir_etd |
9 |
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A personal philosophy: its basis and implications | 1970 | Text | ir_etd |
10 |
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A selective history of portraiture | 1982-04-13 | Text | ir_htca |
11 |
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A Slingshot out of the valley contemporary relevance of the local in the local art scene | 2009 | Text | ir_etd |
12 |
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A survey of graduate programs in arts administration and a proposed program for the University of Utah | 1975 | Text | ir_etd |
13 |
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A thousand steps around me: a study of discovering metaphor through manipulating repetition in dance | 2011-08 | Text | ir_etd |
14 |
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Abigail Bowe: Art Portfolio 2020 Life Drawings and Character Design | 2020 | Text | ir_htoa |
15 |
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Abject/body: A performative perspective on race, gender, and violence in dance | 2017 | Text | ir_etd |
16 |
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The acceptance of error: allowing imperfections to transform the collective | 2018 | Text | ir_etd |
17 |
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The adaptable body: cultivating a hybrid form from community, harmony, and joy | 2018 | Text | ir_etd |
18 |
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Aerial alchemy | 2010-05 | Text | ir_etd |
19 |
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After the rhapsody: George Gershwin in the Spring of 1924 | 2014-01-01 | Text | ir_uspace |
20 |
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An analysis of Anton Bruckner's symphony number seven in E major | 1972 | Text | ir_etd |
21 |
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An examination of Francesco geminiani's six concerti grossi, OPUS 3 | 1967 | Text | ir_htca |
22 |
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An exploration of vulnerability through creative process and performance | 2012-08 | | ir_etd |
23 |
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An interpretation of events in the life of Christ | 1959 | Text | ir_etd |
24 |
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Analysis of Mozart symphony no. 39 in E-flat | 1955 | Text | ir_etd |
25 |
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Analysis of Schubert symphony no.8 in B minor | 1955 | Text | ir_etd |
26 |
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Anthropology, Ethnography, and Documentary Film: Reflecting on a Documentary Journey | 2018 | Text | ir_htoa |
27 |
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Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship | 2017 | Text | ir_etd |
28 |
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The Araner: an original screenplay | 1998-05 | Text | ir_htca |
29 |
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Are you my boyfriend? exploring a choreographic narrative | 2010 | Text | ir_etd |
30 |
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Are you my boyfriend? exploring a choreographic narrative | 2010-08 | Text | ir_etd |
31 |
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Arioso for alto recorder and live electronics [score] | 2012-09-09 | | ir_uspace |
32 |
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Army of self: dance democracy | 2017 | Text | ir_etd |
33 |
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The art of staring | 1996-03 | Text; Image | ir_mfafp |
34 |
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The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture | 2011-08 | Text | ir_etd |
35 |
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Artists live on islands: limitations as a creative ritual | 2012-08 | Text | ir_etd |
36 |
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Arts-based service-learning: a state of the field | 2008 | Text | ir_uspace |
37 |
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Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre | 2018 | Text | ir_etd |
38 |
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Authorship and architectural influences on the Salt Lake Temple | 1972 | Text | ir_etd |
39 |
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Automatic Processing Pitfalls | 2016 | Text | ir_mfafp |
40 |
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Back to Bagatelles: Realizing the Remainder of Ligett's Musica Ricercata | 2019 | Text | ir_htoa |
41 |
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Be somewhere | 2017-05 | Text | ir_mfafp |
42 |
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The beautiful beast: the subversive power of monsters in the aesthetics of dance and individual expression | 2013-08 | Text | ir_etd |
43 |
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Becoming incredible: healing trauma through performance | 2015-08 | Text | ir_etd |
44 |
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Becoming large enough: encompassing subjective and objective perspectives in one whole | 2010-08 | Text | ir_etd |
45 |
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Belongings: a material lineage | 2007-12 | Text | ir_etd |
46 |
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Beyond classical: mixing in the belt. An exploration of musical theatre singing | 2015-08 | Text | ir_htoa |
