Author | Title | Subject | Date | Publication Type | ||
---|---|---|---|---|---|---|
26 | Baggs, Belle | Beyond words: an embodied empathetic process | Choreography; Empathy; Movement; Relationships | 2011-08 | thesis | |
27 | Martin, Eliza Abigail | Bodily transfer and sacrificial gestures: rethinking the Hungry Tigress Jataka in Mogao Cave 254 | Buddhist art; Chinese art; Jataka; karma; Sinicization; Stupa | 2014-08 | thesis | |
28 | Green, Carolee Curtis | Chiasmi 1999 | 1999 | thesis | ||
29 | Fuller, Pamela Elizabeth | Choreography for four experience levels of Modern Dance | 1969 | thesis | ||
30 | Van Portfleet, Nichele Carlson | Controlling the fear of death through the classical body: ideas on choreography, mortality, and the potential for integrative transformation | 2019 | thesis | ||
31 | Maksym, Rebecca | Creolite and cultural cannibalism: reconstructing Cuban identity in the work of Marta Maria Perez Bravo and Maria Magdalena Campos-Pons | African diaspora; Créolité; Cuban contemporary art; Cultural cannibalism; Gender; Identity | 2012-12 | thesis | |
32 | Rankin, Louisa Marie | Dance and isolation: themes of technology, independence, loneliness, control, vulnerability, and connection | 2018 | thesis | ||
33 | Cappelletti, Corinne | Dance as a place-making device: examining environmental psychology and place-identity through choreography and performance | Dance; Place identity; Place attachment | 2009-05 | thesis | |
34 | Hardwig, George Scott | Dance hacking: digital technology and the performing body | Dance; Digital; Performance; Screendance; Technology | 2014-08 | thesis | |
35 | Butcher, Brenda | Dance movement therapy: transforming psychological trauma into growth | 2019 | thesis | ||
36 | Gray, Winston Grant | Dance theatre of Alwin Nikolais | Modern Dance | 1905-05-20 | thesis | |
37 | Mielke, Benjamin Allen | Dance training as mechanism for overcoming the technologization of the body | Digital realities; Interpersonal communication; Modern dance; Sociology; Technology; Time | 2013-08 | thesis | |
38 | Lee, Nancy Isabel | Dances Inspired by the Navaho | 1971 | thesis | ||
39 | Parker, Sara Beth | Dancing amidst flames: discomfort and surrender as a catalyst for artistic growth in choreography and performance | Dance; Myth; Philosophy: Yoga | 2015-05 | thesis | |
40 | Beaumont, Jennifer Ann | Dancing from within: the role of intuition | Modern dance, Psychological aspects; Choreography, Psychological aspects; Intuition | 2008-08 | thesis | |
41 | Ririe, Abigail Marie | Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda | Choreography; Cyborg; Dance; Disability; Performance; Technology | 2012-05 | thesis | |
42 | Bobzin, Lynn Marie | Dancing toward humanity: accessing embodiment in artifice within the choreographic and performative processes | Being doing; Creative process; Embodiment; Empathy; Vulnerability | 2013-08 | thesis | |
43 | Bagley, Claire Valene | Editing in the choreographic process: "I am a work of fiction" | Creative process; Dance; Film editing; Graphic novel; Montage; Pina Bausch | 2013-08 | thesis | |
44 | Sailer, Kathryn Patricia | Embodied spectacle: an exploration of three-dimensional performance | Choreography; Installation; Modern dance; Postmodern; Site-specific; Three-dimensional; Dance | 2012-05 | thesis | |
45 | Ramos, Alysia | Embodying eclecticism from potential to actualization | Choreography; Composition; Dance; Eclecticism; Embodiment; Nomadic theory | 2014-08 | thesis | |
46 | Stich, Elizabeth Anne | Embodying identity: movement as an experience of self | Creativity; Identity; Laban movement analysis; Modern dance; Movement; Self; Dance; Personality psychology | 2011-05 | thesis | |
47 | Womack, Jessica Sara | Embodying tourism and performance: a new look at landscape | Modern dance; Tourism and the arts | 2008-08 | thesis | |
48 | Alberge, Florian | Exploring personal truth: staging a theatre of the body | abscence; biography; body; dance-theatre; experience; presence | 2017 | thesis | |
49 | Schaub, Carly | From tremor to movement: a choreographic process with fitzmaurice voicework | choreography; Fitzmaurice; improvisation; technique; tremor; voicework | 2016 | thesis | |
50 | Baldridge, Seth Robert | Gold powder and gunpowder: the appropriation of western firearms into japan through high culture | Arquebus; Firearms; Japan; Lacquer; Momoyama; Noh | 2015-08 | thesis |