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Show CHAPTER III . VISUALIZATIoNs FtlliDAYENTAL INTERPRETATION OR IMPERSONATION FEW PERS ONS NOWADAYS, SEEM TO FEEL HOW POWERFUL AN OF -CULTURE :MAY BE FOUUD IN MODEST t INTELLIGENT 9 AND SYMPATHETIC READING THE RECITER AND THE ELOCUTIONIST OF LATE HAVE DOllE MUCH TO ROB ALOUD. US INS TRID!Ell'l' OF THIS WHICH IS ONE OF THE FINEST OF FINE ARTS. WHICHe A. LEAS WITH INFERIOR ADEPTS, o A MONGREL S OMETHHiG IS NEITHER GOOD READING NOR YET' VERITABLE ACTIllG. BUT WHICH SETS AGi\.PE THE HALF-EDUCATED WITH THE VIOli DER OF ITS AIRS AND ATTlTUDnHZINGt> PSEUDO-HEROICS AND mEUDOPATHOS'. ITS USURPED THE PLACE OF Tam TRUE ART OF READING ALOUD, AND R.S 1:ADE THE eo D REC I'I'A.TI ONft A TEROR TO QUIET FOLK WHO ARE CONTENT WITH INTELLI- GENCE AND REFINEMENT'e - - -Edward Dowdan- - - )EFINITIQ Interpretation means; translationo is translation from 8. perienc80 dead printed form It appeals to the imaginationo a literary interpretation A into a livingo breathlngo Interpretation is sentation of any form of literary material--lyric or burl squao narrative stage tlngs, or 01 ant ur 0 se p - to th t1 pr 0 allegor1cal--without or of tion is oontent with r make po uP. ibls the pre dramatic!! humoz ou the aid of literal oharacterizations in dressQ furn1 v od e e , suggestlns the ac t I on , 81 thing the hearer Imper Ollvtionv on the other hand0 f or ex Is an attempt xaet literary charac erizatlon in·volc by properties suoh as dreb. to give ctionvand furniture and stae as u ttlng 0 It |
