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|
Title | Creator | Creation Date |
51 |
|
Construção No.78 (Construction No.78) | Ivan Serpa | 1955 CE |
52 |
|
Concretion 5629 | Luiz Sacilotto | 1956 CE |
53 |
|
Concretion 5732 | Luiz Sacilotto | 1957 CE |
54 |
|
Composição VI: Distribuição Rítmica Sobre um Sistema Modulado (Composition VI: Rhythmic Distribution of a Modular System) | Willys de Castro | 1953 CE |
55 |
|
Objeto Ritmico No.1 (Rhythmic Object No.1) | Maurício Nogueira Lima | 1953 CE |
56 |
|
Construção No.87 (Construction No.87) | Ivan Serpa | 1955 CE |
57 |
|
Desenho (Design) | Lothar Charoux | 1956 CE |
58 |
|
Untitled | Rubem Ludolf | 1958 CE |
59 |
|
Insertions into Ideological Circuits: Currency Project | Cildo Meireles | 1970 CE |
60 |
|
Hundreds of Mozambican Refugees crossing Lake Niassa (or Lake Malawi), which marks the border between Tanzania and Mozambique, on their way home | Sebastião Salgado | 1994 CE |
61 |
|
Rwandans Collecting Water at a Lake near the Refugee Camp of Benako, Tanzania | Sebastião Salgado | 1994 CE |
62 |
|
Desbravamento da Mata (Taming the Forest) | Candido Portinari | 1941 CE |
63 |
|
Descobrimento (The Discovery of the Land) | Candido Portinari | 1941 CE |
64 |
|
Descoberta do Ouro (Mining of Gold) | Candido Portinari | 1941 CE |
65 |
|
Catequese (Catechesis) | Candido Portinari | 1941 CE |
66 |
|
Indian Woman and Mulatto Woman | Candido Portinari | 1934 CE |
67 |
|
An Illegal Immigrant Hurries Back to Mexico After Being Spotted by a Border Patrol Vehicle, Desert of San Ysidro, California | Sebastião Salgado | 1997 CE |
68 |
|
Two Illegal Immigrants Handcuffed after being Arrested for Illegal Border Crossing, San Ysidro, California | Sebastião Salgado | 1997 CE |
69 |
|
Two Migrants in Tijuana Look into the United States through Cracks in the Steel Border Fence | Sebastião Salgado | 1997 CE |
70 |
|
Political Meeting Organized by the P.K.K. in Atroosh Camp, Iraqi Kurdistan | Sebastião Salgado | 1997 CE |
71 |
|
Migrants Sleeping Near the Border Fence, Tijuana, Mexico | Sebastião Salgado | 1997 CE |
72 |
|
Invitation for the Exhibition of Atelier Abstração at Museu de Arte Moderna de São Paulo | Norberto Nicola | 1956 CE |
73 |
|
Poster for the International Festival of Brazilian Cinema | Alexandre Wollner; Geraldo de Barros | 1954 CE |
74 |
|
Poster for the First São Paulo Biennial | Antônio Maluf | 1951 CE |
75 |
|
Roseni Performing with P 07 Parangolé Cape 04 "Clark" | Hélio Oiticica | 1965 CE |