26 - 50 of 80
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TitleDateTypeSetname
26 The choir school of the Mormon Tabernacle Choir: history and curriculum 1999-20132014-12Textir_som
27 The chorus in French Baroque opera1973Textir_etd
28 Contemporary American art song: John Alden Carpenter, Charles Edward Ives, Aaron Copland and Ned Rorem1966-08Textir_som
29 Diffused paradigms: musical depictions of biodegradation, refraction of sound, and memory deterioration in Sorensen's Sterbende Garten2011-05Textir_som
30 Divisions without hierarchy: four-dimensional modeling of submeter and its use in empirical analysis of the musics of the new complexity2017Textir_som
31 The effects of conducting-gesture instruction on high school string orchestra students' recognition of and playing response to common musical conducting emblems2012-08Textir_som
32 The effects of smartmusic® on sixth-grade beginning string instrumentalists' practice time, practice motivation, attitudes toward smartmusic®, and performance scores2019Textir_etd
33 Electronics to accompany At Times She Believed Everything Loved Her2011-03-10Soundir_som
34 Electronics to accompany Ingrid, over Her Tidepool2011-03-10Soundir_som
35 Electronics to accompany Late June2011-03-10Soundir_som
36 Electronics to accompany Little Portraits2011-03-10Soundir_som
37 Electronics to accompany the Feild and Its Knower2011-03-10Textir_som
38 Federal Education Reform and Music Education: a Review of the Literature and Implications for the Future2018Textir_htoa
39 The Fitzwilliam virginal book: historical background and performance practice issues2009-05Textir_som
40 Following fish and fractals: self-affine patterns of hierarchical formal structures embedded in the contours of Rolf Wallin's ning2018Textir_etd
41 French violoncello music of the late nineteenth and early twentieth centuries1995-08Textir_htca
42 Functions of popular music in the lives of adolescents2010-02-10Textir_som
43 Generative music2014-12Text; Soundir_som
44 Gustav Holst's Savitri Elucidated by Hindu thought1984-12Textir_som
45 Hollywood film music in the secondary performing ensemble: Utah music educators' attitudes and teaching practices2010Textir_som
46 How Much of What We Did Was Good?2019Textir_htoa
47 The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird2015-08Textir_etd
48 The influence of Artur Schnabel in the preparation and performance of Beethoven : Piano Concerto #1 in C Major Op. 151994Textir_htca
49 The influence of formal music instruction on the construction of musical identities of conservatory jazz students2014-08Textir_som
50 Interpretation and analysis of four works for the violin1964Textir_etd
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