Curriculum-based images for use in teaching, research, and learning.
| Title | Creator | Creation Date | ||
|---|---|---|---|---|
| 526 |
 |
Kidney Bean Pot | Einar and Jamex de la Torre | 2002 CE |
| 527 |
 |
Luchadorcito | Einar and Jamex de la Torre | 2004 CE |
| 528 |
 |
Bethlehem Boy | Einar and Jamex de la Torre | 2008 CE |
| 529 |
 |
The Second Mass in Brazil (known as the Mass of the Taking of Possession) | Glauco Rodrigues | 1996 CE |
| 530 |
 |
Thursday Morning | João Cãmara | 2000 CE |
| 531 |
 |
Escrito (Script) | Emmanuel Nassar | 2000 CE |
| 532 |
 |
Carta Atemporal (Timeless Letter) | Jose Roberto Aguilar | 2000 CE |
| 533 |
 |
Article in 'El Mundo', Covering the Alleged 'Total Participation Happening' | August 21, 1966 CE | |
| 534 |
 |
Article by Sociologist Eliseo Verón Analyzing the 'Non-Happening' or 'Happening que no Existió (Happening That Did Not Exist) | October 30, 1966 CE | |
| 535 |
 |
First Media Artwork: Total Participation Happening, Flamenco Dancer Antonio Gades | Roberto Jacoby; Eduardo Costa; Raúl Escari | 1966 CE |
| 536 |
 |
First Media Artwork: Total Participation Happening | Roberto Jacoby; Eduardo Costa; Raúl Escari | 1966 CE |
| 537 |
 |
De Espanol y de India, produce Mestizo (Spaniard and Indian Produce a Mestizo) | attributed to Juan Rodriguez Juarez | ca. 1715 CE |
| 538 |
 |
Iracema | José Maria de Medeiros | 1881 CE |
| 539 |
 |
O Homem das Sete Cores (Man in Seven Colors) | Anita Malfatti | 1915 - 1916 CE |
| 540 |
 |
Workers | Tarsila do Amaral | 1933 CE |
| 541 |
 |
Art Cookie | Regina Silveira | 1976 CE |
| 542 |
 |
Art Cookie | Regina Silveira | 1976 CE |
| 543 |
 |
Art Cookie | Regina Silveira | 1976 CE |
| 544 |
 |
Portrait of the Intrepid Mariner Simão, Coalman of the Steamship Pernambucana | José Correia de Lima | 1853 CE |
| 545 |
 |
Ministry of Education and Public Health (now Palacio Capanema) | Lúcio Costa; Oscar Niemeyer; Affonso Reidy; Jorge Moreira; Le Corbusier (consultant) | 1936 - 1945 CE |
| 546 |
 |
Capela Dourada (Golden Chapel), view towards the altar | Antonio Martins Santiago (sculptor); Manuel de Jesus Pinto (gilt) | late 17th Century - 18th Century CE |
| 547 |
 |
Monastery of São Bento High Altar | 17th - 18th Century CE | |
| 548 |
 |
Sanctuary of Bom Jesus do Congonhas, view of the façade | Antônio Francisco Lisboa (Aleijadinho) | 18th Century CE |
| 549 |
 |
Machine Animal (Bicho) | Lygia Clark | 1962 CE |
| 550 |
 |
Livro do Tempo | Lygia Pape | 1960 CE |