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TitleDateTypeSetname
1 A Slingshot out of the valley contemporary relevance of the local in the local art scene2009Textir_etd
2 Oh the Humanities! Using the Clemente Program to Educate Underserved Students in Art History2016-08Textir_htoa
3 Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats2015-05Textir_etd
4 Power, panopticism, and pilgrimage: the image program at conques2018Textir_etd
5 (UN)Known Origin2017Textir_htoa
6 Situating Helen Frankenthaler's Wizard2014-05Textir_etd
7 Terminal structures: Ant Farm's Cadillac Ranch, 19742014-08Textir_etd
8 The Unassuming Subversion of Jacksonian-ERA Democracy: An Analysis of Mary Edmonia Lewis's Minnehaha and Hiawatha of 18682019Textir_htoa
9 Education, art and Activism: Collecting the Stories of World-Changers2020Textir_htoa
10 The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture2011-08Textir_etd
11 Gold powder and gunpowder: the appropriation of western firearms into japan through high culture2015-08Textir_etd
12 Creolite and cultural cannibalism: reconstructing Cuban identity in the work of Marta Maria Perez Bravo and Maria Magdalena Campos-Pons2012-12Textir_etd
13 Fashion dualism: Practical versus conceptual1994-06Textir_htca
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