|
|
Title | Creator | Creation Date |
| 76 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 77 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 78 |
 |
America | Maerten de Vos (designer) and Adriaen Collaert (engraver) | 16th - 17th Century CE |
| 79 |
 |
Depiction of Indigenous rite with dance and tobacco smoking, illustrating a passage labeled ‘Caraibes barbaros exsufflantes' (The Barbarian Caribs Blow Smoke) | | 1590s CE |
| 80 |
 |
First exhibition at Museum of Modern Art, Sao Paulo: Ruptura | | 1952 CE |
| 81 |
 |
Shapes | Ivan Serpa | 1951 CE |
| 82 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 83 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 84 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 85 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 86 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 87 |
 |
Sanctuary of Bom Jesus do Congonhas, view of the façade | Antônio Francisco Lisboa (Aleijadinho) | 18th Century CE |
| 88 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 89 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 90 |
 |
Juscelino Kubitschek with Lucio Costa, in 1957, at the center of the Pilot Plan to be built, Brasilia | | 1957 CE |
| 91 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 92 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 93 |
 |
Tripartite Unity | Max Bill | 1948 - 1949 CE |
| 94 |
 |
Oscar Niemeyer | | 1968 CE |
| 95 |
 |
Superquadra | | 1958 - 1960 CE |
| 96 |
 |
Superquadra | | 1958 - 1960 CE |
| 97 |
 |
Americae sive Novi Orbis, Noca Descripto (A New Description of America or the New World) | Abraham Ortelius | 1570 CE |
| 98 |
 |
Tupinambá feather cape | | 17th Century CE |
| 99 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 100 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
