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| Creator | Title | Description | Subject | Date | ||
|---|---|---|---|---|---|---|
| 1 |
 | Gehl, Robert W. | The archive and the processor: the internal logic of web 2.0 | In Web 2.0, there is a social dichotomy at work based upon and reflecting the underlying Von Neumann architecture of computers. In the hegemonic Web 2.0 business model, users are encouraged to process digital ephemera by sharing content, making connections, ranking cultural artifacts, and producing ... | 2011 | |
| 2 |
 | Gehl, Robert W. | Building a blog cabin during a financial crisis: circuits of struggle in the digital enclosure | One of the most pressing questions facing television studies is how to understand the migration of media production and consumption onto web applications which depend on user-generated content. Scholars inspired by the political economy of communication (PEC) tradition have focused on how the accumu... | 2011 | |
| 3 |
 | Miklavcic, Jimmy; McDermott, Colin Hull; Bross, Joshua Lee; Miklavcic, Elizabeth Ann | Cinematic display for telematic performances | The InterPlay is a live telematic performance that occurs simultaneously in multiple sites across the globe, streamed over the internet through the Access Grid videoconference system, then processed, mixed and projected before an audience. | Trapeze Interactive Poster | 2010-01-13 |
| 4 |
 | Gehl, Robert W. | The politics of cultural programming in public spaces | In our digital media saturated lives, where we spend increasing amounts of time in "virtual worlds" such as Second Life or online on blogs and video sites, it can be easy to forget about public spaces. Unlike much content in virtual worlds, cultural programs in public spaces are events that are live... | 2007 | |
| 5 |
 | Gehl, Robert W. | YouTube as archive: who will curate this digital wunderkammer? | At first glance, the ease with which individuals can access and contribute to YouTube sets it in direct opposition to large corporate media outlets with their top-down mode of dissemination. However, in this paper, I argue that despite these seemingly democratic features, YouTube is better understoo... | 2009 |
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