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Title | Creator | Creation Date |
| 1 |
 |
A palavra/o pau/a pedra (The Word/The Stick/The Stone) | Antonio Manuel | 1968 CE |
| 2 |
 |
Antonio Manuel making a proof at the offices of 'Jornal do Brasil' | Antonio Manuel | |
| 3 |
 |
O corpo é a obra (The Body is the Work) | Antonio Manuel | 1970 CE |
| 4 |
 |
O corpo é a obra (The Body is the Work) | Antonio Manuel | 1970 CE |
| 5 |
 |
A imagem da violência (The Images of Violence) | Antonio Manuel | 1968 CE |
| 6 |
 |
Imperialist Aggression | Nirma Zárate | 1972 CE |
| 7 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 8 |
 |
14 Ago.68 | On Kawara | 1968 CE |
| 9 |
 |
Cartel | Pedro Meyer | 1968 CE |
| 10 |
 |
Student Movement Protests, in La Cultura en Mexico | | September 25, 1968 CE |
| 11 |
 |
Student Movement Protests, in La Cultura en Mexico | | September 25, 1968 CE |
| 12 |
 |
Student Movement Protests, in La Cultura en Mexico | | September 25, 1968 CE |
| 13 |
 |
Paloma de la paz atravesada por una bayoneta (Dove of Peace Pierced by Bayonet) | | 1968 CE |
| 14 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 15 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 16 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 17 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 18 |
 |
Mural efímero (Ephemeral Mural) | Raúl Kamffer | 1968 - 1971 CE |
| 19 |
 |
Siempre!; October 16, 1968: Luto por los Muchachos Muertos (Mourning for the Dead Boys) | | 1968 CE |
| 20 |
 |
Siempre!; October 16, 1968: La Noche de Tlatelolco | | 1968 CE |
| 21 |
 |
Non-Violent Protest Training: Abalone Alliance Camp, Diablo Canyon Nuclear Power Plant, 1981 | Andrea Bowers | 2004 CE |
| 22 |
 |
Defense of Necessity | Andrea Bowers | 2003 CE |
| 23 |
 |
Nonviolent Civil Disobedience Drawing, Go Perfectly Limp and Be Carried Away | Andrea Bowers | 2004 CE |
| 24 |
 |
Soft Blockades Displayed | Andrea Bowers | 2004 CE |
| 25 |
 |
The Weight of Relevance | Andrea Bowers | 2007 CE |
