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|
Title | Creator | Creation Date |
| 1 |
 |
Dessin Cruel | Mayo (Antoine Malliarakis Mayo) | 1937 CE |
| 2 |
 |
Portrait | Mayo (Antoine Malliarakis Mayo) | 1937 CE |
| 3 |
 |
Coups de Bâtons | Mayo (Antoine Malliarakis Mayo) | 1937 CE |
| 4 |
 |
Untitled | Inji Efflatoun | 1942 CE |
| 5 |
 |
Boy and Lamp | Inji Efflatoun | 1942 CE |
| 6 |
 |
Untitled | Kamel el-Telmisany | 1942 CE |
| 7 |
 |
Cairo at Night | Robert Medley | 1946 CE |
| 8 |
 |
Mahasseeb Il-Sayyidah | Abdel Hadi El-Gazzar | 1952 CE |
| 9 |
 |
Nudes | Samir Rafi | 1945 CE |
| 10 |
 |
Untitled | Hassan el-Telmisani | 1946 CE |
| 11 |
 |
Untitled | Fouad Kamel | 1950 CE |
| 12 |
 |
Carnival of Harlequin | Joan Miró | 1924 - 1925 CE |
| 13 |
 |
Battle of Fishes | André Masson | 1927 CE |
| 14 |
 |
Persistence of Memory | Salvador Dalí | 1931 CE |
| 15 |
 |
The Murderous Sky | René Magritte | 1927 CE |
| 16 |
 |
Composition | Joan Miró | 1933 CE |
| 17 |
 |
The Escape (La Huida) | Remedios Varo | 1961 CE |
| 18 |
 |
Woman Departing from the Psychoanalyst's Office (Mujer Saliendo del Psicoanalista) | Remedios Varo | 1960 CE |
| 19 |
 |
Sirenas del Aire (Mermaids of the Air) | Lola Alvarez Bravo | original photocollage c. 1935 - 1936 CE, gelatin silver print photomontage printed c. 1958 CE |
| 20 |
 |
Self Portrait | Rosa Rolando | 1952 CE |
| 21 |
 |
Orion Ballet: Juggler (Oríon Ballet: Juglar) | Alice Rahon | 1946 CE |
| 22 |
 |
Still Life Revolving (Naturaleza Muerta Resucitando) | Remedios Varo | 1963 CE |
| 23 |
 |
The Bird of Paradise (L'oiseau de Paradis) | Alice Rahon | 1946 CE |
| 24 |
 |
Behind the Sun | Jacqueline Lamba | 1943 CE |
| 25 |
 |
The Juggler (El Juglar) | Leonora Carrington | 1954 CE |
| 26 |
 |
The Dream of the Poor (El Sueño de los Pobres) | Lola Alvarez Bravo | original photocollage 1935 CE, gelatin silver print photomontage printed 1975 - 1990 CE |
| 27 |
 |
Women's University (Universidad Femenina) | Lola Alvarez Bravo | original photocollage undated, gelatin silver print photomontage printed c. 1943 CE |
| 28 |
 |
Creation of the World or Microcosm (Creacíon del Mundo or Microcosmos) | Remedios Varo | 1955 CE |
| 29 |
 |
Allegory of Work (Alegoría del Trabajo) | María Izquierdo | 1936 CE |
| 30 |
 |
Memory of the Valkyrie (Recuerdo de la Walkyria) | Remedios Varo | 1938 CE |
| 31 |
 |
The House Opposite | Leonora Carrington | 1945 CE |
| 32 |
 |
What the Water Gave Me | Frida Kahlo | 1938 CE |
| 33 |
 |
Green Tea (La Dame Ovale) | Leonora Carrington | 1942 CE |
| 34 |
 |
The Smile of Death (La Sourire de la Mort) | Alice Rahon | 1939 CE |
| 35 |
 |
The Two Fridas (Las Dos Fridas) | Frida Kahlo | 1939 CE |
| 36 |
 |
L'Évade (The Fugitive) | Max Ernst | 1925 E |
| 37 |
 |
Stars in the Sexes of Snails | Joan Miró | 1925 CE |
| 38 |
 |
Cadavre Exquis (Exquisite Corpse) | Joan Miró; Yves Tanguy; Man Ray (Emmanuel Radnitzky); Max Morise | 1927 - 1928 CE |
| 39 |
 |
In the Heart of Paris, Loplop, Bird Superior, Brings the Nightly Food to the Streetlamps | Max Ernst | 1929 CE |
| 40 |
 |
Inside the Central Office of Surrealist Research | Man Ray (Emmanuel Radnitzky) | 1924 CE |
| 41 |
 |
Each Bloody Riot will Help her to Live in Grace and Truth | Max Ernst | 1929 CE |
| 42 |
 |
Woman with her Throat Cut | Alberto Giacometti | 1932 CE |
| 43 |
 |
The Six Elements | René Magritte | 1929 CE |
| 44 |
 |
Painting | Joan Miró | 1927 CE |
| 45 |
 |
Exhibition Catalogue of the 1929 Salon du Caire | | 1929 CE |
| 46 |
 |
Blue Shirts marching on March 23, 1936 | photographer unknown | 1936 CE |
| 47 |
 |
L'Oiseau | Mayo (Antoine Malliarakis Mayo) | 1937 CE |
| 48 |
 |
Self Realisation | Nata Lovett-Turner | 1945 CE |
| 49 |
 |
Boy in Cage | Étienne Sved | c. 1942 CE |
| 50 |
 |
À la surface du sable | Ramses Younane | 1939 CE |
| 51 |
 |
The Woman from the City | Kamel el-Telmisany | 1938 CE |
