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Title | Date | Type |
1 |
|
"New York" overalls | | Image |
2 |
|
"New York" overalls | | Image |
3 |
|
A Negra (The Black) | | Image |
4 |
|
Abstract Geometric Details in Vertical Format for Olivia Guedes Penteado's Modern Pavilion | | Image |
5 |
|
Abstracto Geométrico (Geometric Abstraction) | | Image |
6 |
|
Ball, Plane, and Hole | | Image |
7 |
|
Cabinet | | Image |
8 |
|
Calmaria II (Marinha) [Calm II (Sea)] | | Image |
9 |
|
Ceramic: Jars | | Image |
10 |
|
Church of the Archdiocesan Seminary, Apse | | Image |
11 |
|
Column | | Image |
12 |
|
Composition | | Image |
13 |
|
Composition with Temple Pediment | | Image |
14 |
|
Composição (Composition) | | Image |
15 |
|
Composição (Composition) | | Image |
16 |
|
Composição Abstrata (Abstract Composition) | | Image |
17 |
|
Composição Geométrica (Geometric Composition) | | Image |
18 |
|
Composição VI: Distribuição Rítmica Sobre um Sistema Modulado (Composition VI: Rhythmic Distribution of a Modular System) | | Image |
19 |
|
Composiçāo (Composition) | | Image |
20 |
|
Composiçāo 1 (Composition 1) | | Image |
21 |
|
Composiçāo Linear (Linear Composition) | | Image |
22 |
|
Composiçāo Ortogonal no. 2 (Orthogonal Composition no. 2) | | Image |
23 |
|
Conceito Espacial (Space Concept) | | Image |
24 |
|
Concretion 5629 | | Image |
25 |
|
Concretion 5732 | | Image |
26 |
|
Concreto (Concrete) | | Image |
27 |
|
Concreção 5521 | | Image |
28 |
|
Concreção 5730 | | Image |
29 |
|
Concreção 5942 | | Image |
30 |
|
Concreção 6045 | | Image |
31 |
|
Construcción universal (Universal Construction) | | Image |
32 |
|
Construccíon con triángulo (Construction with triangle) | | Image |
33 |
|
Constructif à l'ancre centrale (Constructive with central anchor) | | Image |
34 |
|
Construction in White | | Image |
35 |
|
Construction PH5-H4 | | Image |
36 |
|
Construction with Three Figures | | Image |
37 |
|
Constructive Composition | | Image |
38 |
|
Constructive Composition | | Image |
39 |
|
Constructive Composition | | Image |
40 |
|
Constructive Composition No. 548 | | Image |
41 |
|
Constructive Painting | | Image |
42 |
|
Constructive Painting No. 3 | | Image |
43 |
|
Constructivo con varillas superpuestas (Constructive with superimposed bars) | | Image |
44 |
|
Constructivo en blanco y negro con pez (Constructive in white and black with fish) | | Image |
45 |
|
Construção No.78 (Construction No.78) | | Image |
46 |
|
Construção No.87 (Construction No.87) | | Image |
47 |
|
Cosmic Monument | | Image |
48 |
|
Cover of 'Círculo y Cuadrado' (Circle and Square), with reproduction of a Bolivian Pre-Columbian Idol from Tiahuanaco | | Image |
49 |
|
Decorative Motif Study for the Olivia Guedes Penteado Pavillon of Modern Art | | Image |
50 |
|
Desenho (Design) | | Image |
51 |
|
Desenho No.2: Equilibrio Restabelecido (Design No.2: Balance Restored) | | Image |
52 |
|
Detail of the Ceiling of Olivia Guedes Penteado Modern Pavilion | | Image |
53 |
|
Dobrolet Poster | | Image |
54 |
|
Espaços (Spaces) | | Image |
55 |
|
Estructura en color (Color Structure) | | Image |
56 |
|
Estrutura Plástica (Plastic Structure) | | Image |
57 |
|
Front Page Headline of Newspaper 'Hoy': "Torres-García Returns to Montevideo" | | Image |
58 |
|
Idéia Visível (Visibilty Idea) | | Image |
59 |
|
Invitation for the Exhibition of Atelier Abstração at Museu de Arte Moderna de São Paulo | | Image |
60 |
|
Joaquín Torres-García in his inscribed "New York" overalls | | Image |
61 |
|
K VII | | Image |
62 |
|
Lock for Celso Figueiredo's Residence | | Image |
63 |
|
Luís Sacilotti, Waldemar Cordeiro and Geraldo de Barros | | Image |
64 |
|
Léon Dégand in an interview with 'Journal of the Arts' in front of works by Cesar Domela and Jean Arp | | Image |
65 |
|
Manifesto do III Salão de Maio (Manifesto of the Third May Salon) | | Image |
66 |
|
Manifesto Ruptura (Ruptura Manifesto) | | Image |
67 |
|
Manto Tupinambá (Tupinambá Cape) | | Image |
68 |
|
Metaesquema 519 | | Image |
69 |
|
Metaesquema I | | Image |
70 |
|
Monument to the Third International | | Image |
71 |
|
Movimento (Movement) | | Image |
72 |
|
Mural | | Image |
73 |
|
Mural | | Image |
74 |
|
Mural for the Secretary of Finance of Recife | | Image |
75 |
|
Mural for the Secretary of Finance of Recife | | Image |
76 |
|
New York Street Scene | | Image |
77 |
|
Norte (North) | | Image |
78 |
|
Objecto Rítmico No. 2 (segunda versão), Déc. 70 (Rhythmic Object No. 2 [second version], December 1970) | | Image |
79 |
|
Objeto Ritmico No.1 (Rhythmic Object No.1) | | Image |
80 |
|
Oval Hanging Construction No. 12 (view 1) | | Image |
81 |
|
Painel (Panel) | | Image |
82 |
|
Painterly Architectonic | | Image |
83 |
|
Paisaje Constructivista, Montevideo (Constructivist Landscape, Montevideo) | | Image |
84 |
|
Panneau (Panel) | | Image |
85 |
|
Patio and Garden of Mário Cunha Bueno's Residence | | Image |
86 |
|
Physique (Physics) | | Image |
87 |
|
Pintura (Painting) | | Image |
88 |
|
Pintura 2 (Painting 2) | | Image |
89 |
|
Plano em Superfícies Moduladas No.2 (Plan in Modulated Areas No.2) | | Image |
90 |
|
Poster for the First São Paulo Biennial | | Image |
91 |
|
Poster for the International Festival of Brazilian Cinema | | Image |
92 |
|
Project for the Monument to the Third International | | Image |
93 |
|
Retrato de Tarsila (Portrait of Tarsila) | | Image |
94 |
|
Retícula | | Image |
95 |
|
Ruptura Exhibition in the Museum of Modern Art, Sao Paolo | | Image |
96 |
|
Ruptura Manifesto (English translation with photo of Ruptura group in a Sao Paulo Bar) | | Image |
97 |
|
Sem titulo (Untitled) | | Image |
98 |
|
Sem título, déc. 50 (Untitled, December, 1950) | | Image |
99 |
|
Sheet from the Portfolio for Walter Gropius (1) | | Image |
100 |
|
Spatial Composition 4 | | Image |