1 - 25 of 14
| Title | Date | Type | Setname | ||
|---|---|---|---|---|---|
| 1 |
 |
"Living with our toxic legacy": parafictional practice and the national toxic land/labor conservation service | 2017 | Text | ir_etd |
| 2 |
 |
(UN)Known Origin | 2017 | Text | ir_htoa |
| 3 |
 |
Antonio Henrique Amaral's Battlefield paintings (1973-1974) and the Brazilian military dictatorship | 2017 | Text | ir_etd |
| 4 |
 |
Defining Ballet: How the Culture Shapes the Expression of Art | 2017 | Text | ir_htoa |
| 5 |
 |
Exploring personal truth: staging a theatre of the body | 2017 | Text | ir_etd |
| 6 |
 |
The hopefuls: growing sideways in the choreographic process | 2017 | Text | ir_etd |
| 7 |
 |
Intimacy for deconstruction: the role of female relationships in choreography | 2017 | Text | ir_etd |
| 8 |
 |
Making Diego's Dream | 2017 | Text | ir_htoa |
| 9 |
 |
Reimagining the West | 2017 | Text | ir_etd |
| 10 |
 |
Salad Days: work, covenant, and the child | 2017 | Text | ir_etd |
| 11 |
 |
SHOTS FIRED | 2017 | Text | ir_htoa |
| 12 |
 |
We gender: and so can you! | 2017 | Text | ir_etd |
| 13 |
 |
You Do You: A Theoretical Exploration of Audience Agency in Theatre | 2017 | Text | ir_htoa |
| 14 |
 |
You do you: A theoretical exploration of audience agency in theatre | 2017 | Text | ir_uspace |
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