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TitleDateTypeSetname
1 A Slingshot out of the valley contemporary relevance of the local in the local art scene2009Textir_etd
2 The history of Cyrus Edwin Dallin: Eminent Utah sculptor1948Textir_etd
3 Performing the document in Francis Alys's re-enactments (2001)2013-12Textir_etd
4 Querl dismantling the book2010-07Textir_etd
5 Motion pictures2006-05Textir_etd
6 Generative Spaces2023Textir_etd
7 Oh the Humanities! Using the Clemente Program to Educate Underserved Students in Art History2016-08Textir_htoa
8 An interpretation of events in the life of Christ1959Textir_etd
9 The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture2011-08Textir_etd
10 Terminal structures: Ant Farm's Cadillac Ranch, 19742014-08Textir_etd
11 Authenticity, preservation, and the Transnational identity of space: comparing Yin Yu Tang and the linden centre2018Textir_etd
12 "Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service2017Textir_etd
13 Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats2015-05Textir_etd
14 Pins, felt, and cloth: performing Mormon feminism2014-05Textir_etd
15 Gold powder and gunpowder: the appropriation of western firearms into japan through high culture2015-08Textir_etd
16 Arts-based service-learning: a state of the field2008Textir_uspace
17 Education, art and Activism: Collecting the Stories of World-Changers2020Textir_htoa
18 Motherhood and representation at the sackler center for feminist art: Judy Chicago, Catherine Opie, Canan Senol2011-08Textir_etd
19 Weighing iconography of love in classical and early hellenistic art: considering allusions and metraphor in images of aphrodite balancing EROS2012-08Textir_htoa
20 Henry Fuseli's The Death of Dido at somerset house2011-08Textir_etd
21 Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship2017Textir_etd
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