| 52 |
 |
A Report on the Visit of King Fuad I to the Italian Book and Art Exhibition on February 18, 1927 | | 1927 CE |
| 53 |
 |
Untitled | Rateb Seddik | c. 1940 CE |
| 54 |
 |
Manifesto: Vive L'art Dégénéré | | 1938 CE |
| 55 |
 |
L'Etreinte (The Embrace) | Idabel (Ida Kar and Edmond Belali) | 1940 CE |
| 56 |
 |
Untitled (Underwater Skeleton) | Amy Nimr | 1943 CE |
| 57 |
 |
Untitled | Kamel el-Telmisany | 1940 CE |
| 58 |
 |
Untitled | Ramses Younane | 1939 CE |
| 59 |
 |
Egypt | Roland Penrose | 1939 CE |
| 60 |
 |
Lilian Brook et son orchestre aveugle | Rateb Seddik | c. 1940 CE |
| 61 |
 |
Painting | Joan Miró | 1933 CE |
| 62 |
 |
Le Viol | René Magritte | 1934 CE |
| 63 |
 |
Betrayal of Images (This is not a Pipe) | René Magritte | 1928 CE |
| 64 |
 |
False Mirror | René Magritte | 1928 CE |
| 65 |
 |
Object | Joan Miró | 1936 CE |
| 66 |
 |
Painting | Joan Miró | 1933 CE |
| 67 |
 |
Object (Le Déjeuner en fourrure) | Meret Oppenheim | 1936 CE |
| 68 |
 |
Place d'Italie | Giorgio de Chirico | 1912 CE |
| 69 |
 |
Nostalgia of the Infinite | Giorgio de Chirico | ca. 1913 - 1914 CE |
| 70 |
 |
Elephant of the Celebes | Max Ernst | 1921 CE |
| 71 |
 |
Mountain, Table, Anchors, Navel | Jean (Hans) Arp | 1925 CE |
| 72 |
 |
Catalan Landscape (Hunter) | Joan Miró | 1923 - 1924 CE |
| 73 |
 |
Head of a Woman | Joan Miró | 1938 CE |
| 74 |
 |
Marcel Duchamp in his Twine Installation for the Exhibition First Papers of Surrealism | Arnold Newman | 1942 CE |
| 75 |
 |
Installation view of the First Papers of Surrealism Exhibition | Andre Breton; Marcel Duchamp | 1942 CE |
| 76 |
 |
Apparition of Face and Fruit-bowl on a Beach | Salvador Dalí | 1938 CE |
| 77 |
 |
Time Transfixed | René Magritte | 1938 CE |
| 78 |
 |
Europe after the Rain | Max Ernst | 1940 - 1942 CE |
| 79 |
 |
Spanish Dancer | Joan Miró | 1945 CE |
| 80 |
 |
Les Promenades d'Euclid | René Magritte | 1955 CE |
| 81 |
 |
Attirement of the Bride (La Toilette de la Mariée) | Max Ernst | 1940 CE |
| 82 |
 |
The Blank Signature | René Magritte | 1965 CE |
| 83 |
 |
The Man in the Bowler Hat | René Magritte | 1964 CE |
| 84 |
 |
The Dream | Salvador Dali | 1931 |
| 85 |
 |
The Secret Life | René Magritte | 1928 CE |
| 86 |
 |
Nocturne | Joan Miro | 1935 CE |
| 87 |
 |
Relief Construction | Joan Miró | 1930 CE |
| 88 |
 |
La Revolution Surrealiste No. 1, cover | | 1924 CE |
| 89 |
 |
Painting | Joan Miró | 1933 CE |
| 90 |
 |
Composition | Joan Miró | 1924 CE |
| 91 |
 |
Circus Horse | Joan Miró | 1927 CE |
| 92 |
 |
The Kiss | Joan Miró | Summer - Fall 1924 CE |
| 93 |
 |
Constellation Series: The Nightingale's Song at Midnight and Morning Rain | Joan Miró | September 4, 1940 CE |
| 94 |
 |
Acrobatic Dancers | Joan Miró | 1940 CE |
| 95 |
 |
Un Chien Andalou (An Andalusian Dog) | Salvador Dalí | 1928 CE |
| 96 |
 |
Interpreted Photograph from 'Communication: visage paranoiaque' ('Communication: paranoiac face') | Salvador Dalí | 1931 CE |
| 97 |
 |
Interpreted Photograph, watercolor of work from 'Communication: visage paranoiaque' ('Communication: paranoiac face') | Salvador Dalí | 1931 CE |
| 98 |
 |
Nickel-Plastik | Lászlo Moholy-Nagy; Serge Charchoune | 1922 CE |
| 99 |
 |
Apparition of Face and Fruit-bowl on a Beach (detail) | Salvador Dalí | 1938 CE |
| 100 |
 |
Paronoic-astral Image | Salvador Dalí | 1934 CE |
| 101 |
 |
Venus with Drawers | Salvador Dalí | 1936 CE |
| 102 |
 |
Untitled | Inji Efflatoun | 1941 CE |
| 103 |
 |
Dog Barking at the Moon | Joan Miró | 1926 CE |
| 104 |
 |
Human Condition | René Magritte | 1934 CE |
| 105 |
 |
Woman with her Throat Cut | Alberto Giacometti | 1932 CE |
| 106 |
 |
The House Opposite | Leonora Carrington | c. 1947 CE |
| 107 |
 |
Art of This Century Exhibition, Surrealist Gallery installation view | | 1942 CE |
