Title | Creator | Creation Date | ||
---|---|---|---|---|
151 | The State of Things (Direct Indication I) | Gabriel Borba | 1974 CE | |
152 | Page from "Art as a Question, 1970s": Circumambulatio exhibition | Anna Bella Geiger | 1973 CE | |
153 | Workers | Tarsila do Amaral | 1933 CE | |
154 | Samba Group | Emiliano di Cavalcanti | 1928 CE | |
155 | Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE | |
156 | Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE | |
157 | Tree of Money | Cildo Meireles | 1969 CE | |
158 | Zero Centavo | Cildo Meireles | 1974 - 1978 CE | |
159 | Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE | |
160 | Zero Cruzeiro | Cildo Meireles | 1974 - 1978 CE | |
161 | Zero Dollar | Cildo Meireles | 1978 - 1984 CE | |
162 | Insertions into Ideological Circuits: Cédula Project | Cildo Meireles | 1970 CE | |
163 | Mosquito of Mangueira wearing Oiticica's 'Cape 6 (Parangolé 10)', 1965 CE, and dancing with 'Glass Bolide 5 (Hommage to Mondrian)', 1964 CE | Hélio Oiticica | 1964 - 1965 CE | |
164 | Machine Animal (Bicho) | Lygia Clark | 1962 CE | |
165 | Linear Egg | Lygia Clark | 1958 CE | |
166 | Trepante 3 | Lygia Clark | 1965 CE | |
167 | Rubber Grub | Lygia Clark | 1964 CE (remade by artist in 1986 CE) | |
168 | Box Bolide 9 | Hélio Oiticica | 1964 CE | |
169 | Glass Bolide 3 | Hélio Oiticica | 1964 CE | |
170 | The Inside is Outside | Lygia Clark | 1964 CE | |
171 | Manadala | Lygia Clark | 1969 CE | |
172 | Drawing | Mira Schendel | 1964 CE | |
173 | Large Relief no. 3/39/69 | Sergio Camargo | 1964 CE | |
174 | Box Bolide | Hélio Oiticica | 1964 CE | |
175 | Droguinhas (Little Scraps, nothings) | Mira Schendel | 1964 - 1965 CE |