|
|
Title | Creator | Creation Date |
126 |
|
Pescador (Fisherman) | Tarsila do Amaral | c. 1925 CE |
127 |
|
Estudo (Academia No 2) [Study (Academy No 2)] | Tarsila do Amaral | 1923 CE |
128 |
|
O Modelo (The Model) | Tarsila do Amaral | 1923 CE |
129 |
|
Figura em Azul (Figure in Blue) | Tarsila do Amaral | 1923 CE |
130 |
|
A Feira I (The Street Market I) | Tarsila do Amaral | 1925 CE |
131 |
|
São Paulo (Gazo) | Tarsila do Amaral | 1924 CE |
132 |
|
Penetrable Magic Square No. 5, view 4 | Hélio Oiticica | 1978 CE |
133 |
|
Penetrable Magic Square No. 5, view 3 | Hélio Oiticica | 1978 CE |
134 |
|
Penetrable Magic Square No. 5, view 1 | Hélio Oiticica | 1978 CE |
135 |
|
Penetrable Magic Square No. 5, view 2 | Hélio Oiticica | 1978 CE |
136 |
|
Penetrable Magic Square No. 5, view 5 | Hélio Oiticica | 1978 CE |
137 |
|
Livro da Criação, "Luz" (Book of Creation: "Light") | Lygia Pape | 1960 CE |
138 |
|
The Inside and the Outside (top); The Climber (bottom) | Lygia Clark | 1963 CE; 1964 CE |
139 |
|
Collective Head (1) | Lygia Clark | 1975 CE |
140 |
|
Collective Head (2) | Lygia Clark | 1975 CE |
141 |
|
Water and Shells | Lygia Clark | 1966 CE |
142 |
|
Jarro com Limões, Laranjas e Rosas (Jug with Lemons, Oranges, and Roses) | Beatriz Milhazes | 2000 CE |
143 |
|
O Buda | Beatriz Milhazes | 2000 CE |
144 |
|
Maresca se Entrega todo Destino (Maresco Offers Herself to Destiny) | Liliana Maresca | 1993 CE |
145 |
|
Nature Morte | Regina Vater | 1989 CE |
146 |
|
Mater Dolorosa In Memoriam II (On the Creation and Survival of Forms) | Roberto Evangelista | |
147 |
|
Artists Join Hands forming Human Chains in a 'Cem Mil' (100,000) Protest March, June 26, 1978, in Rio de Janeiro | | 1978 CE |
148 |
|
Photographs of 'A Popular Poet' and 'I Do Not Change My Opinion' | | 1965 CE |
149 |
|
Animados Pelo Mesmo Principio (Animated by the Same Principle) | João Câmara Filho | 1974 - 1976 CE |
150 |
|
Antropofogia Matinal (Anthropophagic Morning) | João Câmara Filho | 1974 - 1976 CE |