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| Title | Date | Type | Setname | ||
|---|---|---|---|---|---|
| 1 |
 |
Paper & tape | 2008-05 | Text | ir_etd |
| 2 |
 |
Gold powder and gunpowder: the appropriation of western firearms into japan through high culture | 2015-08 | Text | ir_etd |
| 3 |
 |
A Slingshot out of the valley contemporary relevance of the local in the local art scene | 2009 | Text | ir_etd |
| 4 |
 |
Situating Helen Frankenthaler's Wizard | 2014-05 | Text | ir_etd |
| 5 |
 |
Graffiti, art, and identity: exploring Gajin Fujita's Hood Rats | 2015-05 | Text | ir_etd |
| 6 |
 |
(UN)Known Origin | 2017 | Text | ir_htoa |
| 7 |
 |
Motion pictures | 2006-05 | Text | ir_etd |
| 8 |
 |
The Unassuming Subversion of Jacksonian-ERA Democracy: An Analysis of Mary Edmonia Lewis's Minnehaha and Hiawatha of 1868 | 2019 | Text | ir_htoa |
| 9 |
 |
Belongings: a material lineage | 2007-12 | Text | ir_etd |
| 10 |
 |
A personal philosophy: its basis and implications | 1970 | Text | ir_etd |
| 11 |
 |
The history of Cyrus Edwin Dallin: Eminent Utah sculptor | 1948 | Text | ir_etd |
| 12 |
 |
Education, art and Activism: Collecting the Stories of World-Changers | 2020 | Text | ir_htoa |
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