TO
| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 101 |
 |
Wallace, James Milton | Vision/Revision | 2019 | thesis | |
| 102 |
 |
Evans, Marilyn Rae | The history of the San Francisco ballet company from its beginnings through 1951 | 1960 | thesis | |
| 103 |
 |
Sheltra, Scott James | Power, panopticism, and pilgrimage: the image program at conques | 2018 | thesis | |
| 104 |
 |
Barnes, Colleen Marie | Racialized visions of "The other": histories of orientalism behind La Bayadere | 2019 | thesis | |
| 105 |
 |
Butcher, Brenda | Dance movement therapy: transforming psychological trauma into growth | 2019 | thesis | |
| 106 |
 |
Janetski, Joyce Athay | A history, analysis, and registry of Mormon architectural art glass in Utah | 1981 | thesis | |
| 107 |
 |
Stack, Jasmine | Reimagining the West | Folklore; Dance; Sustainability | 2017 | thesis |
| 108 |
 |
Shir, Allison | Metamorphosis: radically imagining the body through collage and the grotesque | art; body; choreography; dance; grotesque; paradox | 2016 | thesis |
| 109 |
 |
Shaw, Rachael L. | Metamorphic chrysalis: embodying mindfulness in transformation | Change; dance; Mindfulness; Performing arts; transformation | 2012-05 | thesis |
| 110 |
 |
Claudio, Juan Carlos | Reflections of self: male-male relationships as a source for choreography | Modern dance; Masculinity; Gender identity in dance | 2009-05-06 | thesis |
| 111 |
 |
Niu, Li-Sha | The me of yours and the me of mine: an investigation of subjective self and objective self in dance | Choreography; Dance; Objective self; Performance; Subjective self | 2011-08 | thesis |
| 112 |
 |
Nelson, Matthew A | Please feel free: sensation, awareness, and choreography | Choreography; Mind and body | 2008-05 | thesis |
| 113 |
 |
Fifer, Emily Scott | Moving together: dance as an inroad to relationship and self-discovery | Dance--Psychological aspects; Contact improvisation | 2009-12-14 | thesis |
| 114 |
 |
Bruce, Kelly M. | Nothing but me: a study of identity through choreography, performance, and education | Choreography; Dance | 2015-08 | thesis |
| 115 |
 |
Davis, Shane Bryant | We gender: and so can you! | Dance; Gender studies | 2017 | thesis |
| 116 |
 |
Dryden, Nathan | Towards a decided body and choreography | Choreography; Dance; Passive; Performance; Presence; Sequencing | 2015-08 | thesis |
| 117 |
 |
Garcia, Efren Corado | Writing love on my arm: finding the voice of consciousness in the creative process | Choreography; Consciousness; Creative process; Dance; Research; Therapy | 2011-08 | thesis |
| 118 |
 |
Vance, Shannon Noelle | Surfacing: finding an individual voice by living the honest language of the dance | Choreography; Creative impulse; Creative process; Honesty; Individual voice; Movement language | 2010-08 | thesis |
| 119 |
 |
Campbell, Monica | Tabula Rasa: let's begin again modern dance and social activism | Politics in dance; Social issues in dance | 2009-05-14 | thesis |
| 120 |
 |
Draper, Brooklyn Lee | Unpredictable logic: the ongoing process of forming an aesthetic language through randomness | 2019 | thesis | |
| 121 |
 |
Crotty, Michael | The hopefuls: growing sideways in the choreographic process | Children's Studies; Innocence; Modern Dance; Queer; Queer Theory; Romanticism | 2017 | thesis |
| 122 |
 |
Bigelow, Ching-i Chang | Army of self: dance democracy | Comfort Women; Dance Choreography; Democracy; Modern Dance; Sleep No More; Taiwanese History | 2017 | thesis |
| 123 |
 |
Alberge, Florian | Exploring personal truth: staging a theatre of the body | abscence; biography; body; dance-theatre; experience; presence | 2017 | thesis |
| 124 |
 |
Maxwell, Devin Cole | Chester, NJ" for full orchestra and electronics, and, The chromatic scale and other iterative loops in Beat Furrer's Konzert fuer Klavier and Orchester | Music | 2016 | dissertation |
| 125 |
 |
Ramos, Alysia | Embodying eclecticism from potential to actualization | Choreography; Composition; Dance; Eclecticism; Embodiment; Nomadic theory | 2014-08 | thesis |