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| Author | Title | Description | Subject | Date | ||
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Kirschner, Aaron J. | Divisions without hierarchy: four-dimensional modeling of submeter and its use in empirical analysis of the musics of the new complexity | Central to virtually all scholarship of meter is a notion of beat hierarchy. However, when beat units and/or tempi are in constant flux, defining a hierarchy becomes nearly impossible. Such impulse structuresâ€"common to music of the New Complexityâ€"resist traditional scholarship of meter/sub... | Empirical Analysis; Ferneyhough; Meter; New Complexity; Rhythm; Submeter; Music | 2017 |
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Valley: three corners of our room; an interdisciplinary work for chamber choir, solo instruments, and electronics | Valley: Three Corners of Our Room is a three-movement musical work for chamber choir, solo instruments (trumpet and flute), and electronics. The overarching theme of the project incorporates issues of environmentalism, climate change, and sustainability, and each movement ("corner") seeks to bring a... | music composition; interdisciplinary; collaboration; environmentalism; climate change; sustainability; music performance; choir; trumpet; flute; electronics; chamber music; sonification; light pollution; noise pollution; Great Salt Lake | 2023 | |
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Wilks, Nathan A. | Verse chorus verse: an analysis of repetition in popular music | Popular music is often criticized by academics for being too repetitive. However, repetition is the mechanism by which music makes sense of itself. It is a conduit for meaning â€" separating music from noise, poetry from ambient chatter. By showing that in most verse-chorus songs, the amount of v... | Analysis; Music; Music psychology; Music repetition; Popular music; Repetition | 2017 |
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