Title | Date | Type | Setname | ||
---|---|---|---|---|---|
1 | "Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service | 2017 | Text | ir_etd | |
2 | (UN)Known Origin | 2017 | Text | ir_htoa | |
3 | Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship | 2017 | Text | ir_etd | |
4 | Defining Ballet: How the Culture Shapes the Expression of Art | 2017 | Text | ir_htoa | |
5 | Exploring personal truth: staging a theatre of the body | 2017 | Text | ir_etd | |
6 | The hopefuls: growing sideways in the choreographic process | 2017 | Text | ir_etd | |
7 | Intimacy for deconstruction: the role of female relationships in choreography | 2017 | Text | ir_etd | |
8 | Making Diego's Dream | 2017 | Text | ir_htoa | |
9 | Reimagining the West | 2017 | Text | ir_etd | |
10 | Salad Days: work, covenant, and the child | 2017 | Text | ir_etd | |
11 | SHOTS FIRED | 2017 | Text | ir_htoa | |
12 | We gender: and so can you! | 2017 | Text | ir_etd | |
13 | You Do You: A Theoretical Exploration of Audience Agency in Theatre | 2017 | Text | ir_htoa | |
14 | You do you: A theoretical exploration of audience agency in theatre | 2017 | Text | ir_uspace |