|
|
Title | Date | Type |
| 601 |
 |
Flagelo (The Whipping) | | Image |
| 602 |
 |
Flor Cósmica (Cosmic Flower) | | Image |
| 603 |
 |
Flower Day | | Image |
| 604 |
 |
Flower Seller with Lilies | | Image |
| 605 |
 |
The Flower Vendor, The Covered Limeñas (Women from Lima) | | Image |
| 606 |
 |
Fluvio Subtunal (Subterranean Flow) | | Image |
| 607 |
 |
Flying Garden / Airport City | | Image |
| 608 |
 |
Folha (Leaf) | | Image |
| 609 |
 |
Four Inhabitants of Mexico | | Image |
| 610 |
 |
Frederico Morais carrying the Coca Cola Bottles for his Nova Critica/New Criticism Exhibit at Petite Galerie | | Image |
| 611 |
 |
Frederico Morais carrying the Coca Cola Bottles for his Nova Critica/New Criticism Exhibit at Petite Galerie | | Image |
| 612 |
 |
Frederico Morais sitting in front of the poster for the exhibit "Agnus Dei" | | Image |
| 613 |
 |
Frente Group Exhibition at Itatiaia Country Club, Resende, Brazil | | Image |
| 614 |
 |
Friar Bartolome de las Casas | | Image |
| 615 |
 |
Frida Kahlo and Diego Rivera | | Image |
| 616 |
 |
Frida Kahlo and Diego Rivera, Coyoacan | | Image |
| 617 |
 |
From Spaniard and Albino, Return Backwards | | Image |
| 618 |
 |
From Spaniard and Black, Mulatto | | Image |
| 619 |
 |
From Spaniard and Indian, Mestiza | | Image |
| 620 |
 |
From Spaniard and Mestiza, Castiza | | Image |
| 621 |
 |
From Spaniard and Mulatto, Morisca | | Image |
| 622 |
 |
From Spaniard and Return Backwards, Hold Yourself in Midair | | Image |
| 623 |
 |
From the Capital to Nothing (View of the Esplanade and National Congress Palace Under Construction) | | Image |
| 624 |
 |
From the Uruguayan Torture Series | | Image |
| 625 |
 |
Front Page Headline of Newspaper 'Hoy': "Torres-García Returns to Montevideo" | | Image |
| 626 |
 |
Front-era | | Image |
| 627 |
 |
Funerary Portrait | | Image |
| 628 |
 |
Funk Staden, installation view | | Image |
| 629 |
 |
Galaxy Forming Along Filaments, Like Droplets Along the Strands of a Spider's Web | | Image |
| 630 |
 |
Galaxy Forming Along Filaments, Like Droplets Along the Strands of a Spider's Web (detail) | | Image |
| 631 |
 |
Gandi del Sur | | Image |
| 632 |
 |
Gandi del Sur (detail) | | Image |
| 633 |
 |
Genesis | | Image |
| 634 |
 |
Germán List Arzubide, Ramón Alba de la Canal, Manuel Maples Arce, Leopoldo Méndez and Arqueles Vela | | Image |
| 635 |
 |
Glass Bolide 3 | | Image |
| 636 |
 |
God the Father painting the Virgin of Guadalupe | | Image |
| 637 |
 |
The Golden Age | | Image |
| 638 |
 |
Grande Núcleo (Grand Nucleus), view 1 | | Image |
| 639 |
 |
Grande Núcleo (Grand Nucleus), view 2 | | Image |
| 640 |
 |
Grande Núcleo (Grand Nucleus), view 3 | | Image |
| 641 |
 |
Grande Núcleo (Grand Nucleus), view 4 | | Image |
| 642 |
 |
Grande Núcleo (Grand Nucleus), view 5 | | Image |
| 643 |
 |
Grande Núcleo (Grand Nucleus), view 6 | | Image |
| 644 |
 |
Grande Núcleo (Grand Nucleus), view 7 | | Image |
| 645 |
 |
Grande Núcleo (Grand Nucleus), view 8 | | Image |
| 646 |
 |
Gratia Plena (Tocador) (Full of Grace [A Dressing Table]) | | Image |
| 647 |
 |
The Great Cone of Jerusalem | | Image |
| 648 |
 |
Green Maternity | | Image |
| 649 |
 |
Grupo da Semana de Arte Moderna de 1922 (Group from A Week of Modern Art, 1922) | | Image |
