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Title | Date | Type | Setname |
1 |
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"Indian Brigands" | | Image | uu_aah_art |
2 |
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"The Disasters of War' (Los Desastres de la Guerra): 'And there is nothing to be done.' (Y no hai remedio.) (plate 15) | | Image | uu_aah_art |
3 |
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"The Disasters of War' (Los Desastres de la Guerra): 'And this too.' (Y esto tambien.) (plate 45) | | Image | uu_aah_art |
4 |
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"The Disasters of War' (Los Desastres de la Guerra): 'I saw it.' (Yo lo vi.) (plate 44) | | Image | uu_aah_art |
5 |
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"The Disasters of War' (Los Desastres de la Guerra): 'Not [in this case] either' (Tampoco) (plate 36) | | Image | uu_aah_art |
6 |
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"The Disasters of War' (Los Desastres de la Guerra): 'Not [in this case] either' (Tampoco) (plate 36) | | Image | uu_aah_art |
7 |
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"The Disasters of War' (Los Desastres de la Guerra): 'On account of a knife' (Por una navaja.) (plate 34) | | Image | uu_aah_art |
8 |
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"The Disasters of War' (Los Desastres de la Guerra): 'One can't look.' (No se puede mirar.) (plate 26) | | Image | uu_aah_art |
9 |
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"The Disasters of War' (Los Desastres de la Guerra): 'One Can't Tell Why (No se puede saber por qu?) (plate 35) | | Image | uu_aah_art |
10 |
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"The Disasters of War' (Los Desastres de la Guerra): 'What courage!' (Que valor!) (plate 7) | | Image | uu_aah_art |
11 |
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"The Disasters of War' (Los Desastres de la Guerra): And there is no help (Y no hai remedio) (plate 15) | | Image | uu_aah_art |
12 |
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'Cafe Martin' Face Powder Container | | Image | uu_aah_art |
13 |
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'Pantomimes Lumineuses' Poster, No.1 in a series of 5, Red | | Image | uu_aah_art |
14 |
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'Pantomimes Lumineuses' Poster, No.2 in a series of 5, Yellow | | Image | uu_aah_art |
15 |
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'Pantomimes Lumineuses' Poster, No.3 in a series of 5, Blue | | Image | uu_aah_art |
16 |
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'Pantomimes Lumineuses' Poster, No.4 in a series of 5, Light Green | | Image | uu_aah_art |
17 |
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'Pantomimes Lumineuses' Poster, No.5 in a series of 5, Completed | | Image | uu_aah_art |
18 |
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'Specimen Book of Types' Title Page | | Image | uu_aah_art |
19 |
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'Specimen of Printing Types' Title Page | | Image | uu_aah_art |
20 |
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'Specimens of Printing Types' Title Page | | Image | uu_aah_art |
21 |
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'The Book of Common Prayer' Title Page | | Image | uu_aah_art |
22 |
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'The Grammar of Ornament', Egyptian No.1 page | | Image | uu_aah_art |
23 |
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'The Story of the Glittering Plain' Title Page Spread | | Image | uu_aah_art |
24 |
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'The Studio' Magazine Cover | | Image | uu_aah_art |
25 |
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'The Works of Geoffrey Chaucer: The Knight's Tale' | | Image | uu_aah_art |
26 |
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17 Rue de Belleville, Halle aux Chapeaux | | Image | uu_aah_art |
27 |
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A Bar at the Folies-Bergér | | Image | uu_aah_art |
28 |
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A Family Walking in the Park | | Image | uu_aah_art |
29 |
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A Gallery in the British Museum | | Image | uu_aah_art |
30 |
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A Holiday in Chinatown, San Francisco, California | | Image | uu_aah_art |
31 |
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A l'Éxposition Universelle - Section Égyptienne | | Image | uu_aah_art |
32 |
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A Shilling Well Laid Out: Tom and Jerry at the Exhibition of Pictures at the Royal Academy | | Image | uu_aah_art |
33 |
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A Street Scene in the Chinese Quarter of San Francisco, California, during the Celebration of the Chinese New Year, 1875 | | Image | uu_aah_art |
34 |
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A Trip to Chinatown | | Image | uu_aah_art |
35 |
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A Turkish Woman with Parasol | | Image | uu_aah_art |
36 |
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Abandonment of the Raft of the Medusa | | Image | uu_aah_art |
37 |
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Abraham Lincoln | | Image | uu_aah_art |
38 |
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Adam | | Image | uu_aah_art |
39 |
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Admiral Farragut Monument | | Image | uu_aah_art |
40 |
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Advertisement for Swinburne Printing Company, Minneapolis | | Image | uu_aah_art |
41 |
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Advertisements in 'Judge', September 12, 1896 | | Image | uu_aah_art |
42 |
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After the Bath, Woman Drying Herself | | Image | uu_aah_art |
43 |
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Agathaumas | | Image | uu_aah_art |
44 |
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Age of Bronze | | Image | uu_aah_art |
45 |
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Age of Bronze | | Image | uu_aah_art |
46 |
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Agnes Weld as 'Little Red Riding Hood' | | Image | uu_aah_art |
47 |
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Alcazar d'Éte, Revue Fin de Siècle | | Image | uu_aah_art |
48 |
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Aldea de Cabocles à Canta-Gallo (Native Village in Cantagalo) | | Image | uu_aah_art |