47 |
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Beyond words: an embodied empathetic process | 2011-08 | Text | ir_etd |
48 |
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Bifurcate: Intersections and Photography | 2015-04 | Text; Image | ir_etd |
49 |
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The big unknown | 2016-08 | Text; Image | ir_mfafp |
50 |
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The blackfeet medicine lodge ceremony: ritual and dance-drama | 1968 | Text | ir_etd |
51 |
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Blues Claro | 2009 | Text | ir_uspace |
52 |
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Blues en el Corazón | 2009 | Text | ir_uspace |
53 |
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Blues M?gico | 2009 | Text | ir_uspace |
54 |
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Blues Ronco | 2009 | Text | ir_uspace |
55 |
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Bodily transfer and sacrificial gestures: rethinking the Hungry Tigress Jataka in Mogao Cave 254 | 2014-08 | Text | ir_etd |
56 |
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The body expresses: a study on the relationship between motion and emotion | 2019 | Text | ir_etd |
57 |
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Canto Repartido | 2004 | Text | ir_uspace |
58 |
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Carnaval, carny, and cartoons: Carl stalling's cartoon music in historical context | 2011 | Text | ir_etd |
59 |
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Casi Cueca | 1997 | Text | ir_uspace |
60 |
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Challenges in Playing the Flute and Their Specfiic Application to Solo Flute Literature | 2016 | Text | ir_htoa |
61 |
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Chester, NJ for full orchestra and electronics and the chromatic scale and other iterative loops in beat furrer's Konzert fur Klavier und Orchester | 2016 | Text | ir_etd |
62 |
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Chester, NJ" for full orchestra and electronics, and, The chromatic scale and other iterative loops in Beat Furrer's Konzert fuer Klavier and Orchester | 2016 | Text | ir_etd |
63 |
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Chiasmi 1999 | 1999 | Text | ir_etd |
64 |
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Choreography for four experience levels of Modern Dance | 1969 | Text | ir_etd |
65 |
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The commune in commodities: Bruno braquehais's photography of the Paris commune of 1871 | 2021 | Text | ir_htoa |
66 |
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The communicative power of laughter in modern dance | 2015-12 | Text | ir_etd |
67 |
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Controlling the fear of death through the classical body: ideas on choreography, mortality, and the potential for integrative transformation | 2019 | Text | ir_etd |
68 |
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Creolite and cultural cannibalism: reconstructing Cuban identity in the work of Marta Maria Perez Bravo and Maria Magdalena Campos-Pons | 2012-12 | Text | ir_etd |
69 |
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Cuarteto Claroscuro | 1997 | Text | ir_uspace |
70 |
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Dance and isolation: themes of technology, independence, loneliness, control, vulnerability, and connection | 2018 | Text | ir_etd |
71 |
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Dance as a place-making device: examining environmental psychology and place-identity through choreography and performance | 2009-05 | Text | ir_etd |
72 |
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Dance as Activism: Exploring Gun Violence Through Movement and Text | 2019 | Text | ir_htoa |
73 |
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Dance hacking: digital technology and the performing body | 2014-08 | Text | ir_etd |
74 |
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Dance movement therapy: transforming psychological trauma into growth | 2019 | Text | ir_etd |
75 |
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Dance theatre of Alwin Nikolais | 1905-05-20 | Text | ir_etd |
76 |
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Dance training as mechanism for overcoming the technologization of the body | 2013-08 | Text | ir_etd |
77 |
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Dances Inspired by the Navaho | 1971 | Text | ir_etd |
78 |
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Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance | 2015-05 | Text | ir_etd |
79 |
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Dancing from within: the role of intuition | 2008-08 | Text | ir_etd |
80 |
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Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda | 2012-05 | Text | ir_etd |
81 |
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Dancing toward humanity: accessing embodiment in artifice within the choreographic and performative processes | 2013-08 | Text | ir_etd |
82 |
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Danza del Ocaso | 1998 | Text | ir_uspace |
83 |
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Danza del Ocaso | 1998 | Text | ir_uspace |
84 |
