| Title | Date | Type | Setname | ||
|---|---|---|---|---|---|
| 1 |
 |
I am an American: 2014 Utah JACL Day of Remembrance Program | 2014 | Text | dha_pour |
| 2 |
 |
Tensions in rhetorics of presence and performance | 2012-08 | Text | ir_etd |
| 3 |
 |
The artist is not present: Andy Warhol's 1967 Utah "hoax" as performance and self-portraiture | 2011-08 | Text | ir_etd |
| 4 |
 |
The me of yours and the me of mine: an investigation of subjective self and objective self in dance | 2011-08 | Text | ir_etd |
| 5 |
 |
The singular power of our repeated performances of race | 2013-12 | Text | ir_etd |
| 6 |
 |
Dance hacking: digital technology and the performing body | 2014-08 | Text | ir_etd |
| 7 |
 |
Dancing metal/dancing flesh: alternate opportunities for embodiment through cybernated addenda | 2012-05 | Text | ir_etd |
| 8 |
 |
Towards a decided body and choreography | 2015-08 | Text | ir_etd |
| 9 |
 |
Comparing an object-oriented clinical data repository with its relational database counterpart | 1999-08 | Text | ir_etd |