49 |
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Aldea de Cabocles à Canta-Gallo (Native Village in Cantagalo) | | Image | uu_aah_art |
50 |
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Alexis de Tocqueville | | Image | uu_aah_art |
51 |
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Alice Liddell | | Image | uu_aah_art |
52 |
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Alice Liddell as 'The Beggar Maid' | | Image | uu_aah_art |
53 |
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Allegory of the Brazilian Empire | | Image | uu_aah_art |
54 |
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Allegory of the Brazilian Empire | | Image | uu_aah_art |
55 |
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The Alley | | Image | uu_aah_art |
56 |
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Amazons | | Image | uu_aah_art |
57 |
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American Bison Group | | Image | uu_aah_art |
58 |
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An image of Angela Davis is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
59 |
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An image of Breonna Taylor image is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
60 |
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An image of Frederick Douglass is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
61 |
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An image of George Floyd is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
62 |
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An image of George Floyd is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
63 |
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An image of Harriet Tubman is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
64 |
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An image of Malcolm X is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
65 |
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An image of Marcus David Peters image is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
66 |
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An image of Martin Luther King Jr. is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
67 |
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An image of Martin Luther King Jr. is projected on the Robert E. Lee Monument while the face of Donald Trump is projected onto the backside of General Lee's horse | | Image | uu_aah_art |
68 |
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An image of the late John Lewis is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
69 |
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An image of Trayvon Martin is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
70 |
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An image of W.E.B. Du Bois is projected on the Robert E. Lee Monument | | Image | uu_aah_art |
71 |
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Anatomical Crucifixion | | Image | uu_aah_art |
72 |
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Anatomy Lesson with Dr. George Rolleston | | Image | uu_aah_art |
73 |
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The Anatomy of a Kiss | | Image | uu_aah_art |
74 |
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Ancient Ports of Carthage, 1858 | | Image | uu_aah_art |
75 |
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Anxieties (plate 7 of 'Paraphrase on the Finding of a Glove') | | Image | uu_aah_art |
76 |
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The Apotheosis of Napoleon | | Image | uu_aah_art |
77 |
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Apple of the Hesperides and Rum Ice | | Image | uu_aah_art |
78 |
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Arctic Hare | | Image | uu_aah_art |
79 |
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Aristide Bruant in his Cabaret | | Image | uu_aah_art |
80 |
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Artillery camped in the Tuileries Garden (end of September 1870) | | Image | uu_aah_art |
81 |
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The Artist's Sister Lola | | Image | uu_aah_art |
82 |
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Ascending Incline, Angle 1 in 4 | | Image | uu_aah_art |
83 |
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The Assassination of Fualdes | | Image | uu_aah_art |
84 |
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The Assassination of Fualdes | | Image | uu_aah_art |
85 |
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The Assassination of Fualdès | | Image | uu_aah_art |
86 |
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Assumption of the Virgin, with King David and Angelic Choir | | Image | uu_aah_art |
87 |
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Assumption of the Virgin, with King David and Angelic Choir | | Image | uu_aah_art |
88 |
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Assumption of the Virgin, with King David and Angelic Choir (detail) | | Image | uu_aah_art |
89 |
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Athena Parthenos Temple (Parthenon), reconstruction painting | | Image | uu_aah_art |
90 |
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Attitudes of Animals in Motion (Man Running) | | Image | uu_aah_art |
91 |
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Auguste Neyt, Model for Rodin's "Age of Bronze" | | Image | uu_aah_art |
92 |
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Auguste Rodin posing with "The Kiss" in marble | | Image | uu_aah_art |
93 |
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Back View of Musculature and Skeleton | | Image | uu_aah_art |
94 |
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The Balaklava Railway Reaching the Church of Kadiculi, Crimea | | Image | uu_aah_art |
95 |
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Balzac, First Study of Nude "F" | | Image | uu_aah_art |
96 |
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The Barefoot Boy | | Image | uu_aah_art |
97 |
|
Barn Owls | | Image | uu_aah_art |
98 |
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The Barricade | | Image | uu_aah_art |
99 |
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Barricade of la rue de Flandre (Salle de la Marseillaise), 18 March 1871. Paris | | Image | uu_aah_art |
100 |
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Barricade of la rue de la Roquette, Place de la Bastille, 18 March 1871. Paris | | Image | uu_aah_art |