| 650 |
 |
Guama - Los Cinco Sellos (The Five Stamps) | | Image |
| 651 |
 |
Habitation des Apiácas Sur l'Arinos (Apiácas Dwelling on the Arinos River) | | Image |
| 652 |
 |
Hair | | Image |
| 653 |
 |
Hanging the Laundry | | Image |
| 654 |
 |
Hatchet | | Image |
| 655 |
 |
Hats, Havana | | Image |
| 656 |
 |
Her Frangrance Lingered On | | Image |
| 657 |
 |
Hispano-America | | Image |
| 658 |
 |
Historia del Crimen (History of Crime) | | Image |
| 659 |
 |
The History of Mexico | | Image |
| 660 |
 |
The History of Mexico, north wall: Ancient Mexico | | Image |
| 661 |
 |
The History of Mexico, south wall: The World of Today and Tomorrow | | Image |
| 662 |
 |
The History of Mexico, west wall, left inner arch | | Image |
| 663 |
 |
The History of Mexico, west wall, right inner arch | | Image |
| 664 |
 |
The History of Mexico: From the Conquest to the Future | | Image |
| 665 |
 |
History of Mexico: From the Conquest to the Future (detail of Mexico Today and Tomorrow) | | Image |
| 666 |
 |
The History of Mexico: west wall, "From the Conquest to 1930" | | Image |
| 667 |
 |
The Holy Spirit painting the Virgin of Guadalupe | | Image |
| 668 |
 |
Homage to Diane Arbus | | Image |
| 669 |
 |
Home | | Image |
| 670 |
 |
Home Sweet Home | | Image |
| 671 |
 |
Home Sweet Home | | Image |
| 672 |
 |
Homem com Cachimbo e Chapéu (Man with a Pipe and Hat) | | Image |
| 673 |
 |
Horizontes Covers | | Image |
| 674 |
 |
Horse-Headed Woman | | Image |
| 675 |
 |
Hospitality (1) | | Image |
| 676 |
 |
Hospitality (2) | | Image |
| 677 |
 |
Hot Ballot Boxes | | Image |
| 678 |
 |
Hot Ballot Boxes | | Image |
| 679 |
 |
House | | Image |
| 680 |
 |
The House Opposite | | Image |
| 681 |
 |
Housing in Sacolândia | | Image |
| 682 |
 |
How to Earn More Money Than on your Job | | Image |
| 683 |
 |
The Huapango | | Image |
| 684 |
 |
Hundreds of Mozambican Refugees crossing Lake Niassa (or Lake Malawi), which marks the border between Tanzania and Mozambique, on their way home | | Image |
| 685 |
 |
Hélio Oiticica with Parangolé P22 Cape 18, "Nirvana" | | Image |
| 686 |
 |
I and My Future | | Image |
| 687 |
 |
The I and the You | | Image |
| 688 |
 |
The I and the You: Clothing-Body-Clothing | | Image |
| 689 |
 |
I Like Mine Better (Peasant Looking at Hats, Havana) | | Image |
| 690 |
 |
Ideia Multipla (Multiple Ideas) | | Image |
| 691 |
 |
Identity | | Image |
| 692 |
 |
Ideology Detector | | Image |
| 693 |
 |
Idéia Visível (Visibilty Idea) | | Image |
| 694 |
 |
Idéia Visível (Visible Idea) (1) | | Image |
| 695 |
 |
Idéia Visível (Visible Idea) (2) | | Image |
| 696 |
 |
III: Vices of the Modern World | | Image |
| 697 |
 |
Illuminations #4 | | Image |
| 698 |
 |
Illustration to Canto 1 of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | | Image |
| 699 |
 |
Illustration to Canto 2 of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | | Image |
| 700 |
 |
Illustration to Canto 3 of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | | Image |
| 701 |
 |
Illustration to Canto 4 of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | | Image |
| 702 |
 |
Illustration to Canto 5 of 'Urbe: Super-Poema Bolchevique en 5 Cantos' (City: Super-Bolshevik Poem in Five Cantos) by Manuel Maples Arce | | Image |
