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Show 48 1891 and 1953 least at assembled, by Bennett Glass. Brown and their assistants the beveling The demand by the large supply Most of their Questionable good very of art its glass at not, Bennetts creators chapel (111 most glass producers and Prairie School style is West was the 700 the area. the state. throughout executed in Salt Lake colored in glass South). Built in added later. were City. the Salt 1886, the Whether it did the work since there likely in cutting, leading or scattered may well have been glass or for their skills and products is evident work, naturally, to as Lake Fourth Ward art were glass made, Kimball, Stafford, Kilner, fancies of any Gothic Revival meetinghouse. stained had any architectural art likely most was no or other More elaborate in decoration are the beautiful Victorian windows in the Gothic Revival brick Twenty Seventh Ward cluding building (185 "P" Street, large a clear colored pany, the glass in round window behind the glass most bu:t1ding being probably were Salt Lake pulpit, made (107 "Gil Street, date back to the 1920's. Ward a newer glass as Salt Lake well building, com the as City) has chapel, but the the door panels Likewise, the windows of the Twenty-First chapel (680 2nd Avenue, Salt Lake City), contemporary of these windows Original stained recently been supplemented with maj or panels in half-moon windows atop the Once in by the Salt Lake constructed in 1902.' the Twentieth Ward City). were now incorporated into cossioned during this period. , Though not documented, surrounding evidence supports Bennetts craftsmanship in both of these ward glass in the "showpiece" rock houses. building of the As for the stained Capital Hill Ward |
