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TitleDateTypeSetname
126 How contact improvisation can inform the creative process and enliven its product2008-05Textir_etd
127 How Creative Movement Practices, Such as Storytelling and Personal Narrative, Act as a Medium for People with Disabilities to Understand and Express Identity2014Textir_htoa
128 How Much of What We Did Was Good?2019Textir_htoa
129 The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird2015-08Textir_etd
130 Hyperbole for flute, clarinet, violin, cello, and piano1996Textir_uspace
131 The influence of Artur Schnabel in the preparation and performance of Beethoven : Piano Concerto #1 in C Major Op. 151994Textir_htca
132 Interpretation and analysis of three works for the Bassoon1958Textir_etd
133 Intimacy for deconstruction: the role of female relationships in choreography2017Textir_etd
134 Italy: My catalyst2013-05Textir_htoa
135 Joe Hill: A visual exploration of the myth and the man1994-06Textir_htca
136 Katherine Anne Porter: Five southern stories1977-06-10Textir_htca
137 Keyframe: Six Images for Jazz Sextet and String Quartet2020Textir_htoa
138 The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden2016Textir_etd
139 The language of fibers: how movement emerges from space harmony theory and architecture2016Textir_etd
140 Lithography: Fine Art and commercial process1968Textir_etd
141 Love, and 1,138 other reasons to marry2016-04Textir_htoa
142 Low back pain and it's significant relationship to inelasticity in the hip flexing musculature : a preliminary study1983Textir_htca
143 The magician's folly2010Textir_som
144 Making 360 and representing the aesthetics of nostalgia through documentary2021Textir_htoa
145 Making Diego's Dream2017Textir_htoa
146 The many facets of ballet1972-03-31Textir_htca
147 Mareas2005Textir_uspace
148 Mareas2005Textir_uspace
149 The marrow of the bone: An actor's process and privilege1991-06Textir_htca
150 Mathematical Foundations of Atonal Music Theory2018Textir_htoa
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