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Show ‘\\\\‘"" EAST AURORA, NEW YORK, 1904-191 1 Large Profile Light-and-Shade Watermar This exquisite half-page portrait watermark was modelled {192 bythcm nent Frenchartstof Europeanbanlc note fame, Paul Couvez T makeaatermariof T7pea thin sheot of bee'swa ssculpture inlow reliefmaleand female siectrtypesare then made fom thswia 1nd fin;Mlyba«,ktdwfl thick shee i of lead, formin a subst:tantfal paf ofdiesfor pressfng the woven mould screen (Foramore detafled accoun of this s process . <PAPERMAKING TheHistory and Ted chnique o by Dard Hunter, Dover Publicatfons, 1978 ke cmpleted macldscreentwasient foth Paisan ixrmufpcrrlhot asure, and e 922 and 192 a total of stxteen reams of I reyl ould machi ine mahoga Fabe Tould contatning this watermark was fabricate by W. Green, Son an n. Itfs doubtful that pape of any quantity was "‘Xfcp(lhewalerlcaf&peu‘m nshown hereand madeespectallyfor thi Yolumeby theauthor emeuld,excludlngthedcckle,mmsure:glZ/v e and camcx the number 23548 along with the name Light-and-Shade Watermar of Elbert Hubbar (Illustrate only fn the specta editfon o Elbert Hubbar watermark etter pape wrhi 13 madehandsom by hand portrat o a four-sectfoned mould by the venerable ffrm o ‘"mMummP ;per Mill fn Fabriano, Italy, about 1900. Th pum;' 3 modelled after an etchin by Otto ). Schnefder who was one of th &rtsts working for Hub ar at the time. The colou of the sheet i th amiliargoldentod sooftenuse by Hubbard formuchof hiscorrespon {2@ All'examples n the specfal editfon are from the © rig] ;"}" €ft sectio of the mould, separat dby:\(earmgwfrr me;hmx:thi {ationery had been presentedby Alice Hubbard to Father "m"‘r]x_‘ated hisworka the Royerof Shops (.19 "a"mry i ou ‘watermarke foundinfiveoe fixampfino‘ destre tomake fine ‘°k"}';‘!‘,‘1k‘°"" ©OWn,and probably wasth irstlight- v emra Digital image© 2005 wriott Libvary University of Utah, Al rights reserv |
