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Creator | Title | Description | Subject | Date |
1 |
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Chuaqui, Miguel Basim | Canto Repartido | El Canto Repartido (The Shared Out Song) takes its title from a poem in the collection Las Uvas y el Viento (The Grapes and the Wind) by the Chilean poet Pablo Neruda. Many of the poems in this collection have a communist political tone, and critics often describe the poems in this book as among the... | Shared Out Song | 2004 |
2 |
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Chuaqui, Miguel Basim | Casi Cueca | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu... | | 1997 |
3 |
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Chuaqui, Miguel Basim | Cuarteto Claroscuro | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art" I do have an abiding desire for my musi... | | 1997 |
4 |
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Chuaqui, Miguel Basim | Danza del Ocaso | Danza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati... | Dusk Dance; Latin American; Three instruments | 1998 |
5 |
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Chuaqui, Miguel Basim | Danza del Ocaso | Danza del Ocaso (Dusk Dance) is a dance for three instruments, which evolves from a simple catchy humming tune shared by the three, in a Latin American inspired dancing 7/8 meter, to a complex contrapuntal texture, in a more abstract atonal language. Running throughout is the notion of transformati... | Dusk Dance; Latin American; Three instruments | 1998 |
6 |
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Chuaqui, Miguel Basim | Desde el Límite | In Desde el Límite (From the Edge) I was inspired by the experience of my granduncle, Benedicto Chuaqui as presented in his book "Memorias de un Emigrante" (Memoirs of an Immigrant), who immigrated to Chile from Syria in the early 1900s. In the work there are disguised references to American musica... | From the Edge; Benedicto Chuaqui; Chilean music | 2006 |
7 |
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Chuaqui, Miguel Basim | Mareas | In Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ... | Tides; Carlton Vickers; Chilean music; Bell sounds | 2005 |
8 |
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Chuaqui, Miguel Basim | Mareas | In Mareas (Tides), the dark timbre of the alto flute is immersed in a dark, watery, electronic sea. The bell sounds in the work evoke for me the bells of fishing boats as they toss around in choppy waters. These are sounds I first heard in the port of Valparaíso, Chile as a boy, their rhythm being ... | Tides; Carlton Vickers; Chilean music; Bell sounds | 2005 |
9 |
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Chuaqui, Miguel Basim | Meditaci?n | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu... | | 1997 |
10 |
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Chuaqui, Miguel Basim | Penumbra | I grew up in Chile during the 70's, and early 80's, a time of political upheaval and economic distress in Chile, and this has probably exerted as strong an influence on my musical outlook as any other aspect of Chilean culture. While I distrust "political art," I do have an abiding desire for my mu... | | 1997 |
11 |
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Chuaqui, Miguel Basim | Sonora Run | Sonora Run is a 7 minute work for orchestra dedicated to the memory of the Chilean writer Roberto Bolaño. Although his novels take the reader all over the world, the Mexican state of Sonora and the Sonoran desert play a central role in several of his works, including his acclaimed major works, The... | Roberto Bolaño; Sonora Mexico | 2006 |
12 |
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Chuaqui, Miguel Basim | St. Mary Magdalene at the Holy Sepulchre: fantasy on a vespers hymn from the feast day of St. Mary Magdalene | Score for work for organ for the feast of St. Mary Magdalene. | score, music, organ, St. Mary Magdalene. | 2006 |