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Type
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257
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"College of Fine Arts"
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Title
Date
Type
Setname
176
Holy Cow
2009
Image
ir_uspace
177
Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier
2015
Text
ir_etd
178
The hopefuls: growing sideways in the choreographic process
2017
Text
ir_etd
179
The horror of sexual violence: The representations of rape in American horror story
2014-05
Text
ir_htoa
180
How contact improvisation can inform the creative process and enliven its product
2008-05
Text
ir_etd
181
How Creative Movement Practices, Such as Storytelling and Personal Narrative, Act as a Medium for People with Disabilities to Understand and Express Identity
2014
Text
ir_htoa
182
How Much of What We Did Was Good?
2019
Text
ir_htoa
183
The human versus the supernatural: intervallic, motivic, and harmonic connections in stravinsky's the firebird
2015-08
Text
ir_etd
184
Hyperbole for flute, clarinet, violin, cello, and piano
1996
Text
ir_uspace
185
Icarus Chair
2002
Image
ir_uspace
186
Icarus Chair (detail 1)
2002
Image
ir_uspace
187
Icarus Chair (detail 2)
2002
Image
ir_uspace
188
Incantation Bowls
2007
Image
ir_uspace
189
The influence of Artur Schnabel in the preparation and performance of Beethoven : Piano Concerto #1 in C Major Op. 15
1994
Text
ir_htca
190
Installation View of 'Four Worlds' (left) and 'Heart, Hand, and Lung Milagros' (right)
2005
Image
ir_uspace
191
Interpretation and analysis of three works for the Bassoon
1958
Text
ir_etd
192
Intimacy for deconstruction: the role of female relationships in choreography
2017
Text
ir_etd
193
Italy: My catalyst
2013-05
Text
ir_htoa
194
Jacob's Ladder
2004
Image
ir_uspace
195
Jody
Image
ir_uspace
196
Joe Hill: A visual exploration of the myth and the man
1994-06
Text
ir_htca
197
Journey
2007
Image
ir_uspace
198
Journey (detail)
2007
Image
ir_uspace
199
Katherine Anne Porter: Five southern stories
1977-06-10
Text
ir_htca
200
Keyframe: Six Images for Jazz Sextet and String Quartet
2020
Text
ir_htoa
176
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