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TitleDateTypeSetname
1 Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier2015Textir_etd
2 Becoming incredible: healing trauma through performance2015-08Textir_etd
3 Beyond classical: mixing in the belt. An exploration of musical theatre singing2015-08Textir_htoa
4 Bifurcate: Intersections and Photography2015-04Text; Imageir_etd
5 The communicative power of laughter in modern dance2015-12Textir_etd
6 Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance2015-05Textir_etd
7 Faustus, Marlowe, and Bosch: Intersections of medieval fantasy imagery2015-04Textir_htoa
8 Gold powder and gunpowder: the appropriation of western firearms into japan through high culture2015-08Textir_etd
9 Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats2015-05Textir_etd
10 The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird2015-08Textir_etd
11 Notes and a narrative to accompany a piano recital2015-05Textir_htoa
12 Nothing but me: a study of identity through choreography, performance, and education2015-08Textir_etd
13 Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts2015-08Textir_etd
14 Stockham: the father of digital audio recording2015-04Text; Image/MovingImageir_etd
15 Towards a decided body and choreography2015-08Textir_etd
16 Using Rudolf Laban's effort system as an inroad to choreography2015-05Textir_etd
17 Wild, wild love: Developing new work for the stage2015-04Text; Image/MovingImageir_htca
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