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De metal y madera: for flute, cello, percussion, and electronics | 1999 | Text | ir_uspace |
85 |
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Defining Ballet: How the Culture Shapes the Expression of Art | 2017 | Text | ir_htoa |
86 |
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DeGrunchy's Mantle a pastoral in blank verse | 1991-06 | Text | ir_htca |
87 |
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Desde el Límite | 2006 | Text | ir_uspace |
88 |
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Designing for Interactivity: the Camera in 3D Video Games | 2019 | Text | ir_htoa |
89 |
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The development of allegro: exploring how music, throught predagogical practices in ballet class, can have lasting effects on a dancer | 2019 | Text | ir_etd |
90 |
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Don Quixote: The art of interpretation | 1987-05 | Text | ir_htca |
91 |
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Dream Swim | 2011 | Text | ir_uspace |
92 |
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Editing in the choreographic process: "I am a work of fiction" | 2013-08 | Text | ir_etd |
93 |
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Education, art and Activism: Collecting the Stories of World-Changers | 2020 | Text | ir_htoa |
94 |
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The effects of smartmusic® on sixth-grade beginning string instrumentalists' practice time, practice motivation, attitudes toward smartmusic®, and performance scores | 2019 | Text | ir_etd |
95 |
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Embodied spectacle: an exploration of three-dimensional performance | 2012-05 | Text | ir_etd |
96 |
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Embodying eclecticism from potential to actualization | 2014-08 | Text | ir_etd |
97 |
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Embodying identity: movement as an experience of self | 2011-05 | Text | ir_etd |
98 |
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Embodying tourism and performance: a new look at landscape | 2008-08 | Text | ir_etd |
99 |
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Evening of baroque music | 2009-10-04 | Image/MovingImage | ir_uspace |
100 |
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Evening of baroque music | | | ir_uspace |
101 |
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Evening of baroque music | | | ir_uspace |
102 |
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Exploring personal truth: staging a theatre of the body | 2017 | Text | ir_etd |
103 |
|
Fashion dualism: Practical versus conceptual | 1994-06 | Text | ir_htca |
104 |
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Faustus, Marlowe, and Bosch: Intersections of medieval fantasy imagery | 2015-04 | Text | ir_htoa |
105 |
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Federal Education Reform and Music Education: a Review of the Literature and Implications for the Future | 2018 | Text | ir_htoa |
106 |
|
Figuratively foreign | 2013-07 | Text | ir_htoa |
107 |
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Finding a character | 2014-05 | Text | ir_htoa |
108 |
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Following fish and fractals: self-affine patterns of hierarchical formal structures embedded in the contours of Rolf Wallin's ning | 2018 | Text | ir_etd |
109 |
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Four stage & 3 months in-between | 2017-07 | Text | ir_mfafp |
110 |
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Frankenstein: A dramatic adaptation | 1995-08 | Text | ir_htca |
111 |
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French violoncello music of the late nineteenth and early twentieth centuries | 1995-08 | Text | ir_htca |
112 |
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From tremor to movement: a choreographic process with fitzmaurice voicework | 2016 | Text | ir_etd |
113 |
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Gather-piece-stitch: The art of place | 2016 | Text | ir_mfafp |
114 |
|
Generative Spaces | 2023 | Text | ir_etd |
115 |
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Gold powder and gunpowder: the appropriation of western firearms into japan through high culture | 2015-08 | Text | ir_etd |
116 |
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Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats | 2015-05 | Text | ir_etd |
117 |
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Growing a new body: physicalizing paradoxical systems of grief and desire | 2019 | Text | ir_etd |
118 |
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The gum bichromate process | 1995-12 | Text | ir_htca |
119 |
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Henry Fuseli's The Death of Dido at somerset house | 2011-08 | Text | ir_etd |
120 |
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Herbarium obscura: shadow of nature | 2016 | Text; Image | ir_mfafp |
121 |
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Hip hop artistic model | 2008-11 | Text | ir_etd |
122 |
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Historical perspectives: portraits from civil war america | 2012-05 | Text | ir_htoa |
123 |
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Historical survey and application of cinema filmmkaing | 1998-12 | Text | ir_htca |