| 108 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 109 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 110 |
 |
Art of This Century Exhibition, Study for Surrealist Gallery, detail of ceiling and lighting system | | 1942 CE |
| 111 |
 |
Art of This Century Exhibition, Study for Surrealist Gallery, detail of painting supports | | 1942 CE |
| 112 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 113 |
 |
First Papers of Surrealism Exhibition, "Dictionnaire abrégé du surréalisme" pages, including summaries of cultural figures, abstract concepts, and artistic terms relevant to the Surrealist movement and defined in a Surrealist fashion | Yves Tanguy (designer) | 1938 CE |
| 114 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 115 |
 |
Art of This Century Exhibition, Abstract Gallery installation of frameless paintings on vertical cloth straps | | 1942 CE |
| 116 |
 |
Art of This Century Exhibition, Abstract Gallery installation view | | 1942 CE |
| 117 |
 |
Art of This Century Exhibition, Surrealist Gallery, installation view showing Alberto Giacometti's "Walking Woman (left) installed on a Correalist instrument | | 1942 CE |
| 118 |
 |
Art of This Century Exhibition, Peggy Guggenheim and Max Ernst in front of his two works "The Kiss" and "Zoomorphic Couple" | | 1942 CE |
| 119 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 120 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 121 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 122 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 123 |
 |
Where are the Lares of Yesteryear? Happy Home Surrealism!; The Sketch (London), January 26, 1938 | | 1938 CE |
| 124 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 125 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 126 |
 |
First Papers of Surrealism Exhibition, "Dictionnaire abrégé du surréalisme" pages, contributors | Yves Tanguy (designer) | 1938 CE |
| 127 |
 |
Art of This Century Exhibition, Abstract Gallery installation view | | 1942 CE |
| 128 |
 |
Art of This Century Exhibition, Abstract Gallery installation view | | 1942 CE |
| 129 |
 |
First Papers of Surrealism Exhibition, "compensation portraits" represented each artist in the exhibition | | 1938 CE |
| 130 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 131 |
 |
Art of This Century Exhibition, Abstract Gallery detail of Frederick Kiesler's adjustable wooden painting supports | | 1942 CE |
| 132 |
 |
Art of This Century Exhibition, Surrealist Gallery installation view | | 1942 CE |
| 133 |
 |
Art of This Century Exhibition, Surrealist Gallery, Frederick Kiesler and journalist in front of Max Ernst's "The Kiss" | | 1942 CE |
| 134 |
 |
Short Dresses… Long Season, Vogue, January 1943 CE | | 1942 CE |
| 135 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 136 |
 |
At the Salon of the Surrealists, Le Rire, February 4, 1938 | | 1938 CE |
| 137 |
 |
First Papers of Surrealism Exhibition, "Dictionnaire abrégé du surréalisme" cover | Yves Tanguy (designer) | 1938 CE |
| 138 |
 |
Art of This Century Exhibition, Surrealist Gallery, paintings installed on inverted Correalist Rockers | | 1942 CE |
| 139 |
 |
First Papers of Surrealism Exhibition, installation photograph | | 1938 CE |
| 140 |
 |
Art of This Century Exhibition, Abstract Gallery installation view of paintings hung on v-shaped cloth straps | | 1942 CE |
| 141 |
 |
Installation view of the First Papers of Surrealism Exhibition | Marcel Duchamp | 1942 CE |
| 142 |
 |
Indestructible Object (or Object to be Destroyed) | Man Ray (Emmanuel Radnitzky) | 1923 CE, reconstructed in 1964 CE |
| 143 |
 |
Melancholy and Mystery of a Street | Giorgio de Chirico | 1914 CE |
| 144 |
 |
Le Violon d'Ingres | Man Ray (Emmanuel Radnitzky) | 1924 CE |
| 145 |
 |
Un Chien Andalou (An Andalusian Dog) | Salvador Dalí; Luis Bunuel | 1928 CE |
| 146 |
 |
Accommodations of Desire | Salvador Dalí | 1929 CE |