| 703 |
 |
Immigrant's Dream | | Image |
| 704 |
 |
Imperialist Aggression | | Image |
| 705 |
 |
Improvised House in an Encampment around Lake Paranoá | | Image |
| 706 |
 |
In Memory | | Image |
| 707 |
 |
In the Morning | | Image |
| 708 |
 |
Inauguration Day (Roof of the National Congress Palace) | | Image |
| 709 |
 |
Inauguration Day (View of the National Congress Palace) | | Image |
| 710 |
 |
Inauguration of Parangolé | | Image |
| 711 |
 |
The Indian Helps Progress | | Image |
| 712 |
 |
The Indian Mayor of Chincheros | | Image |
| 713 |
 |
Indian Woman | | Image |
| 714 |
 |
Indian Woman and Mulatto Woman | | Image |
| 715 |
 |
Indians | | Image |
| 716 |
 |
Indians from the Coast | | Image |
| 717 |
 |
Informal Economy Vendors Installation | | Image |
| 718 |
 |
Information Exhibition Catalogue, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | Image |
| 719 |
 |
Information Exhibition Catalogue: Quotation by Kynaston McShine from page 138, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | Image |
| 720 |
 |
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | Image |
| 721 |
 |
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | Image |
| 722 |
 |
Information Exhibition Installation View, Museum of Modern Art, New York, July 2 - Sept 20, 1970 | | Image |
| 723 |
 |
Injured Worker at the Serra Pelada Gold Mine, Brazil | | Image |
| 724 |
 |
Insert in 'Today' Magazine No.115 | | Image |
| 725 |
 |
Insertions into Ideological Circuits 2: Banknote Project, Quem Matou Herzog | | Image |
| 726 |
 |
Insertions into Ideological Circuits: Coca-Cola Project | | Image |
| 727 |
 |
Insertions into Ideological Circuits: Coca-Cola Project | | Image |
| 728 |
 |
Insertions into Ideological Circuits: Currency Project | | Image |
| 729 |
 |
Insertions into Ideological Circuits: Cédula Project | | Image |
| 730 |
 |
Insertions into Ideological Circuits: Cédula Project | | Image |
| 731 |
 |
Insertions into Ideological Circuits: Cédula Project | | Image |
| 732 |
 |
Insertions into Ideological Circuits: Cédula Project | | Image |
| 733 |
 |
The Inside and the Outside (top); The Climber (bottom) | | Image |
| 734 |
 |
The Inside is Outside | | Image |
| 735 |
 |
Installation at the 10th Paris Youth Biennial | | Image |
| 736 |
 |
Installation of 'Mitos Vadios' Event | | Image |
| 737 |
 |
Installation View of 'Airport City' | | Image |
| 738 |
 |
Installation View of 'Cloud City' | | Image |
| 739 |
 |
Installation View of 'Cloud City' | | Image |
| 740 |
 |
Installation View of 'Cloud-Specific' | | Image |
| 741 |
 |
Installation View of Lygia Clark's exhibition at the Signals London Gallery | | Image |
| 742 |
 |
Installation View of Part of Lygia Clark's exhibition in the Brazilian Pavilion, Venice Biennale | | Image |
| 743 |
 |
Installation View of the Neo-Concrete Exhibition III at the Museum of Modern Art, São Paulo | | Image |
| 744 |
 |
Installation, 8th International Istanbul Biennial | | Image |
| 745 |
 |
Installation, 8th International Istanbul Biennial | | Image |
| 746 |
 |
Installation, 8th International Istanbul Biennial | | Image |
| 747 |
 |
Installation, 8th International Istanbul Biennial | | Image |
| 748 |
 |
