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TitleDateTypeSetname
26 The Marshes of Glynn1959Textir_etd
27 New wine in old bottles: structural and aesthetic innovation in the lamento movement of gyorgy ligeti's horn trio2019Textir_etd
28 Parallels and contrasts in development: the constants and changes over time in Jazz tenor saxophone playing2022Textir_htoa
29 Part I: Sofia Gubaidulina's approach to pitch centricity in Two Paths: music for two violas and orchestra a dedication to Mary and Martha (1999) Part II: concerto for clarinet and orchestra2011-12Textir_som
30 Part I: Sound color in the music of Gyorgy Kurtag, Part II: Leopard's path, thirteen visions for chamber ensemble2010Textir_som
31 Part I: Traditional elements and spectral content in Color by Marc-André Dalbavie Part II: Siberia for wind ensemble and electronics2013-05Textir_som
32 Preparation and presentation of a selected program of choral music1973Textir_etd
33 Spheres2009-05Textir_som
34 Study of Hispanic and non-Hispanic white music teachers' influence2008-08Textir_som
35 Three pieces for orchestra1975Textir_etd
36 Tiny infinity for orchestra and Stefan Wolpe's Zone technique and Ralph Shapey's late music: an intensive analysis of String Quartet no.92014-08Textir_som
37 The triumph of joy over tragedy: pitch A in Mahler's Fifth Symphony2013-05Textir_som
38 Troubled authenticity amd the romanticized West: reevaluating Charles Wakefield Cadman's 1918 opera Shanewis2013-05Textir_som
39 Valley: three corners of our room; an interdisciplinary work for chamber choir, solo instruments, and electronics2023Textir_som
40 Verse chorus verse: an analysis of repetition in popular music2017Textir_som
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