|
|
Title | Creator | Creation Date |
1301 |
|
Vicki | V. Kim Martinez | |
1302 |
|
Portia | V. Kim Martinez | |
1303 |
|
Rosie | V. Kim Martinez | |
1304 |
|
Wanda | V. Kim Martinez | |
1305 |
|
Adalberto Lara from the State of Mexico. Works as a construction worker in New York he sends 350 dollars a week. | Dulce Pinzon | 2005 CE |
1306 |
|
Hernandez from the State of Veracruz. Works in demolition in New York he sends 200 dollars a week. | Dulce Pinzon | 2005 CE |
1307 |
|
Assembly Line | Agnieszka Kurant | 2017 CE |
1308 |
|
Project 22, 7 forms measuring 600 x 60 x 60 cm constructed to be held horizontal to a wall | Santiago Sierra | 2010 CE |
1309 |
|
Project 22, 7 forms measuring 600 x 60 x 60 cm constructed to be held horizontal to a wall | Santiago Sierra | 2010 CE |
1310 |
|
Project 22, 7 forms measuring 600 x 60 x 60 cm constructed to be held horizontal to a wall | Santiago Sierra | 2010 CE |
1311 |
|
Production Line (Serial 14) | Agnieszka Kurant | 2017 CE |
1312 |
|
133 Persons Paid to Have their Hair Dyed Blonde | Santiago Sierra | 2001 CE |
1313 |
|
133 Persons Paid to Have their Hair Dyed Blonde | Santiago Sierra | 2001 CE |
1314 |
|
Assembly Line | Agnieszka Kurant | 2017 CE |
1315 |
|
Assembly Line | Agnieszka Kurant | 2017 CE |
1316 |
|
Assembly Line | Agnieszka Kurant | 2017 CE |
1317 |
|
Assembly Line | Agnieszka Kurant | 2017 CE |
1318 |
|
Athanasius Kircher's Museum at the Jesuit College in Rome | | 1678 CE |
1319 |
|
Brush from the Portfolio "Grafitti: Letters from my Aunt Evelyn" | Barton Benes | 1991 CE |
1320 |
|
Apple Blossoms | David Bates | 1998 CE |
1321 |
|
Rumors of War | Kehinde Wiley | 2019 CE |
1322 |
|
Rumors of War | Kehinde Wiley | 2019 CE |
1323 |
|
Rumors of War | Kehinde Wiley | 2019 CE |
1324 |
|
Rumors of War | Kehinde Wiley | 2019 CE |
1325 |
|
Rumors of War | Kehinde Wiley | 2019 CE |
1326 |
|
Public Figures (detail) | Do Ho Suh | 1998 CE |
1327 |
|
Public Figures | Do Ho Suh | 1998 CE |
1328 |
|
The Cloaking of the statues of Ponce de Leon | Joiri Minaya | 2019 CE |
1329 |
|
Rumors of War | Kehinde Wiley | 2019 CE |
1330 |
|
Wrapped Monument to Cristobal Colón (Project for Barcelona) | Christo | 1976 CE |
1331 |
|
Fons Americanus: detail of Kneeling Man | Kara Walker | 2019 CE |
1332 |
|
Fons Americanus: detail of Queen Vicky | Kara Walker | 2019 CE |
1333 |
|
Fons Americanus: detail of the Tree | Kara Walker | 2019 CE |
1334 |
|
Turistas (Isabel giving a contract, and Christopher pointing out the South, at Bogota) | Iván Argote | 2012 CE |
1335 |
|
Turistas (Isabel giving a contract, and Christopher pointing out the South, at Bogota) | Iván Argote | 2012 CE |
1336 |
|
Aliyebebwa Ni Mganga Wa Jadi Na Anapelekwa Kijiji Fulani Cha Jilani Kuna Matatizo Ya Mgon Jwa Ana Hali Mbaya Sana (A Traditional Healer Being Carried to a Neighboring Village to Attend to a Sick Patient) | Georges Lilanga Di Nyama | 1992 CE |
1337 |
|
Mji Ni Watu Bila Watu Si Mji Na Sisi Hapa Tulipo Ni Watu Kama Wewe (A Town is Composed of People. Without People it is No Longer a Town. We Are Here As People Just Like You) | Georges Lilanga Di Nyama | 1992 CE |
1338 |
|
24601Manafurahia Kuchaguliwa Tena Mwenyekiti Wao Kwa Mara Ya Pili (They Are Celebrating the Election of Their Chairman for His Second Term) | Georges Lilanga Di Nyama | 1992 CE |
1339 |
|
Manafurahia Kuchaguliwa Tena Mwenyekiti Wao Kwa Mara Ya Pili (They Are Celebrating the Election of Their Chairman for His Second Term) | Georges Lilanga Di Nyama | 1992 CE |
1340 |
|
Akiwa Nyumbani Mganga Wa Jadi Na Wateja Wake (Traditional Healer at Home with his Patients) | Georges Lilanga Di Nyama | 1992 CE |
1341 |
|
Motherhood | Emmanuel Ekong Ekefrey | 1991 CE |
1342 |
|
Painted Catholic Church | Francina Ndimande | 1987 CE |
1343 |
|
Box No. 1: Kajoor Demb Wala Etub Daaw Demba Faal (Kajoor Yesterday or King Daaw Demba Faal's Court) | Amadou Makhtar Mbaye (Tita) | 1992 - 1993 CE |
1344 |
|