Instrumento de Trabajo (Instrument of Work) | | Image |
| 749 |
 |
Internal Mirror | | Image |
| 750 |
 |
Introdicción a la Esperanza (Introduction to Hope) | | Image |
| 751 |
 |
Invasion of the Night | | Image |
| 752 |
 |
Inversion of the Scene | | Image |
| 753 |
 |
Invertebrado, versão 01 (Invertebrate, version 1) | | Image |
| 754 |
 |
Invitación al Infierno (Invitation to Hell) | | Image |
| 755 |
 |
Invitation for the Exhibition of Atelier Abstração at Museu de Arte Moderna de São Paulo | | Image |
| 756 |
 |
Invitation to a María Izquierdo Exhibition in New York, 1930 | | Image |
| 757 |
 |
Invitation to Marta Minujín's 'La destrucción' (Destruction), Impasse Ronsin, Paris | | Image |
| 758 |
 |
Invitation to the Março Grupo Exhibition at the CREA Art Gallery, | | Image |
| 759 |
 |
Iracema | | Image |
| 760 |
 |
The Island Bird | | Image |
| 761 |
 |
JAC 1972 Exhibition | | Image |
| 762 |
 |
JAC 1972 Exhibition | | Image |
| 763 |
 |
JAC 1972 Exhibition | | Image |
| 764 |
 |
JAC 1972 Exhibition: Boi Encantado | | Image |
| 765 |
 |
Jamaica | | Image |
| 766 |
 |
Jarro com Limões, Laranjas e Rosas (Jug with Lemons, Oranges, and Roses) | | Image |
| 767 |
 |
Jesús Rafael Soto with "Spiral", Paris | | Image |
| 768 |
 |
Joaquín Torres-García in his inscribed "New York" overalls | | Image |
| 769 |
 |
Jogos de Guerra (War Games) | | Image |
| 770 |
 |
Jornal (Newspaper) | | Image |
| 771 |
 |
Jornal de Brasil - Suplemento Dominical, August 24, 1958 | | Image |
| 772 |
 |
José Francisco | | Image |
| 773 |
 |
Juan Diego | | Image |
| 774 |
 |
Juanito va a la Ciudad (Juanito Goes Downtown) | | Image |
| 775 |
 |
The Jungle | | Image |
| 776 |
 |
The Jungle | | Image |
| 777 |
 |
Juscelino Kubitschek and Lúcio Costa locating the Monumental Axis of Brasília | | Image |
| 778 |
 |
Juscelino Kubitschek with the Carajá Cacique at the First Official Catholic Mass held in Brasília, Brazil, May 3 1957 | | Image |
| 779 |
 |
Just...tick tack, bending the narrative | | Image |
| 780 |
 |
Karimbada 1, 2, and 3, and Invitation to take part in the publication Karimbada, Unhandeijara Lisboa | | Image |
| 781 |
 |
Kidney Bean Pot | | Image |
| 782 |
 |
Kyn Taniya Cover | | Image |
| 783 |
 |
L'Encyclopédie (Planta del Piso de Marmol de Quatre Nations, Paris) | | Image |
| 784 |
 |
La Anarquia del Ano XX (Anarchy in Year Twenty) | | Image |
| 785 |
 |
La Belle Epoch | | Image |
| 786 |
 |
La Cabanne de Julie (Julie's Cabin) | | Image |
| 787 |
 |
La Calle (The Street) | | Image |
| 788 |
 |
La Calle (The Street) | | Image |
| 789 |
 |
La Casa de Enfrente | | Image |
| 790 |
 |
La Ciudad de México | | Image |
| 791 |
 |
La Cuisine à la Roça (Rustic Meal) | | Image |
| 792 |
 |
La destruccíon (The Destruction) | | Image |
| 793 |
 |
La Dolorosa (The Mournful One) | | Image |
| 794 |
 |
La DS | | Image |
| 795 |
 |
La Escuela del Crimen (The School of Crime) | | Image |
| 796 |
 |
La Estrella (The Star) | | Image |
| 797 |
 |
La Familia Obrera (Proletarian Family) | | Image |
| 798 |
 |
La Familia Obrera (The Working Class Family) | | Image |
| 799 |
 |
La Fuente de la Hermana Agua (The Fountain of the Sister Water) | | Image |
| 800 |
 |
La Fuente de la Hermana Agua (The Fountain of the Sister Water) | | Image |
