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Show Real Estate and Loans. Tel. MO. D e se re t M u seu m , 1 st N o rth b e t 1 st an d I 2d I B M M e h e s y E jr , 2 7 5 - 2 7 9 S S ta te . r ig h t b o tto m M O R T G A G E L O A N S - C o n tin u e d . B ld g . p B e e p 6 9 7 .K : R i c h t e r A d o lp h , 1 9 W 1 s t S o u t h . ( S e e le f t b o tto m S c h e ttle r B C o rn e r c a rd s .) H , 22 S M a in . 7 48.) • S t r i n g e r 3 T C o , 70 W (S e e p 2d S o u th . . U t a h & N o r t h w e s t e r n I n v e s t m e n t Co, 605 T e m p l e t o n B l d g . ' P 33 0.) (S e e I W i l s o n - S h e r m a n C o, 5 2 W 2 d S o u t h -'.(-See* o p p i p 907A - W in d s o r H B , 6 2 W 2 d S o u t h . (S e e l e f t s id e lin e s .) Y o u n g & F o w le r , u n d e r D e s e r e t N a t B a n k . &CS;ée l e f t t o p c p rh '^ r« c a r d s . ) *M O U L D IN G S A N D F IN IS H . ( S e e b a c k c o v e r .) B u r t o n C o a l & L u m b e r C o, 6 6 W S o u th . ( S e e ^ f t to p E b e r t G eo W ( S e e o p p p* ¿ 9 4 .) F e l t G eo F & C o, 8 4 6 S S t a t e . 2d (S e e P 317.) M o r r is o n , M e r r i ll & C o, W e s t. P a c if i c L u m b e r C o, (S e e 223 rig h t R o m n e y G eo L u m b e r W e s t. 241 N 3d (S e e r i g h t to p lin e s .) T e m p le . c a rd s .) W S o u th to p c o rn er C o, 6 5 N 1 st ( S e e o p p p 716.) S a l t L a k e M o u l d i n g & A r t C o, 1 4 2 144 W S o u th T e m p le . ( S e e p 736.) *M O U N T S — P H O T O G R A P H IC . S a lt L a k e P h o t o S u p p l y Co, 4 E S o u th . 3d ( S e e o p p p 737.) *M O V IN G P IC T U R E M A C H IN E S . M a d s e n C P & C o , 115 E 1 s t S o u t h . TH E F IN E S T O IG A R IN T H E M ARKET. D aynes to p & R ic h a rd s . lin e a ) ~ R om ney P ia n o (S e e I C o, 4 0 (S e e le f t b o tto m B lin e s .) I M U S IC A N D M U S IC A L M E R C H A N - I D IS E . B e e s l e y M u s i c C o, 4 6 S M a in . (S e e I p 1430 C a r s t e n s e n & A n s o n C o, 7 4 S M a in . V (S e tb a c k c o v e r .) C la y t o n M u s i c C o, 1 0 9 S M a in . (S e e I - *l e f t t o p l in e s ! ) '' / C o a l t e r F e r g u s M u s i c C o , 39 S M a i n . D a y n e s M u s i c C o , 109 S M a i n . D a y n e s & R o m n e y P i a n o Co, 4 0 R ic h - I ( S e e l e f t b o t to m - l i n e s . ) T e m p le o f M u s ic , 7 4 S M a in . (S e e I b a c k c o v e r.) U t a h M u s i c C o , 307 D e s e r e t N e w s B l d g . I Y o u n g B r o s C o , 38 S M a i n . 1 lin e s .) & C o, 5 7 S M a in a n d 326 S S t a t e d le ft a rd s. A s p e r , N o a l l & C o, 1 5 1 - 1 5 7 W N o r t h T e m p le . C la y t o n M u s i c Co, 1 0 9 S M a in . ( S e e p 856.) W e ir J o h n jr , 3 6 W 2 d S o u t h . (S e e I c o ifp e r c a r d s .) *M U S IC B O O H S. R e g e R e a l t y C o, 1 6 - 1 7 W a l k e r B r o s " 'B a n k (S e e I *M U S E U M S . E dgar S. D arling, M gr. M W . Second Soutli S t. S S ta te . M U S IC T E A C H E R S . A n d e r s o n J A ( P i a n o ) , 119 E S o u th 8 T e m p le .: A n d e r s o n K A ( P i a n o ) , 643 S 4 t h E a s t . I B a l l B D ( V o c a l ) , 75 B . B a l l B N ( P i a n o ) , 75 B .B a r n e y I L ( P i a n o ) , 123 J . B e e s l e y E b e n e z e r , 45 W 2 d - N o r t h . B e l l E l i z a b e t h ( P i a n o ) , 1750 S 3 d E a s t . 8 B e r k h o e l A g a t h a , 221 W 4 t h S o u t h . B f e r k h o e l O le , ( V i o l i n ) , 635 S M a i n . Offers Choice of - 3 - Most Magnificent J Scenery Dist in ct Rout es to The East . IN TH E WORLD. W H I T A K ER & P A L LA 8^ MAKERS. 51 W. 2nd South a t «l . 2 0 6 2 -X . A W W W W W WW W B, 2 0 7 -2 0 9 p 682.) GO P rout H onoO O O Ó O T H E R E A L T Y CO . H b tìtìb M HHO i f f M OW ERS A N D R EA PER S. |
