Title | Date | Type | Setname | ||
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1 |
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Carnaval, carny, and cartoons: Carl stalling's cartoon music in historical context | 2011 | Text | ir_etd |
2 |
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Diffused paradigms: musical depictions of biodegradation, refraction of sound, and memory deterioration in Sorensen's Sterbende Garten | 2011-05 | Text | ir_som |
3 |
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Part I: Sofia Gubaidulina's approach to pitch centricity in Two Paths: music for two violas and orchestra a dedication to Mary and Martha (1999) Part II: concerto for clarinet and orchestra | 2011-12 | Text | ir_som |
4 |
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Audio Examples for Paper/Appendix | 2011-03-10 | Sound | ir_som |
5 |
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Electronics to accompany At Times She Believed Everything Loved Her | 2011-03-10 | Sound | ir_som |
6 |
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Electronics to accompany Ingrid, over Her Tidepool | 2011-03-10 | Sound | ir_som |
7 |
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Electronics to accompany Late June | 2011-03-10 | Sound | ir_som |
8 |
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Electronics to accompany Little Portraits | 2011-03-10 | Sound | ir_som |
9 |
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Electronics to accompany the Feild and Its Knower | 2011-03-10 | Text | ir_som |