| Title | Creator | Creation Date | ||
|---|---|---|---|---|
| 226 |
 |
Inauguration Day (View of the National Congress Palace) | Thomaz Farkas | 1960 CE |
| 227 |
 |
Arte Física: Clareira (Caixas de Brasília) [Physical Art: Clearing (Brasília Boxes)], detail of map | Cildo Meireles | 1969 CE |
| 228 |
 |
Vermelho Cortando o Branco (Red and White Cutting) | Hélio Oiticica | 1958 CE |
| 229 |
 |
Shantytown Hill | Tarsila do Amaral | 1924 CE |
| 230 |
 |
A Negra (The Black) | Tarsila do Amaral | 1923 CE |
| 231 |
 |
E.F.C.B. | Tarsila do Amaral | 1924 CE |
| 232 |
 |
Study of The Negress | Tarsila do Amaral | 1923 CE |
| 233 |
 |
The Negress I | Tarsila do Amaral | 1923 CE |
| 234 |
 |
The First Negress | Tarsila do Amaral | 1923 CE |
| 235 |
 |
The Negress III | Tarsila do Amaral | 1923 CE |
| 236 |
 |
Homem com Cachimbo e Chapéu (Man with a Pipe and Hat) | Agnaldo Manoel Dos Santos | 1950s CE |
| 237 |
 |
Reizinho (Little King) | Agnaldo Manoel Dos Santos | 1950s CE |
| 238 |
 |
Rei sentado (Sitting King) | Agnaldo Manoel Dos Santos | 1950s CE |
| 239 |
 |
Untitled | Agnaldo Manoel Dos Santos | 1950s CE |
| 240 |
 |
Christ | Agnaldo Manoel Dos Santos | 1950s CE |
| 241 |
 |
Painting no. 11 Rome | Rubem Valentim | 1965 CE |
| 242 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 243 |
 |
Bichos (Critters or Beasts) | Lygia Clark | 1960 CE |
| 244 |
 |
Tripartite Unity | Max Bill | 1948 - 1949 CE |
| 245 |
 |
Oscar Niemeyer | 1968 CE | |
| 246 |
 |
Superquadra | 1958 - 1960 CE | |
| 247 |
 |
Superquadra | 1958 - 1960 CE | |
| 248 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 249 |
 |
Brasilia, Congress Complex | Oscar Niemeyer | 1958 - 1960 CE |
| 250 |
 |
NC1 Small Nucleus 1 | Hélio Oiticica | 1960 CE |