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TitleDateTypeSetname
176 How contact improvisation can inform the creative process and enliven its product2008-05Textir_etd
177 How Creative Movement Practices, Such as Storytelling and Personal Narrative, Act as a Medium for People with Disabilities to Understand and Express Identity2014Textir_htoa
178 How much of what we did was good?2019Textir_htoa
179 The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird2015-08Textir_etd
180 Hyperbole for flute, clarinet, violin, cello, and piano1996Textir_uspace
181 Icarus Chair2002Imageir_uspace
182 Icarus Chair (detail 1)2002Imageir_uspace
183 Icarus Chair (detail 2)2002Imageir_uspace
184 Incantation Bowls2007Imageir_uspace
185 The influence of Artur Schnabel in the preparation and performance of Beethoven : Piano Concerto #1 in C Major Op. 151994Textir_htca
186 Installation View of 'Four Worlds' (left) and 'Heart, Hand, and Lung Milagros' (right)2005Imageir_uspace
187 Interpretation and analysis of three works for the Bassoon1958Textir_etd
188 Intimacy for deconstruction: the role of female relationships in choreography2017Textir_etd
189 Italy: My catalyst2013-05Textir_htoa
190 Jacob's Ladder2004Imageir_uspace
191 JodyImageir_uspace
192 Joe Hill: A visual exploration of the myth and the man1994-06Textir_htca
193 Journey2007Imageir_uspace
194 Journey (detail)2007Imageir_uspace
195 Katherine Anne Porter: Five southern stories1977-06-10Textir_htca
196 Keyframe: Six Images for Jazz Sextet and String Quartet2020Textir_htoa
197 Keys For Houses That Are No More2009Imageir_uspace
198 Keys For Houses That Are No More II2009Imageir_uspace
199 The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden2016Textir_etd
200 The language of fibers: how movement emerges from space harmony theory and architecture2016Textir_etd
176 - 200 of 408