124 |
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The history and legacy of the "Russian" violin bow hold | 2021 | Text | ir_htoa |
125 |
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The history of Cyrus Edwin Dallin: Eminent Utah sculptor | 1948 | Text | ir_etd |
126 |
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History of the modern dance program at the University of Utah 1968-1989 | 2010-07 | Text | ir_etd |
127 |
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The history of the San Francisco ballet company from its beginnings through 1951 | 1960 | Text | ir_etd |
128 |
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Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier | 2015 | Text | ir_etd |
129 |
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The hopefuls: growing sideways in the choreographic process | 2017 | Text | ir_etd |
130 |
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The horror of sexual violence: The representations of rape in American horror story | 2014-05 | Text | ir_htoa |
131 |
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How contact improvisation can inform the creative process and enliven its product | 2008-05 | Text | ir_etd |
132 |
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How Creative Movement Practices, Such as Storytelling and Personal Narrative, Act as a Medium for People with Disabilities to Understand and Express Identity | 2014 | Text | ir_htoa |
133 |
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How Much of What We Did Was Good? | 2019 | Text | ir_htoa |
134 |
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The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird | 2015-08 | Text | ir_etd |
135 |
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Hyperbole for flute, clarinet, violin, cello, and piano | 1996 | Text | ir_uspace |
136 |
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The influence of Artur Schnabel in the preparation and performance of Beethoven : Piano Concerto #1 in C Major Op. 15 | 1994 | Text | ir_htca |
137 |
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Interpretation and analysis of three works for the Bassoon | 1958 | Text | ir_etd |
138 |
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Intimacy for deconstruction: the role of female relationships in choreography | 2017 | Text | ir_etd |
139 |
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Italy: My catalyst | 2013-05 | Text | ir_htoa |
140 |
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Joe Hill: A visual exploration of the myth and the man | 1994-06 | Text | ir_htca |
141 |
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Katherine Anne Porter: Five southern stories | 1977-06-10 | Text | ir_htca |
142 |
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Keyframe: Six Images for Jazz Sextet and String Quartet | 2020 | Text | ir_htoa |
143 |
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The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | 2016 | Text | ir_etd |
144 |
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The language of fibers: how movement emerges from space harmony theory and architecture | 2016 | Text | ir_etd |
145 |
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Lithography: Fine Art and commercial process | 1968 | Text | ir_etd |
146 |
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Love, and 1,138 other reasons to marry | 2016-04 | Text | ir_htoa |
147 |
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Low back pain and it's significant relationship to inelasticity in the hip flexing musculature : a preliminary study | 1983 | Text | ir_htca |
148 |
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Made in heaven? when art and pornography share a bed | 2019 | Text | ir_htoa |
149 |
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The magician's folly | 2010 | Text | ir_som |
150 |
|
Making 360 and representing the aesthetics of nostalgia through documentary | 2021 | Text | ir_htoa |
151 |
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Making Diego's Dream | 2017 | Text | ir_htoa |
152 |
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The many facets of ballet | 1972-03-31 | Text | ir_htca |
153 |
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Mareas | 2005 | Text | ir_uspace |
154 |
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Mareas | 2005 | Text | ir_uspace |
155 |
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The marrow of the bone: An actor's process and privilege | 1991-06 | Text | ir_htca |
156 |
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Mathematical Foundations of Atonal Music Theory | 2018 | Text | ir_htoa |
157 |
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The me of yours and the me of mine: an investigation of subjective self and objective self in dance | 2011-08 | Text | ir_etd |
158 |
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Meditaci?n | 1997 | Text | ir_uspace |
159 |
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Metamorphic chrysalis: embodying mindfulness in transformation | 2012-05 | Text | ir_etd |
160 |
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Metamorphosis: radically imagining the body through collage and the grotesque | 2016 | Text | ir_etd |
161 |
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MFA exhibition | 2017-09 | Text | ir_mfafp |
