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Creator | Title | Description | Subject | Date |
1 |
 | Neimoyer, Susan | After the rhapsody: George Gershwin in the Spring of 1924 | The year 1924 was a banner period in the early career of the young George Gershwin. The astonishingly successful premiere of the Rhapsody in Blue with Paul Whiteman's orchestra in 12 February 1924, in some ways made it the year of the Rhapsody. Thanks to the business acumen that prompted Whiteman to... | | 2014-01-01 |
2 |
 | Chuaqui, Miguel Basim | Ancient wing for solo flute | Archaeopteryx (Ancient Wing) was a prehistoric animal, presumably the "missing link" between reptiles and birds. I portrayed the dual nature of the animal by writing music that represents it both as a lizard-like motionless reptile, suddenly scuttling through the forest, as well as an ungainly bird,... | | 1998 |
3 |
 | Chuaqui, Miguel Basim | Arioso for alto recorder and live electronics [performance materials] | This is a zipped file which contains the following materials for the renedering of this piece for performance, as follows: 1) Chuaqui_Arioso_Max6_Patch_9-9-12 (folder of Max6 Patch files); 2) Chuaqui_Arioso_Patch_9-9-12; 3) Chuaqui_Arioso_Program_Notes_9-9-12.pdf; 4) Chuaqui_Arioso_Score_9-9-12.pdf. | Instrumental music; Electronic music; Chamber music; dataset | 2012-09-09 |
4 |
 | Chuaqui, Miguel Basim | Arioso for alto recorder and live electronics [score] | Program notes from Miguel Chuaqui, the composer: Program Notes: Arioso is a style of singing between the recitative and aria that arose in the 16th century. The form is usually free, and it tends to include frequent tempo changes. The piece is inspired by a print from a picture of a captive unicorn ... | Instrumental music; Electronic music; Chamber music | 2012-09-09 |
5 |
 | Chuaqui, Miguel Basim | Blues Claro | Blues en el Coraz?n is a set of three piano pieces connected by the use of a simple blues scale. The scale is used as the basis for all the material in the pieces and it is used both as a generator of surface motives, as in the second piece, and as source material for the harmonic background of all... | 3 pieces for piano; Music | 2009 |
6 |
 | Chuaqui, Miguel Basim | De metal y madera: for flute, cello, percussion, and electronics | | | 1999 |
7 |
 | Chuaqui, Miguel Basim | Hyperbole for flute, clarinet, violin, cello, and piano | | | 1996 |
8 |
 | Chuaqui, Miguel Basim; Iachimcuic, Igor Eugene; Standing, Shawn C. | Resistencia | The piece is called Resistencia (Resistance), and it was presented as part of the celebrations for the Chilean independence bicentennial. The title refers both to the Chilean war of independence (Resistance against the Spanish Crown), and to the concept of overcoming the resistance of time and spac... | Improvisation; Telematic performance; Santiago; Salt Lake City; Interactive music; Interactive dance; Motion capture; University of Chile; Resistance; Chilean independence | 2009-08-28 |
9 |
 | Chuaqui, Miguel Basim; Iachimcuic, Igor Eugene; Standing, Shawn C. | Resistencia | The piece is called Resistencia (Resistance), and it was presented as part of the celebrations for the Chilean independence bicentennial. The title refers both to the Chilean war of independence (Resistance against the Spanish Crown), and to the concept of overcoming the resistance of time and spac... | Improvisation; Telematic performance; Santiago; Salt Lake City; Interactive music; Interactive dance; Motion capture; University of Chile; Resistance; Chilean independence | 2009-08-28 |