Box No. 2: Palum Musaa Moolo Ca Kaasamaas (Coronation of Musaa Moolo in Casamance, southern Senegal) | Amadou Makhtar Mbaye (Tita) | 1990 - 1993 CE |
1345 |
|
Etienne's First Days | Christian Lattier | 1963 - 1964 CE |
1346 |
|
Box No. 3: Njaajaan Njaay Ca Waalo (Njaajaan Njaay in the Kingdom of Waalo) | Amadou Makhtar Mbaye (Tita) | 1991 - 1993 CE |
1347 |
|
Multidenominational Conference | Johannes Segogela | 1993 CE |
1348 |
|
Victim of Alcohol | Johannes Segogela | 1993 CE |
1349 |
|
Jules | Christian Lattier | 1962 CE |
1350 |
|
Music Class | Amadou Makhtar Mbaye (Tita) | |
1351 |
|
The Attic is Empty | Youssouf Bath | 1980 CE |
1352 |
|
5,000,000 Zaires | Jean-Baptiste Ngnetchopa | 1993 CE |
1353 |
|
Beads | Théodore Koudougnon | 1988 CE |
1354 |
|
The Madman of the Plateau | Kra Nguessan | 1987 CE |
1355 |
|
Didiga | Yacouba Touré | 1988 CE |
1356 |
|
Bulletin Board | Brahima Keita Ibak | 1992 CE |
1357 |
|
Untitled | John Fundi | |
1358 |
|
Untitled | John Fundi | |
1359 |
|
Untitled (Adultery Scene) | Emile Guebehi | 1992 CE |
1360 |
|
Untitled (Adultery Scene) | Emile Guebehi | 1992 CE |
1361 |
|
Untitled | Emile Guebehi | 1990 - 1991 CE |
1362 |
|
Uishi Na Jirani Zako Vizuri Ili Ukipatwa Na Shida Watakusaidia (Maintain Good Relations With Your Neighbors and They Will Help You When You Are in Trouble) | Georges Lilanga Di Nyama | 1992 CE |
1363 |
|
Kuishi Mjini Isiwe Sababu Ya Kusahau Ulikotoka (Living in Town is No Excuse to Forget Your Roots) | Georges Lilanga Di Nyama | 1992 CE |
1364 |
|
Untitled (Adultery Scene) | Emile Guebehi | 1992 CE |
1365 |
|
Untitled (Adultery Scene) | Emile Guebehi | 1992 CE |
1366 |
|
Bar Scene | Nicolas Damas | 1990 - 1991 CE |
1367 |
|
The Execution | Nicolas Damas | 1987 - 1988 CE |
1368 |
|
Untitled | John Fundi | 1990 CE |
1369 |
|
Untitled | John Fundi | 1990 CE |
1370 |
|
Rich Man, Woman at Home, Man with Closed Eyes, Soccerman | Johannes Maswanganyi | 1988 CE |
1371 |
|
Cherchebbi | Gedewon | 1977 CE |
1372 |
|
Untitled | Seni Awa Camara | 1980 - 1990 CE |
1373 |
|
Hunters and the Father of Beasts | Twins Seven-Seven | 1991 CE |
1374 |
|
Assembly's Headache | Twins Seven-Seven | 1985 CE |
1375 |
|
Untitled | Twins Seven-Seven | 1990 CE |
1376 |
|
Woman from Giyani | Johannes Maswanganyi | |
1377 |
|
Portrait of a Seated Chief | Sunday Jack Akpan | 1989 CE |
1378 |
|
Portrait of a Seated Chief | Sunday Jack Akpan | 1989 CE |
1379 |
|
Do Not Be Friendly with AIDS Worm | Zephania Tshuma | 1992 CE |
1380 |
|
Snake Through Him | Zephania Tshuma | 1992 CE |
1381 |
|
Danger Love | Zephania Tshuma | 1990 CE |
1382 |
|
Playing on Her | Zephania Tshuma | 1991 CE |
1383 |
|
Sangoma Music | Johannes Maswanganyi | |
1384 |
|
The Painter at Work | Botalatala Bolofe Bwailenge | 1990 CE |
1385 |
|
Fax (The Saxophonist) | Christian Lattier | 1966 CE |
1386 |
|
As If Not But (diptych) | Almighty God (Antony Akoto) | 1985 - 1990 CE |
1387 |
|
The Golden Stool | Almighty God (Antony Akoto) | 1991 CE |
1388 |
|
Destiny | Botalatala Bolofe Bwailenge | 1988 CE |
1389 |
|
December 4, 1991, at 0 Hour | Botalatala Bolofe Bwailenge | 1991 CE |
1390 |
|
1,000 Yuan | Jean-Baptiste Ngnetchopa | 1991 CE |
1391 |
|
50,000 Zaires | Jean-Baptiste Ngnetchopa | 1992 CE |
1392 |
|
Tukimaliza Kucheza Hapa Kiwanjani Kila Mtu Aludi Kwao (When we finish playing here on the field everyone goes back home) | Georges Lilanga di Nyama | |
1393 |
|
Grazing at Shendi | Amir Nour | 1969 CE |
1394 |
|
Balance | Amir Nour | 2016 CE |
1395 |
|
Grace | Amir Nour | 2016 CE |
1396 |
|
Installation View of "A Retrospective: Brevity is the Soul of Wit" | Amir Nour | 2016 CE |
1397 |
|
Installation View of "A Retrospective: Brevity is the Soul of Wit" | Amir Nour | 2016 CE |
1398 |
|
Installation View of "A Retrospective: Brevity is the Soul of Wit" | Amir Nour | 2016 CE |
1399 |
|
Kamala Ishaq, African Artists Exhibition, London, 1969 | | 1962 CE |
1400 |
|
Figural Sculpture at House Entrance | Idah | |