162 |
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Modern representation of female protagonists in media: An exploration of identity | 2014-12 | Text | ir_htoa |
163 |
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Monster economy | 2009 | Text | ir_etd |
164 |
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Monsters in medieval and renaissance travel literature: a study in Credulity and skepticism | 1949 | Text | ir_etd |
165 |
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Motherhood and representation at the sackler center for feminist art: Judy Chicago, Catherine Opie, Canan Senol | 2011-08 | Text | ir_etd |
166 |
|
Motion pictures | 2006-05 | Text | ir_etd |
167 |
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Movie Night: a creative analysis | 2021 | Text | ir_htoa |
168 |
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Moving together: dance as an inroad to relationship and self-discovery | 2009-12-14 | Text | ir_etd |
169 |
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Mudafossil | 2016 | Text | ir_htca |
170 |
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Multicultural: Facts and findings from the two years I spent living under a microscope | 2017-12 | Text | ir_mfafp |
171 |
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Music and management: Using concepts of music to teach principles of management | 1988-06 | Text | ir_htca |
172 |
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Music integration as part of an arts integration initiative: a closer look at implications for the music educator | 2016 | Text | ir_etd |
173 |
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Non-objective and subject matter dependent visual stimulus in artwork: investigating accessible art therapies for vulnerable populations | | Text | ir_uw |
174 |
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Notes and a narrative to accompany a piano recital | 2015-05 | Text | ir_htoa |
175 |
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Nothing but me: a study of identity through choreography, performance, and education | 2015-08 | Text | ir_etd |
176 |
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Oh the Humanities! Using the Clemente Program to Educate Underserved Students in Art History | 2016-08 | Text | ir_htoa |
177 |
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Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts | 2015-08 | Text | ir_etd |
178 |
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The original: A process of producing a short film | 2014-12 | Text | ir_htoa |
179 |
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Painting the town, inside and out | 2010-03-15 | Text; Image | ir_uspace |
180 |
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Paper & tape | 2008-05 | Text | ir_etd |
181 |
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Penumbra | 1997 | Text | ir_uspace |
182 |
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Performativity and identity in the illuminated photographs of the Countess de Castiglione | 2013 | Text | ir_etd |
183 |
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Performing the document in Francis Alys's re-enactments (2001) | 2013-12 | Text | ir_etd |
184 |
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Persistencia de la Memoria | 2008 | Text | ir_uspace |
185 |
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The piano works of Claude Debussy: A critical analysis | 1963-06 | Text | ir_htca |
186 |
|
Pins, felt, and cloth: performing Mormon feminism | 2014-05 | Text | ir_etd |
187 |
|
Please feel free: sensation, awareness, and choreography | 2008-05 | Text | ir_etd |
188 |
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Plotting dissonance: paradoxes of trauma and imagination in the creative process | 2021 | Text | ir_etd |
189 |
|
Popular music and public education: Culturally responsive to the past and present alike | 2016-04 | Text | ir_htoa |
190 |
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Power, panopticism, and pilgrimage: the image program at conques | 2018 | Text | ir_etd |
191 |
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Practicing presence: accessing the attention-intention continuum in Dance performance and the creative process | 2019 | Text | ir_etd |
192 |
|
The Production Process of a Traditional Animated Short Film | 2020 | Text | ir_htoa |
193 |
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Promised valley: a design thesis | 1970-06 | Text | ir_etd |
194 |
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Querl dismantling the book | 2010-07 | Text | ir_etd |
195 |
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Race, sexuality, and power in Ivens Machado's video performance Escravizador-Escravo (1974) | 2016 | Text | ir_etd |
196 |
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Racialized visions of "The other": histories of orientalism behind La Bayadere | 2019 | Text | ir_etd |
197 |
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Re-envisioning the natural world in Eugene Delacroix's lion devouring a horse | 2016 | Text | ir_etd |
198 |
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Reflections of self: male-male relationships as a source for choreography | 2009-05-06 | Text | ir_etd |
199 |
|
Reimagining the West | 2017 | Text | ir_etd |
200 |
|
Ripe with meaning: the pregnant body in contemporary dance | 2010 | Text | ir_etd |