TO
| Author | Title | Subject | Date | Publication Type | ||
|---|---|---|---|---|---|---|
| 26 |
 |
Joen, Rosalie May | The blackfeet medicine lodge ceremony: ritual and dance-drama | 1968 | thesis | |
| 27 |
 |
Hyatt, Edmond Preston | Thermogravimetric study of calcium carbonate decomposition | 1956 | thesis | |
| 28 |
 |
Rosenbury, Mary Margaret | Pins, felt, and cloth: performing Mormon feminism | Mormon faith; Sunbonnets; Pioneer women | 2014-05 | thesis |
| 29 |
 |
Hamilton, Charles Mark | Authorship and architectural influences on the Salt Lake Temple | Salt Lake Temple Church architecture; Designs and plans Latter Day Saint temples; Utah; Salt Lake City | 1972 | thesis |
| 30 |
 |
Jacobs, David Kent | Three creative projects in directing: an original play, a scripted film, a documentary film | College and school drama; Theater -- Production and direction; Documentary films -- Utah -- Salt Lake City; Latter Day Saint churches -- Welfare program, History -- 20th century | 1974-12 | dissertation |
| 31 |
 |
Holt, Marilyn Robinson | Soliloquy in twentieth-century drama | 1974 | dissertation | |
| 32 |
 |
Derington, Krista Treu | Using Rudolf Laban's effort system as an inroad to choreography | Arts-based research; Choreography; Dreams; Effort; LMA; Rudolf Laban | 2015-05 | thesis |
| 33 |
 |
Ballou, Matthew Harris | Homosocial tension in aaron siskind's bill lipkind 10: an examination of the male form as outlier | Abstract Expressionist; Homosocial; Photography | 2015 | thesis |
| 34 |
 |
Povey, Rachel | Oh, Dracula: Chris Burden's 1974 performance at the Utah Museum of Fine Arts | Chris Burden; Oh Dracula; UMFA | 2015-08 | thesis |
| 35 |
 |
Hawks, Aubrey Marie | Tania Candiani's Bordadora (2012): the intersecting histories of religion and women's labor in Mexico | confession; Contemporary art; Mexico; technology; women's labor | 2016 | thesis |
| 36 |
 |
Van Portfleet, Nichele Carlson | Controlling the fear of death through the classical body: ideas on choreography, mortality, and the potential for integrative transformation | 2019 | thesis | |
| 37 |
 |
Bidwell, Benjamin Robert | Following fish and fractals: self-affine patterns of hierarchical formal structures embedded in the contours of Rolf Wallin's ning | 2018 | dissertation | |
| 38 |
 |
Baldridge, Seth Robert | Gold powder and gunpowder: the appropriation of western firearms into japan through high culture | Arquebus; Firearms; Japan; Lacquer; Momoyama; Noh | 2015-08 | thesis |
| 39 |
 |
Green, Carolee Curtis | Chiasmi 1999 | 1999 | thesis | |
| 40 |
 |
Gotter, Natalie E. | Intimacy for deconstruction: the role of female relationships in choreography | Dance | 2017 | thesis |
| 41 |
 |
Lopez, Brianna Nicole | Growing a new body: physicalizing paradoxical systems of grief and desire | 2019 | thesis | |
| 42 |
 |
Habel, Shana L | History of the modern dance program at the University of Utah 1968-1989 | Dance education; Dance history; Elizabeth R. Hayes; Higher education; Modern dance; University of Utah | 2010-07 | thesis |
| 43 |
 |
Kamrath, Catherine | The language of fibers: how movement emerges from space harmony theory and architecture | Architecture; dance; Laban; Space Harmony | 2016 | thesis |
| 44 |
 |
Ivkovich, Elizabeth Grace | The king stag (and i): dancing trans-corporeality and queer ecology on the stage and in the garden | Dance; Ecocriticism; Eco-dramaturgy; Immersive theatre; Queer Ecology; Trans-corporeality | 2016 | thesis |
| 45 |
 |
Pickett, Sara | Hip hop artistic model | Hip-hop; Hip-hop dance; Break dancing | 2008-11 | thesis |
| 46 |
 |
Parker, Sara Beth | Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance | Dance; Myth; Philosophy: Yoga | 2015-05 | thesis |
| 47 |
 |
Ririe, Abigail Marie | Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda | Choreography; Cyborg; Dance; Disability; Performance; Technology | 2012-05 | thesis |
| 48 |
 |
Humphrey, Jessica Renee | How contact improvisation can inform the creative process and enliven its product | Improvisation in dance; Modern dance | 2008-05 | thesis |
| 49 |
 |
Schaub, Carly | From tremor to movement: a choreographic process with fitzmaurice voicework | choreography; Fitzmaurice; improvisation; technique; tremor; voicework | 2016 | thesis |
| 50 |
 |
Schaumann, Marney Debenham | Ripe with meaning: the pregnant body in contemporary dance | Contemporary dance; Dancing pregnant; Motherhood; Pregnancy in media; Pregnant body; Work/life balance | 2010 | thesis |