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2 Maude Adams as Portia portrait photo [2]1930; 1931; 1932; 1933; 1934; 1935; 1936; 1937; 1938; 1939; 1940Image/StillImage
3 Portrait of George M. Ottinger [2]1910Image/StillImage
4 Correspondence from Charles C. Rich to Miss Sarah Pea [1]1837Image/StillImage
5 Leather embossing of man on horseback near bear [2]1940; 1941; 1942; 1943; 1944; 1945; 1946; 1947; 1948; 1949; 1950; 1951; 1952; 1953; 1954; 1955; 1956; 1957; 1958; 1959; 1960; 1961; 1962; 1963; 1964; 1965Image/StillImage
6 Man with hair in braids portrait photo [2]1940; 1941; 1942; 1943; 1944; 1945; 1946; 1947; 1948; 1949; 1950Image/StillImage
7 Newspaper clipping of Bowring's Theater, sepia1899Image/StillImage
8 Program for "The False Friend" at St. George social hall, page 2, sepia1880; 1881; 1882; 1883; 1884; 1885; 1886; 1887; 1888; 1889; 1890; 1891; 1892; 1893; 1894; 1895; 1896; 1897; 1898; 1899Image/StillImage
9 Program for "The False Friend" at St. George social hall, page 3, sepia1880; 1881; 1882; 1883; 1884; 1885; 1886; 1887; 1888; 1889; 1890; 1891; 1892; 1893; 1894; 1895; 1896; 1897; 1898; 1899Image/StillImage
10 Program for "The False Friend" at St. George social hall, page 4, sepia1880; 1881; 1882; 1883; 1884; 1885; 1886; 1887; 1888; 1889; 1890; 1891; 1892; 1893; 1894; 1895; 1896; 1897; 1898; 1899Image/StillImage
11 Program for "The False Friend" at St. George social hall, pages 2-3, sepia1880; 1881; 1882; 1883; 1884; 1885; 1886; 1887; 1888; 1889; 1890; 1891; 1892; 1893; 1894; 1895; 1896; 1897; 1898; 1899Image/StillImage
12 Child's holster embossed with cacti and cowboys [2]1940; 1941; 1942; 1943; 1944; 1945; 1946; 1947; 1948; 1949; 1950; 1951; 1952; 1953; 1954; 1955; 1956; 1957; 1958; 1959; 1960; 1961; 1962; 1963; 1964; 1965Image/StillImage
13 Child's holster embossed with steer and horns in center [2]1940; 1941; 1942; 1943; 1944; 1945; 1946; 1947; 1948; 1949; 1950; 1951; 1952; 1953; 1954; 1955; 1956; 1957; 1958; 1959; 1960; 1961; 1962; 1963; 1964; 1965Image/StillImage
14 Child's holster with guns, knife, and bullets [2]1940; 1941; 1942; 1943; 1944; 1945; 1946; 1947; 1948; 1949; 1950; 1951; 1952; 1953; 1954; 1955; 1956; 1957; 1958; 1959; 1960; 1961; 1962; 1963; 1964; 1965Image/StillImage
15 Maud Bigler in the play "Capitola," St. George, Utah, 1890s, sepia1890; 1891; 1892; 1893; 1894; 1895; 1896; 1897; 1898; 1899; 1900Image/StillImage
16 Two young women photo portrait, facing right, sepia1860; 1861; 1862; 1863; 1864; 1865; 1866; 1867; 1868; 1869; 1870; 1871; 1872; 1873; 1874; 1875; 1876; 1877; 1878; 1879; 1880; 1881; 1882; 1883; 1884; 1885; 1886; 1887; 1888; 1889; 1890Image/StillImage
17 Levi Riter cabin [2]1920; 1921; 1922; 1923; 1924; 1925; 1926; 1927; 1928; 1929; 1930Image/StillImage
18 Mrs. Agnes Hardy Lynch, soloist at dedication of the Salt Lake Theater, sepia [4]1861Image/StillImage
19 Mrs. Agnes Hardy Lynch, soloist at dedication of the Salt Lake Theater, sepia [5]1861Image/StillImage
20 Correspondence to Charles C. Rich, unnumbered page 1, sepia [1]1834; 1835; 1836; 1837; 1838; 1839; 1840; 1841; 1842; 1843; 1844; 1845; 1846; 1847; 1848; 1849; 1850; 1851; 1852; 1853; 1854; 1855; 1856; 1857; 1858; 1859; 1860; 1861; 1862; 1863; 1864; 1865; 1866; 1867; 1868; 1869; 1870; 1871; 1872; 1873; 1874; 1875; 1876; 1877; 1878; 1879; 1880; 1881; 1882; 1883Image/StillImage
21 Correspondence to Charles C. Rich, unnumbered page 1, sepia [2]1834; 1835; 1836; 1837; 1838; 1839; 1840; 1841; 1842; 1843; 1844; 1845; 1846; 1847; 1848; 1849; 1850; 1851; 1852; 1853; 1854; 1855; 1856; 1857; 1858; 1859; 1860; 1861; 1862; 1863; 1864; 1865; 1866; 1867; 1868; 1869; 1870; 1871; 1872; 1873; 1874; 1875; 1876; 1877; 1878; 1879; 1880; 1881; 1882; 1883Image/StillImage
22 Correspondence to Charles C. Rich, unnumbered page 2, sepia [1]1834; 1835; 1836; 1837; 1838; 1839; 1840; 1841; 1842; 1843; 1844; 1845; 1846; 1847; 1848; 1849; 1850; 1851; 1852; 1853; 1854; 1855; 1856; 1857; 1858; 1859; 1860; 1861; 1862; 1863; 1864; 1865; 1866; 1867; 1868; 1869; 1870; 1871; 1872; 1873; 1874; 1875; 1876; 1877; 1878; 1879; 1880; 1881; 1882; 1883Image/StillImage
23 Correspondence to Charles C. Rich, unnumbered page 2, sepia [2]1834; 1835; 1836; 1837; 1838; 1839; 1840; 1841; 1842; 1843; 1844; 1845; 1846; 1847; 1848; 1849; 1850; 1851; 1852; 1853; 1854; 1855; 1856; 1857; 1858; 1859; 1860; 1861; 1862; 1863; 1864; 1865; 1866; 1867; 1868; 1869; 1870; 1871; 1872; 1873; 1874; 1875; 1876; 1877; 1878; 1879; 1880; 1881; 1882; 1883Image/StillImage
24 Correspondence to Charles C. Rich, unnumbered page 2, sepia [3]1834; 1835; 1836; 1837; 1838; 1839; 1840; 1841; 1842; 1843; 1844; 1845; 1846; 1847; 1848; 1849; 1850; 1851; 1852; 1853; 1854; 1855; 1856; 1857; 1858; 1859; 1860; 1861; 1862; 1863; 1864; 1865; 1866; 1867; 1868; 1869; 1870; 1871; 1872; 1873; 1874; 1875; 1876; 1877; 1878; 1879; 1880; 1881; 1882; 1883Image/StillImage
25 Correspondence to Charles C. Rich, unnumbered page 2, sepia [4]1834; 1835; 1836; 1837; 1838; 1839; 1840; 1841; 1842; 1843; 1844; 1845; 1846; 1847; 1848; 1849; 1850; 1851; 1852; 1853; 1854; 1855; 1856; 1857; 1858; 1859; 1860; 1861; 1862; 1863; 1864; 1865; 1866; 1867; 1868; 1869; 1870; 1871; 1872; 1873; 1874; 1875; 1876; 1877; 1878; 1879; 1880; 1881; 1882; 1883Image/StillImage
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