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TitleDateTypeSetname
176 Oh the Humanities! Using the Clemente Program to Educate Underserved Students in Art History2016-08Textir_htoa
177 Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts2015-08Textir_etd
178 The original: A process of producing a short film2014-12Textir_htoa
179 Painting the town, inside and out2010-03-15Text; Imageir_uspace
180 Paper & tape2008-05Textir_etd
181 Penumbra1997Textir_uspace
182 Performativity and identity in the illuminated photographs of the Countess de Castiglione2013Textir_etd
183 Performing the document in Francis Alys's re-enactments (2001)2013-12Textir_etd
184 Persistencia de la Memoria2008Textir_uspace
185 The piano works of Claude Debussy: A critical analysis1963-06Textir_htca
186 Pins, felt, and cloth: performing Mormon feminism2014-05Textir_etd
187 Please feel free: sensation, awareness, and choreography2008-05Textir_etd
188 Plotting dissonance: paradoxes of trauma and imagination in the creative process2021Textir_etd
189 Popular music and public education: Culturally responsive to the past and present alike2016-04Textir_htoa
190 Power, panopticism, and pilgrimage: the image program at conques2018Textir_etd
191 Practicing presence: accessing the attention-intention continuum in Dance performance and the creative process2019Textir_etd
192 The Production Process of a Traditional Animated Short Film2020Textir_htoa
193 Promised valley: a design thesis1970-06Textir_etd
194 Querl dismantling the book2010-07Textir_etd
195 Race, sexuality, and power in Ivens Machado's video performance Escravizador-Escravo (1974)2016Textir_etd
196 Racialized visions of "The other": histories of orientalism behind La Bayadere2019Textir_etd
197 Re-envisioning the natural world in Eugene Delacroix's lion devouring a horse2016Textir_etd
198 Reflections of self: male-male relationships as a source for choreography2009-05-06Textir_etd
199 Reimagining the West2017Textir_etd
200 Ripe with meaning: the pregnant body in contemporary dance2010Textir_etd
176 - 200 of 260