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Title | Date | Type |
| 1 |
 |
"Dragon" made from ray skin | | Image |
| 2 |
 |
"Dragon" made from ray skin | | Image |
| 3 |
 |
A Classical Landscape with Fishermen Drawing in their Nets | | Image |
| 4 |
 |
A Moor Presenting a Parrot to a Lady | | Image |
| 5 |
 |
A Printer's Workshop | | Image |
| 6 |
 |
A River Landscape with Fishermen | | Image |
| 7 |
 |
A true representation of the two great Masterpieces of Nature, the Elephant, and the Rhinoceros, drawneafter the life, lately brought over from the east Indies to London, the like never seen before in England | | Image |
| 8 |
 |
A Woman scraping Parsnips, with a Child standing by her | | Image |
| 9 |
 |
The Abduction of Helen from a set of The Story of Troy | | Image |
| 10 |
 |
Africans Playing Calabashes and Tambourines | | Image |
| 11 |
 |
Alexander and Porus | | Image |
| 12 |
 |
Alexander the Great Entering Babylon (or The Triumph of Alexander) | | Image |
| 13 |
 |
Allegory of America, from New Inventions of Modern Times (Nova Reperta), plate 1 of 19 | | Image |
| 14 |
 |
America | | Image |
| 15 |
 |
America | | Image |
| 16 |
 |
An Italianate wooded landscape with figures | | Image |
| 17 |
 |
An Italianate wooded landscape with figures | | Image |
| 18 |
 |
The anatomical lesson of Professor Frederik Ruysch | | Image |
| 19 |
 |
Anatomy Lesson of Dr. Frederick Ruysch | | Image |
| 20 |
 |
Antwerp cabinet | | Image |
| 21 |
 |
Antwerp cabinet | | Image |
| 22 |
 |
Antwerp cabinet | | Image |
| 23 |
 |
Archduke Leopold Wilhelm's Gallery | | Image |
| 24 |
 |
Astronomical Compendium | | Image |
| 25 |
 |
Astronomical Compendium | | Image |
| 26 |
 |
Astronomical Compendium | | Image |
| 27 |
 |
Astronomical Compendium | | Image |
| 28 |
 |
Astronomical Compendium | | Image |
| 29 |
 |
Astronomical Compendium | | Image |
| 30 |
 |
Athanasius Kircher's Museum at the Jesuit College in Rome | | Image |
| 31 |
 |
Automaton | | Image |
| 32 |
 |
Automaton Clock in the Form of Diana on Her Chariot | | Image |
| 33 |
 |
The Avenue at Middelharnis | | Image |
| 34 |
 |
Battle of the Granicus | | Image |
| 35 |
 |
The Borghese-Windsor Cabinet | | Image |
| 36 |
 |
Brazilian Landscape | | Image |
| 37 |
 |
Cabinet | | Image |
| 38 |
 |
Cabinet | | Image |
| 39 |
 |
Cabinet | | Image |
| 40 |
 |
Cabinet | | Image |
| 41 |
 |
Cabinet | | Image |
| 42 |
 |
Cabinet | | Image |
| 43 |
 |
Cabinet | | Image |
| 44 |
 |
Cabinet | | Image |
| 45 |
 |
Cabinet | | Image |
| 46 |
 |
Cabinet | | Image |
| 47 |
 |
Cabinet | | Image |
| 48 |
 |
Cabinet | | Image |
| 49 |
 |
Cabinet of Curiosities | | Image |
| 50 |
 |
Cabinet with Scenes of Genesis | | Image |
| 51 |
 |
Cabinet with Scenes of Genesis | | Image |
| 52 |
 |
Calendar of 354: Dedication to Valentinus | | Image |
| 53 |
 |
Calendar of 354: Illustration of the Month of March | | Image |
| 54 |
 |
Calendar of 354: Portrait of Constantine II as Consul (for use of Roman Christian Valentius) | | Image |
| 55 |
 |
Calendar of 354: Portrait of Consul of the Year (the Caesar Gallus) | | Image |
| 56 |
 |
Capela Dourada (Golden Chapel), view towards the altar | | Image |
| 57 |
 |
Casket | | Image |
| 58 |
 |
Chalice cover | | Image |
| 59 |
 |
Chalice of the Abbot Suger of Saint Denis, watercolor from the Peiresc Collection | | Image |
| 60 |
 |
Chalice veil | | Image |
| 61 |
 |
Chateau de Villandry, garden | | Image |
| 62 |
 |
Christ of Clemency | | Image |
| 63 |
 |
Cocnut Cup with Cover | | Image |
| 64 |
 |
Composition of Flowers and Insects | | Image |
| 65 |
 |
Composition of Flowers and Insects | | Image |
| 66 |
 |
Composition of Fruit and Insects | | Image |
| 67 |
 |
Composition of Insects | | Image |
| 68 |
 |
The Conquest of Tenochtitlàn | | Image |
| 69 |
 |
The Conquest of Tenochtitlán | | Image |
| 70 |
 |
Copy of an Aztec Herbal, folio 7 (Codex de la Cruz-Badiano) | | Image |
| 71 |
 |
Cotton Genesis: Genesis 12:1-3: God Commanding Abraham to Leave Haran (watercolor copy) | | Image |
| 72 |
 |
Cotton Genesis: Third Day of Creation: Creation of the Plants (watercolor copy) | | Image |
| 73 |
 |
Crucifix | | Image |
| 74 |
 |
Crucifix (detail) | | Image |
| 75 |
 |
Crucifix (detail) | | Image |
| 76 |
 |
The Denial of Saint Peter | | Image |
| 77 |
 |
Design for a Sugar Sculpture (Trionfo) with Arms of Innocent XI Odescalchi | | Image |
| 78 |
 |
Designs for Folded Napkins | | Image |
| 79 |
 |
Designs for Folded Napkins (Animals) | | Image |
| 80 |
 |
Diana and Stag Automaton | | Image |
| 81 |
 |
Diana and the Stag | | Image |
| 82 |
 |
Dish with two birds in a landscape | | Image |
| 83 |
 |
Display Cabinet | | Image |
| 84 |
 |
Display Cabinet | | Image |
| 85 |
 |
Display Cabinet | | Image |
| 86 |
 |
Display Cabinet | | Image |
| 87 |
 |
Display Cabinet | | Image |
| 88 |
 |
Display Cabinet | | Image |
| 89 |
 |
Display Cabinet | | Image |
| 90 |
 |
Drawing Manual: Six Studies of Feet | | Image |
| 91 |
 |
Edo Plaque Pendant | | Image |
| 92 |
 |
Equestrian Oba and Attendants | | Image |
| 93 |
 |
Equestrian Oba and Attendants | | Image |
| 94 |
 |
Ewer with cover | | Image |
| 95 |
 |
Family at Dinner Table | | Image |
| 96 |
 |
Feather mosaic with hummingbirds | | Image |
| 97 |
 |
Figure Studies for Various Female and Male Figures (recto) | | Image |
| 98 |
 |
The five orders of architecture: Tuscan, Doric, Ionic, Corinthian, and Composite | | Image |
| 99 |
 |
Flower Pyramid | | Image |
| 100 |
 |
Flower Pyramid (detail) | | Image |
