|
|
Title | Creator | Creation Date |
| 201 |
 |
Sanctuary of Bom Jesus do Congonhas, view of the façade | Antônio Francisco Lisboa (Aleijadinho) | 18th Century CE |
| 202 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 203 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 204 |
 |
Juscelino Kubitschek with Lucio Costa, in 1957, at the center of the Pilot Plan to be built, Brasilia | | 1957 CE |
| 205 |
 |
The Second Mass in Brazil (known as the Mass of the Taking of Possession) | Glauco Rodrigues | 1996 CE |
| 206 |
 |
Thursday Morning | João Cãmara | 2000 CE |
| 207 |
 |
Escrito (Script) | Emmanuel Nassar | 2000 CE |
| 208 |
 |
Carta Atemporal (Timeless Letter) | Jose Roberto Aguilar | 2000 CE |
| 209 |
 |
Iracema | José Maria de Medeiros | 1881 CE |
| 210 |
 |
O Homem das Sete Cores (Man in Seven Colors) | Anita Malfatti | 1915 - 1916 CE |
| 211 |
 |
Workers | Tarsila do Amaral | 1933 CE |
| 212 |
 |
Founding of the City of São Paulo, 1554 | Oscar Pereira da Silva | 1903 CE |
| 213 |
 |
Campo de Batalha 3 (Field of Battle 3) | Antonio Henrique Amaral | 1973 CE |
| 214 |
 |
Art Cookie | Regina Silveira | 1976 CE |
| 215 |
 |
Art Cookie | Regina Silveira | 1976 CE |
| 216 |
 |
Art Cookie | Regina Silveira | 1976 CE |
| 217 |
 |
Portrait of the Intrepid Mariner Simão, Coalman of the Steamship Pernambucana | José Correia de Lima | 1853 CE |
| 218 |
 |
Capela Dourada (Golden Chapel), view towards the altar | Antonio Martins Santiago (sculptor); Manuel de Jesus Pinto (gilt) | late 17th Century - 18th Century CE |
| 219 |
 |
Monastery of São Bento High Altar | | 17th - 18th Century CE |
| 220 |
 |
Sanctuary of Bom Jesus do Congonhas, view of the façade | Antônio Francisco Lisboa (Aleijadinho) | 18th Century CE |
| 221 |
 |
Machine Animal (Bicho) | Lygia Clark | 1962 CE |
| 222 |
 |
Livro do Tempo | Lygia Pape | 1960 CE |
| 223 |
 |
Objeto Ativo (Active Object) | Willys de Castro | c. 1960 CE |
| 224 |
 |
View of the Monumental Axis with the Triangular Praça dos Três Poderes at its Eastern Tip and the Ceremonial Esplanade Leading to the National Congress | | |
| 225 |
 |
The Mall on the Monumental Axis, Brasília | | |
