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Title | Date | Type |
| 1 |
 |
"El arca de noé", o "El árbol embarazador" 15/2/64 | | Image |
| 2 |
 |
"New York" overalls | | Image |
| 3 |
 |
"New York" overalls | | Image |
| 4 |
 |
'Green Hammock' and 'Blue Hammock' | | Image |
| 5 |
 |
'La Poubelle: It's a Sort of Disease' and 'Garbage Walk' | | Image |
| 6 |
 |
'Vivo-Ditos' and 'Autorretrato' (Self Portrait) | | Image |
| 7 |
 |
1) From Inside Out 2) Simple | | Image |
| 8 |
 |
1) From Inside Out, 2) Simple | | Image |
| 9 |
 |
10th Paris Youth Biennial | | Image |
| 10 |
 |
1919-1979: La Estrella (The Star) | | Image |
| 11 |
 |
2x-2 | | Image |
| 12 |
 |
30,000 | | Image |
| 13 |
 |
A Corner of the World... Land | | Image |
| 14 |
 |
A Cuca | | Image |
| 15 |
 |
A imagem da violência (The Images of Violence) | | Image |
| 16 |
 |
A Logo for America | | Image |
| 17 |
 |
A Mile of Crosses on the Pavement | | Image |
| 18 |
 |
A Negra (The Black) | | Image |
| 19 |
 |
A Negra III | | Image |
| 20 |
 |
A palavra/o pau/a pedra (The Word/The Stick/The Stone) | | Image |
| 21 |
 |
A Popular Scene of Devoted Women Giving Offerings to the Parish | | Image |
| 22 |
 |
A SEP (Mexican Ministry of Education) Puppet Theater Production in Mexico City | | Image |
| 23 |
 |
A Stroll in July (Un Paseo en Julio) | | Image |
| 24 |
 |
A Tribune for Democratic Peace | | Image |
| 25 |
 |
Abaporu | | Image |
| 26 |
 |
Abstract Geometric Details in Vertical Format for Olivia Guedes Penteado's Modern Pavilion | | Image |
| 27 |
 |
Abstracto Geométrico (Geometric Abstraction) | | Image |
| 28 |
 |
Abyss (Doorway) | | Image |
| 29 |
 |
Abyss (Doorway) | | Image |
| 30 |
 |
Abyss (Doorway) | | Image |
| 31 |
 |
Abyss (Doorway) | | Image |
| 32 |
 |
Acciones de Arte (Art Actions) | | Image |
| 33 |
 |
Acción Directa (Uninterrupted Action) (detail) | | Image |
| 34 |
 |
Action of the Star | | Image |
| 35 |
 |
Actual No. 1, Hoja de Vanguardia | | Image |
| 36 |
 |
Actual No.1, Hoja de Vanguardia (First Manifest) | | Image |
| 37 |
 |
Adornments | | Image |
| 38 |
 |
Adán y Eva (Adam and Eve) | | Image |
| 39 |
 |
Aerial View of the Highway | | Image |
| 40 |
 |
Agitator | | Image |
| 41 |
 |
Agnus Dei Exhibition | | Image |
| 42 |
 |
Airmail Painting no. 33 | | Image |
| 43 |
 |
Airmail Painting No. 70, V History of the Human Face (London Camino) | | Image |
| 44 |
 |
Alacena (Cupboard) | | Image |
| 45 |
 |
Alacena con Dulces Cubiertos (Cupboard with Covered Sweets) | | Image |
| 46 |
 |
Alberto, Agramonte, Cuba | | Image |
| 47 |
 |
Alberto, Miami | | Image |
| 48 |
 |
Alegoría del Trabajo (Allegory of Work) | | Image |
| 49 |
 |
Alejandro Otero on the staircase of the Engineering School, Central University of Venezuela | | Image |
| 50 |
 |
Alexander Calder's ceiling of 'Acoustic Clouds' for the Aula Magna Auditorium, Central University of Venezuela | | Image |
| 51 |
 |
Algún día de Estos (One of Those Days) | | Image |
| 52 |
 |
Alien Brazil (1b) | | Image |
| 53 |
 |
Alien Brazil (2b) | | Image |
| 54 |
 |
Alien Brazil (3b) | | Image |
| 55 |
 |
Alien Brazil (4b) | | Image |
| 56 |
 |
Alien Brazil (5b) | | Image |
| 57 |
 |
Alien Brazil (6b) | | Image |
| 58 |
 |
Alien Brazil (7b) | | Image |
| 59 |
 |
Alien Brazil (8b) | | Image |
| 60 |
 |
Alien Brazil (9b) | | Image |
| 61 |
 |
All I Ask | | Image |
| 62 |
 |
All I Ask | | Image |
| 63 |
 |
Allegory of the Brazilian Empire | | Image |
| 64 |
 |
Allegory of the Brazilian Empire | | Image |
| 65 |
 |
Allegory of the Departure of Dom Pedro II for Europe after the Declaration of the Republic | | Image |
| 66 |
 |
Allegory of Work (Alegoría del Trabajo) | | Image |
| 67 |
 |
Alone in Green | | Image |
| 68 |
 |
Altar for Eleguá | | Image |
| 69 |
 |
Altarpiece | | Image |
| 70 |
 |
Altarpiece of the Court of Carlos Jiménez | | Image |
| 71 |
 |
Amantes en Acción (Lovers in Action) | | Image |
| 72 |
 |
Amaos (Love One Another) | | Image |
| 73 |
 |
Amazonas II | | Image |
| 74 |
 |
America Nursing Spanish Noble Boys | | Image |
| 75 |
 |
America's Family Prison | | Image |
| 76 |
 |
America's Family Prison | | Image |
| 77 |
 |
America's Family Prison | | Image |
| 78 |
 |
America's Family Prison | | Image |
| 79 |
 |
America's Family Prison | | Image |
| 80 |
 |
American Waste | | Image |
| 81 |
 |
América Invertida (Inverted America) | | Image |
| 82 |
 |
América Invertida (Inverted America), detail | | Image |
| 83 |
 |
An Announcement for a Bullfight in Acho Plaza | | Image |
| 84 |
 |
An Announcement for a Cockfight | | Image |
| 85 |
 |
An Illegal Immigrant Hurries Back to Mexico After Being Spotted by a Border Patrol Vehicle, Desert of San Ysidro, California | | Image |
| 86 |
 |
Analogy I | | Image |
| 87 |
 |
Animados Pelo Mesmo Principio (Animated by the Same Principle) | | Image |
| 88 |
 |
Animal | | Image |
| 89 |
 |
Animal de Cuatro Patas (Four Legged Animal) | | Image |
| 90 |
 |
Anthropophagy | | Image |
| 91 |
 |
Antonio Manuel making a proof at the offices of 'Jornal do Brasil' | | Image |
| 92 |
 |
Antropofogia Matinal (Anthropophagic Morning) | | Image |
| 93 |
 |
Aparelho Cinecromático (Chromo-kinetic Set) | | Image |
| 94 |
 |
Aparelho Cinecromático (Kinechromatic Devices) | | Image |
| 95 |
 |
April in Paris (Brief and Delirious) | | Image |
| 96 |
 |
April in Paris (Brief and Delirious), installation view with other works | | Image |
| 97 |
 |
Ar e Pedra (Air and Stone) | | Image |
| 98 |
 |
Art Cookie | | Image |
| 99 |
 |
Art Cookie | | Image |
| 100 |
 |
Art Cookie | | Image |
